You can do that if you want to humor yourself. No need for completely white wall and accurate exposure, close enough will be good enough, it will be in your shots just like it was in mine even though I didn't notice it before that just like you didn't.
This was from a part of what you call a real life shot.
Wide open.
No and yes. No because it can be corrected. Yes because one should understand gear they use.
Correct and correct.
There is a number of situations in which color shift will show up as obvious, not just on white background, and all of them are real world. Yeah, you can cornerfix it now that you have learnt something about your gear. You are welcome even though you are not very gracious about it, quite the opposite. Have a nice one.
Part of me thought you might be some sort of Leica troll that was offended that I would put M mount lenses on a Nex. The other part was sincere, hence my overall tone. Sorry for that; it's obvious now I read you wrong. The probability that I would take a "keeper" shot wide open and having noticeable shift is pretty close to zero IMO. But in that rare event, it's nice to know I have a solution because the lens is sharp. I'm impressed with the overall sharpness wide open and I thank you for the demonstration and lesson here.
I'm not capable of taking shots as good as some of these in this thread.Thanks for the pics. I'm really considering the 35/2.8, so I would appreciate any additional pics you could post. Goes for you too headofdestiny
I bought mine at Popflash a few weeks ago.I'm not capable of taking shots as good as some of these in this thread.Thanks for the pics. I'm really considering the 35/2.8, so I would appreciate any additional pics you could post. Goes for you too headofdestiny
http://www.fredmiranda.com/forum/topic/969329/4
And at the moment, my 25mm is welded to my Nex. BTW where do you plan to buy the 35 C?
I certainly do not want to come off the wrong way and scare you away but is it possible for someone to post an actual real world uncropped shot with the Zeiss 25 ZM that is spoiled by color shift? I'd like to see how bad it can get compared to color shifts I've seen in wider lenses.
Ebay. But looks like he just sold out (had 3,new, $820). For the best probably; I need to play with my sel18200 i got yesterday.
I bet the silver does look awesome with that top of the line adapter...cough...jealous...cough. How accurate is infinity with that combo? Please post a nice big shot of the setup from the front. Yeah I believe the 2.8 C outperforms the 2.0 at every aperture, that's why I had to get the C first priority. But for the price I paid for the 2.0, I just had to buy it. The lens is no slouch--the C is just perfection? For low light handheld the extra stop will be useful.
Yes, I love it.
Please define what is a "real world shot" to you because shot I cropped from was from what I consider a real world.
Buddy, you know I am tempted with 35/2, have any samples that would sway me to 2.8?
