I shoot mainly B&W.
My main body is a M8.2.
I always shoot with two bodies
I choose a film M as a second body most of the time.
I pick my body/ lens pairings, to add to each other.
I mostly use a 50 f1 on the M8.2 and a 35 Lux on the film body.
I have a third lens, depending on the expected in the bag - mostly a 15 Heliar, when enough light and tight quarters is expected, a 90 Cron pre ASPH, when head/ shoulder portraits are wanted (beautiful on film) or a 135mm for reach or details.
Sometimes, when I expect things, to go quick, I just put the third lens on a third body (classic M6 - very light weight, small).
I shoot the M8.2 up to ISO1250.
I shoot exclusively Kodak TX400 @ 3200 in D-76 or when out of stock Neopan 400 at same speed and developer.
I scan my negatives and develop all images in Adobe Lightroom/ Photoshop.
I print up to 13x19 with a Canon 9500 or bigger in cooperation with a local lab (also pigment ink prints).
I love the M8.2 - I shoot all lenses without filters.
The M8.2 just works.
Any M8 for just 1.000 EUR is a steal - not only as a backup body.
It has the same pixel pitch as the M9, so files are as detailed.
You can easily print 13x19 without any issues at best quality (closeup looking).
You could tryout IR photography and otherwise just use it as an B&W camera, if the IR color issues bug you.
The M9 of course has an edge above ISO 1250, does better colors and does wide angle - other than that, the M8 is the same high quality, reliable tool.
A M8 as a backup is clearly superior to any other camera as M9 backup, as it looks, smells and feels like an M9.
All operations are the same (don't nitpick about minor differences), which is extremely important for fluid shooting. I hate, when having to stop for a moment and think, as the second body has different operation.
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