25 MP APS-C coming?

Sorry about "dramatical" ... In Czech we can use such word to describe "huge" or "significant", "unexpected" etc. ... I did not think about the right English equivalent :-)
Marek
 
(1) Super zoom cameras have teeny tiny 1/2.3 sensor with 12 MP, and ultra zoom (20x) lens, but the lens can resolve that sensor. It's a not issue. Most kit lenses would work fine even on 50 MP APSC cameras.
Maybe I'm reading this wrong but if lenses on ultrazoom Bridge cameras can resolve the tiny and high megapixel sensor won't those cameras give an image as good as an DSLR with same pixels?
lets think of it this way... with the 5x crop factor a super zoom that goes to 576mm equiv. is really at that point a 115mm lens on FF or approx. 77mm on an APS-C...

Now if you crop the shot with an 77mm lens on 16mp APS-C to 576mm (1.5mp crop) does it resolve the same amount of detail as the 12mp 1/2.33 sensor? well since the P&S has 8 times the pixels it'll likely win, however if the APS-C had 8 times more pixels approx. 130mp then it should match the P&S with the same amount of crop.

This is all assuming the lens is up to the job, but is a P&S lens can be made up to the job then a larger format lens should be able to be made up to the job

--
Mike from Canada

'I like to think so far outside the box that it would require a telephoto lens just to see the box!' ~ 'My Quote :)'



http://www.airliners.net/search/photo.search?sort_order=views%20DESC&first_this_page=0&page_limit=180&&emailsearch=mighty_mike88%40hotmail.com&thumbnails=
 
Then there would be no reason for Nikon to make the D3s. They would just make a D3x and everyone could downsize the image.

I looked at replacing my Canon 5D with an A900 and worked with a lot of A900 files trying to match the Nikon D700 output at high ISO by downsizing. It does not work, you can get close. The advantage is that the A900 has smaller photosites and as a result the noise that does appear is finer and less noticeable. The A900 is only slightly better than my Canon 5D at higher ISO, but the noise is less noticeable and less objectionable because it appears as a finer grain.
Obviously there are advantages to larger more efficient photosites as Nikon has shown with their D3s.
There is no advantage to larger photosites that you can't replicate just by downsizing the image.
--
Contax 645, Canon 5D, Olympus E-3 (sold), Playing with a K-7
 
Then there would be no reason for Nikon to make the D3s. They would just make a D3x and everyone could downsize the image.
That's not correct. The two sensors create market separation.
Also, the higher resolution needs more CPU power, which costs money.
The higher-MP sensor's wafer-yield rate might be lower, too.
I looked at replacing my Canon 5D with an A900 and worked with a lot of A900 files trying to match the Nikon D700 output at high ISO by downsizing.
Well, you picked a camera known for its poor high ISO.
You should have compared the D3x or the 5D MkII to compare with the D700.
It does not work, you can get close. The advantage is that the A900 has smaller photosites and as a result the noise that does appear is finer and less noticeable.

The A900 is only slightly better than my Canon 5D at higher ISO, but the noise is less noticeable and less objectionable because it appears as a finer grain.
For such a comparison to be meaningful you have to apply noise reduction until the higher-MP shot at the resized size has the same level of detail as the native low-MP sensor.

I'm not sure whether you did that. Your comment about the finer noise of the A900 seems to indicate that you did not.

--

'Well, 'Zooming with your feet' is usually a stupid thing as zoom rings are designed for hands.' (Me, 2006)
'I don't own lenses. I pwn lenses.' (2009)
My Homepage: http://www.JensRoesner.de
 
--... on this very forum not that long ago opining that we had reached the maximum possible/plausible size for an APS-C sensor?
I sure hope they're reading this. Hi, guys!! (waves smugly). :O
Mike M. (emem)
http://www.veritasmea.com
When I was a kid, shortly after dragons roamed the earth, experts opined that no drag racer could reach more than 144 or 145mph. I haven't followed the drag racing much, but I've seen short track (half the usual track length) hit that a couple summers ago.

Things do change, often much more than any of us believe possible.

--
Charlie Self
http://www.charlieselfonline.com
 
When I was a kid, shortly after dragons roamed the earth, experts opined that no drag racer could reach more than 144 or 145mph. I haven't followed the drag racing much, but I've seen short track (half the usual track length) hit that a couple summers ago.
Quartermile (usual track length) Top Fuel are now beyond 330mph
http://en.wikipedia.org/wiki/Top_Fuel

330 mph = 147 m/s = 530 km/h
speed of sound at 0m elevation is 340 m/s

--

'Well, 'Zooming with your feet' is usually a stupid thing as zoom rings are designed for hands.' (Me, 2006)
'I don't own lenses. I pwn lenses.' (2009)
My Homepage: http://www.JensRoesner.de
 
For god's sake get out of your cave. There are bunch of these self-proclaimed "experts" who are stuck on the idea that more MP is bad. It's not. More MP == better IQ. This comes straight from Eric Fossum (inventor of CMOS)

see
http://forums.dpreview.com/forums/read.asp?forum=1000&message=37409155
That said, 25MP is not really shocking to me.
24MP FF exists already, compact cameras have had higher pixel density for years.
Why are we in such a rush to have our DSLRs perform like compacts?
 
Then there would be no reason for Nikon to make the D3s. They would just make a D3x and everyone could downsize the image.
That's not correct. The two sensors create market separation.
Also, the higher resolution needs more CPU power, which costs money.
The higher-MP sensor's wafer-yield rate might be lower, too.
The D3s is built for pure speed. Part of that is to reduce the number of bytes that have to be pumped through the various buses and pipelines. My point is that there is nothing wrong in the finished image with using more megapixels. I don't mean there's no advantage to building a camera to compromise resolution for the sake of some other area of performance.
 
The D3s is built for pure speed. Part of that is to reduce the number of bytes that have to be pumped through the various buses and pipelines. My point is that there is nothing wrong in the finished image with using more megapixels. I don't mean there's no advantage to building a camera to compromise resolution for the sake of some other area of performance.
Yes, I got your point and agree.
Maybe I side-tracked a bit.

--

'Well, 'Zooming with your feet' is usually a stupid thing as zoom rings are designed for hands.' (Me, 2006)
'I don't own lenses. I pwn lenses.' (2009)
My Homepage: http://www.JensRoesner.de
 
I guess this is a half-rumour.

I do believe Nikon d400 and sony a700 upgrade is in the wings but my guess is they will be about 20 mp.

Even if sony did develop a 24 mp sensor, I doubt they will bring it one board now. Otherwise the users will not be tempted to upgrade for next two upgrade cycles (approx 2 years each) because any upgrade from 24 mp will be too little.
--
Suhas
 
Cideway, I have to admit that I don't have the thorugh understanding of the lens and sensor resolution, but data seems to indicate that:

Even if a lens does not outresolve an 8.5mp sensor gives even more resolution when it is paired with a higher resoltion sensor. See the data below, 18-55mm f/3.5-5.6 IS (the cheapest zoom lens by Canon) provides more resolution when it is put on a higher MP body (even though it was not outresolving the less MP sensor in the first place):








But if the limit of the lens is say resolving at about 8.5 mp, which works out to approximately an 8x12 inch print at 300 pixels per inch, if that is all that the lens is able to deliver there is no point bolting that lens on to a 25mp sensor as you will only have 8.5mp worth of detail, you would end up having the data to make a 12x18 inch print but not the information to make that print, you could still make nice 8x12s but you would have nearly twice the data to deal with to make that 8x12.

If the system isn't capable of delivering all the advantages, yet still gives the disadvantages, wouldn't you rather to take a step back to a better compromise.
--
Chris.

A weather sealed ultra wide, is that too much to ask?

http://www.pentaxphotogallery.com/chriside

GMT +9.5

Pentax SLR talk FAQ
http://forums.dpreview.com/forums/read.asp?forum=1036&message=23161072
 
(2) Sony APSC sensor is larger than Canon 60D. 60D pixel density would be around 22 MP on Sony APSC. If 60D has no problem with lenses and noise (the best IQ on Canon APSC), why would 24 MP would be a problem? It's only 2 MP more than 22 MP density of 60D.
have you seen the 60D test shots and DxO ratings? No thanks.
Drawing general conclusions for the general OP question by using current results from specific current technologies, whether from Sony or Canon is meaningless, as a new 25 MP (or more) APS-C sensor would likely be of new technology. The Canon sensors as used in the Canon 7D, T2i, and 60D have a known problem with Dynamic Range (DR) at low ISO's and with red colour separation that affects their DxOMark scores, making such comparisons for the purpose of talking about pixel density image quality pointless.

However, NorthwestF's comment that the 18 MP Canon sensor's are still less than the resolution of good lenses and that their actual pixel density is almost that of a 24 MP APS-C sensor is valid.

Regards, GordonBGood
 
As I said during that original discussion the theoretical maximum capability of APS-C is closer to around 21 MP.

But the main issue is that few current lenses are going work well with that pixel density that would be equal to a 45 MP FF sensor. The equivalent line pair resolution of the optics would have to be upwards of 100 to work and few lenses fit that category.

Maybe they are going to come out with some new kind of optical technology to make it work.
Kent Gittings
 
Yes but those figures are not particularly good. Better is relative as that lens is not super in any of the 3 although it is the redesign for the 50D and up sensors. A 50/1.4 lens from Canon should show around 80 or more in all three cameras at the proper aperture.
Kent Gittings
 
From dxomark --> our publication --> Dxomark insights --> "Contrary to conventional wisdom, higher resolution actually compensates for noise

" (due to formatting of dpreview forum text, hyperlink to the particular page does not work)

"For equal, normalized SNR, a high-resolution camera is still better than a low-resolution camera. While it is always possible to simulate a low-resolution camera using a higher resolution camera (since downsampling is easy), it is not possible to simulate a high-resolution camera using a lower-resolution camera other than by interpolating or inventing data. "
 
Actually, that is exactly my point - even though the lens is so-so on a lower MP camera, it still shows more resolution on a high MP camera. And this is true for any lens (I don't have the mathematical expertise to explain this, but this is what is happening in reality). I am sure someone with better mathematical understanding can explain this.
Yes but those figures are not particularly good. Better is relative as that lens is not super in any of the 3 although it is the redesign for the 50D and up sensors. A 50/1.4 lens from Canon should show around 80 or more in all three cameras at the proper aperture.
Kent Gittings
 
Will lenses keep up with this resolution increase? Until when?
The correct stopping point for sensor resolution is after it outresolves all lenses. The sensor should never have to be the limiting factor on resolution.
OK, that makes sense.

Sadly it also means that we'll have to keep upgrading computers and backup solutions.

As it is today DVD's are getting small. Soon we will be crying for Blueray-R as harddisk will continue to grow.
Luis, the increasing computer requirements and data storage with increasing Mega Pixels (MP) may slow down once the number of MP reaches the maximum resolution of the best lenses at their optimum aperture at perhaps 50 MP for APS-C: I believe that once this happens and if MP keeps going up (for reasons of eliminating the need for the Anti Aliasing (AA) filter) to reduce the appearance of colour moiré patterns for certain high resoluiton detail patterns, the camera raw files will become less "raw" in that the camera will likely start to reduce them to a less effective resolution before output.

Regards, GordonBGood
 
According to my calculations, for a 24 MP APS-C sensor you might just start to notice the effect of diffraction at f/5.6 and definitely start to notice it at f/11.
Gordon, at what f stop do you think diffraction begins to affect image quality on the 16MP sensor in the K5?
Jeff, again according to my calculations, you would just start to see the effects of diffraction for a 16.4 MP APS-C sensor at about f/8, they would start to be obvious at f/11, and completely diffraction limited for about f/16.

Regards, GordonBGood
 
Anyone who believes imaginary marketing pitches deserves to fall off the edge of the ocean on that flat earth.

Does anyone really believe a quantum leap in efficiency is going to appear soon? How do you go from ISO's in the thousands to ISO's in the hundreds of thousands? Two order of magnitude improvement? Even the simplest of calculations will show this isn't possible. Do you also believe the gas company is hiding a secret car that can get hundreds of miles to the gallon?

Remember, gasoline only has so much energy, and light only has so many photons. Once you've captured every single photon with 100% efficiency there is no way to get better, no matter how much you'd like to believe.
 

Keyboard shortcuts

Back
Top