Mahesh
Veteran Member
Hi everyone,
Ok, I promise that this is my last post for today
But I just had to share this unbelievable sunset with all of you. This was taken tonight from Carkeek Park in Northwest Seattle.
S2 with 20 mm 2.8 Nikkor lens. Hand-held. 1/125 sec. F8. ISO 200. Shot in RAW then to 16 bit tiff then to 8 bit tiff then to JPEG and then resized for the web. On this particular shot, I made 2 conversions from the RAW file, one exposed for the sky and the second exposed for the water and then combined the two images. This works particularly well for sunset shots where the forground can get lost due to the high shutter speed necessary to properly expose the setting sun. But here comes RAW to the rescue. The thing to remember is that your original shot should be taken in such a way as to preserve the proper exposure of the sun (so your highlights don't get blown out) and then bring out the shadow detail by making a second conversion from the orginal RAW file with some positive exposure compensation (1 to 2 stops, depending on the situation). On this shot, I also adjusted the color curves and the levels to get proper contrast and color balance. I think I may even print this one out and hang it. What do you guys think?
Mahesh
--
A picture is worth a thousand words...but a great picture is indescribable.
--Mahesh Thapa
Ok, I promise that this is my last post for today
S2 with 20 mm 2.8 Nikkor lens. Hand-held. 1/125 sec. F8. ISO 200. Shot in RAW then to 16 bit tiff then to 8 bit tiff then to JPEG and then resized for the web. On this particular shot, I made 2 conversions from the RAW file, one exposed for the sky and the second exposed for the water and then combined the two images. This works particularly well for sunset shots where the forground can get lost due to the high shutter speed necessary to properly expose the setting sun. But here comes RAW to the rescue. The thing to remember is that your original shot should be taken in such a way as to preserve the proper exposure of the sun (so your highlights don't get blown out) and then bring out the shadow detail by making a second conversion from the orginal RAW file with some positive exposure compensation (1 to 2 stops, depending on the situation). On this shot, I also adjusted the color curves and the levels to get proper contrast and color balance. I think I may even print this one out and hang it. What do you guys think?
Mahesh
--
A picture is worth a thousand words...but a great picture is indescribable.
--Mahesh Thapa