Marbuel
Leading Member
Sorry about "dramatical" ... In Czech we can use such word to describe "huge" or "significant", "unexpected" etc. ... I did not think about the right English equivalent
Marek
Marek
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lets think of it this way... with the 5x crop factor a super zoom that goes to 576mm equiv. is really at that point a 115mm lens on FF or approx. 77mm on an APS-C...Maybe I'm reading this wrong but if lenses on ultrazoom Bridge cameras can resolve the tiny and high megapixel sensor won't those cameras give an image as good as an DSLR with same pixels?(1) Super zoom cameras have teeny tiny 1/2.3 sensor with 12 MP, and ultra zoom (20x) lens, but the lens can resolve that sensor. It's a not issue. Most kit lenses would work fine even on 50 MP APSC cameras.
--There is no advantage to larger photosites that you can't replicate just by downsizing the image.Obviously there are advantages to larger more efficient photosites as Nikon has shown with their D3s.
That's not correct. The two sensors create market separation.Then there would be no reason for Nikon to make the D3s. They would just make a D3x and everyone could downsize the image.
Well, you picked a camera known for its poor high ISO.I looked at replacing my Canon 5D with an A900 and worked with a lot of A900 files trying to match the Nikon D700 output at high ISO by downsizing.
For such a comparison to be meaningful you have to apply noise reduction until the higher-MP shot at the resized size has the same level of detail as the native low-MP sensor.It does not work, you can get close. The advantage is that the A900 has smaller photosites and as a result the noise that does appear is finer and less noticeable.
The A900 is only slightly better than my Canon 5D at higher ISO, but the noise is less noticeable and less objectionable because it appears as a finer grain.
When I was a kid, shortly after dragons roamed the earth, experts opined that no drag racer could reach more than 144 or 145mph. I haven't followed the drag racing much, but I've seen short track (half the usual track length) hit that a couple summers ago.--... on this very forum not that long ago opining that we had reached the maximum possible/plausible size for an APS-C sensor?
I sure hope they're reading this. Hi, guys!! (waves smugly). :O
Mike M. (emem)
http://www.veritasmea.com
Quartermile (usual track length) Top Fuel are now beyond 330mphWhen I was a kid, shortly after dragons roamed the earth, experts opined that no drag racer could reach more than 144 or 145mph. I haven't followed the drag racing much, but I've seen short track (half the usual track length) hit that a couple summers ago.
Why are we in such a rush to have our DSLRs perform like compacts?That said, 25MP is not really shocking to me.
24MP FF exists already, compact cameras have had higher pixel density for years.
The D3s is built for pure speed. Part of that is to reduce the number of bytes that have to be pumped through the various buses and pipelines. My point is that there is nothing wrong in the finished image with using more megapixels. I don't mean there's no advantage to building a camera to compromise resolution for the sake of some other area of performance.That's not correct. The two sensors create market separation.Then there would be no reason for Nikon to make the D3s. They would just make a D3x and everyone could downsize the image.
Also, the higher resolution needs more CPU power, which costs money.
The higher-MP sensor's wafer-yield rate might be lower, too.
Yes, I got your point and agree.The D3s is built for pure speed. Part of that is to reduce the number of bytes that have to be pumped through the various buses and pipelines. My point is that there is nothing wrong in the finished image with using more megapixels. I don't mean there's no advantage to building a camera to compromise resolution for the sake of some other area of performance.
But if the limit of the lens is say resolving at about 8.5 mp, which works out to approximately an 8x12 inch print at 300 pixels per inch, if that is all that the lens is able to deliver there is no point bolting that lens on to a 25mp sensor as you will only have 8.5mp worth of detail, you would end up having the data to make a 12x18 inch print but not the information to make that print, you could still make nice 8x12s but you would have nearly twice the data to deal with to make that 8x12.
If the system isn't capable of delivering all the advantages, yet still gives the disadvantages, wouldn't you rather to take a step back to a better compromise.
--
Chris.
A weather sealed ultra wide, is that too much to ask?
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Drawing general conclusions for the general OP question by using current results from specific current technologies, whether from Sony or Canon is meaningless, as a new 25 MP (or more) APS-C sensor would likely be of new technology. The Canon sensors as used in the Canon 7D, T2i, and 60D have a known problem with Dynamic Range (DR) at low ISO's and with red colour separation that affects their DxOMark scores, making such comparisons for the purpose of talking about pixel density image quality pointless.have you seen the 60D test shots and DxO ratings? No thanks.(2) Sony APSC sensor is larger than Canon 60D. 60D pixel density would be around 22 MP on Sony APSC. If 60D has no problem with lenses and noise (the best IQ on Canon APSC), why would 24 MP would be a problem? It's only 2 MP more than 22 MP density of 60D.
+1There is no advantage to larger photosites that you can't replicate just by downsizing the image.Obviously there are advantages to larger more efficient photosites as Nikon has shown with their D3s.
Yes but those figures are not particularly good. Better is relative as that lens is not super in any of the 3 although it is the redesign for the 50D and up sensors. A 50/1.4 lens from Canon should show around 80 or more in all three cameras at the proper aperture.
Kent Gittings
Luis, the increasing computer requirements and data storage with increasing Mega Pixels (MP) may slow down once the number of MP reaches the maximum resolution of the best lenses at their optimum aperture at perhaps 50 MP for APS-C: I believe that once this happens and if MP keeps going up (for reasons of eliminating the need for the Anti Aliasing (AA) filter) to reduce the appearance of colour moiré patterns for certain high resoluiton detail patterns, the camera raw files will become less "raw" in that the camera will likely start to reduce them to a less effective resolution before output.OK, that makes sense.The correct stopping point for sensor resolution is after it outresolves all lenses. The sensor should never have to be the limiting factor on resolution.Will lenses keep up with this resolution increase? Until when?
Sadly it also means that we'll have to keep upgrading computers and backup solutions.
As it is today DVD's are getting small. Soon we will be crying for Blueray-R as harddisk will continue to grow.
Jeff, again according to my calculations, you would just start to see the effects of diffraction for a 16.4 MP APS-C sensor at about f/8, they would start to be obvious at f/11, and completely diffraction limited for about f/16.Gordon, at what f stop do you think diffraction begins to affect image quality on the 16MP sensor in the K5?According to my calculations, for a 24 MP APS-C sensor you might just start to notice the effect of diffraction at f/5.6 and definitely start to notice it at f/11.