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--I'd buy that.I think it has something to do with the mapping of the matrix. The 16.33 EV has to do with the middle value in the scene. You still need higher values in the matrix to measure the highlights.
Put another way, if the maximum value were not limited below the maximum you would not have light measurement inputs from the highlight portions of the picture. The whole point of the matrix is to measure the brightest and darkest parts of the scene and to assign an overall weight. That overall has to be set below the maximum of the meter EV scale or it cannot map the brighter portions.
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."The limitation is a Program exposure mode thing. I don't believe it is operative in other exposure modes, but I'm still checking."
So, he'll likely be back to it, and I'll check my D80 if in, say, A or S modes and MM, it has the limitation as the manual says for P mode.
Was the sun filling the frame? If not, the less bright areas may be influencing the reading in matrix.I can have my D90 pointed at the sun, and the meter in M mode will read zero at f/11 and 1/500s. I then switch to spot or center and the meter shoots to the + side.
I would need a 2000mm lens to have the sun fill the frame. I used my 18-105mm at 105. The sun was in the center of the frame and small...probably too small to spot measure. Still, it was so bright that in Center Weighted it was still two stops too bright at f/11 and 1/4000s. Switching to Matrix at 1/4000s causes the meter to read more than 2 stops underexposed. The meter is centered when shutter is dropped to 1/500s. This is on a tripod.Was the sun filling the frame? If not, the less bright areas may be influencing the reading in matrix.I can have my D90 pointed at the sun, and the meter in M mode will read zero at f/11 and 1/500s. I then switch to spot or center and the meter shoots to the + side.
Yeah, I guess that was a pointless question. Just wondering if an evenly lit surface that fills the frame such as a white wall in full sun, or even a piece of white paper, would be a better test subject.I would need a 2000mm lens to have the sun fill the frame.
It probably would be better if it can be made bright enough. But even sunlight falling on a white paper isn't bright enough.Yeah, I guess that was a pointless question. Just wondering if an evenly lit surface that fills the frame such as a white wall in full sun, or even a piece of white paper, would be a better test subject.I would need a 2000mm lens to have the sun fill the frame.
--Yes it is. Test it again...this time, correctly. If it still seems to work then take it up with Thom Hogan...he's the one who raised this point.But of course I did! Is that the sum of your evidence?All you have to do is test it yourself.
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Perhaps you missed what was written in the opening post.No he did NOT!
That's right, I don't own a D7000...but I'm still right. But hey...you said you tested it and found otherwise, so there ya go.By the way, it doesn't look like (from your posts) you even OWN a D7000.
I don't know where you see any slurs from my part, I hold Nikon's camera design's in very high regard. I blindly recommended the D7000 to two people based on my personal very positive experience with the D200, and the D90's immense popularity. I thought the D7000 would be a no-brainer. I admit now that did in fact recommend it prematurely, not holding a D7000 myself at the time, but I felt I could do that owing to my past experiences and Nikon's excellent reputation.You seem a serious person. If you don't mind, please tell me what you are seeing without all the slurs about Nikon camera design. I'm loyal to them for one reason, they have always delivered, and I simply don't trust anything else. If that makes me a fan boy, so be it.
I agree with the review sites that Matrix-Metering on the D7000 will blow out uniformly bright scenes, and I have no reason to doubt Thom Hogan's very lucid explanation for it. I know my way around a camera and can easily compensate for the idiosyncrasy, but that's not the case for the people I recommended the camera to, and I fear, for the thousands of people who will buy this heavily marketed, relatively affordable enthusiast camera.But If I can find out something from you pertaining to the camera I'm interested in, I would appreciate it. I have it on order, and I already know how to return it, but at this point I doubt seriously I will. I do know I will probably sell it when the D400 comes out, but for this nesting season in southern Louisiana I'm going to give it a go. I do have a fall back.
So what kind of scenes are metering wrong? Is it more highlight related or shadow related? If you can give me specifics I can know what I need to adjust for. What adjustments, I don't know yet, whether it be compensation or another metering mode. But I would appreciate a measured sensible response, and I will answer any question you might have for me in the same manner. And if you have any comments about focus tracking, I listening.
And I honestly don't care if Nikon does a firmware change because I will just go through the same exercise again. It's the part I enjoy because I get it wrong more than I get it right. Kinda like a crossword you can never quite finish.
I'll let you write what you wish without comment for people looking at this thing a different way.
--I can only speak for the D90, but I've already checked all the modes and it's a Matrix thing...not a P-mode thing. Even in M mode, the meter won't read more than 16 EV at ISO L 1.0. I can have my D90 pointed at the sun, and the meter in M mode will read zero at f/11 and 1/500s. I then switch to spot or center and the meter shoots to the + side.
."The limitation is a Program exposure mode thing. I don't believe it is operative in other exposure modes, but I'm still checking."
So, he'll likely be back to it, and I'll check my D80 if in, say, A or S modes and MM, it has the limitation as the manual says for P mode.
Likely why this has never been an issue until Thom mentioned it.Thus, for all practical purposes, maybe except snow in full sunlight, the limit Nikon uses for MM is good enough, there are about 2 1/3 stops still left from typical bright scene and limit (1/500+f/7.1 to 1/1000+f/8).
--Likely why this has never been an issue until Thom mentioned it.Thus, for all practical purposes, maybe except snow in full sunlight, the limit Nikon uses for MM is good enough, there are about 2 1/3 stops still left from typical bright scene and limit (1/500+f/7.1 to 1/1000+f/8).
Eh...MM tends to underexpose snow anyways.
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This is a bit OT, regarding the D7000 metering -- but I have to say I'm a little disappointed in the technical sloppiness of Thom's EV calculations you quoted. EV 16.3 is 1/640s at ISO 100 and f/11 (not 1/500s). And that's 1.7 EV (3.2 times) brighter than "Sunny 16", which is EV 14.6. I'd hardly call that "barely beyond".Thom, in his D7K review, wrote this about the MM system of D7K:
"Be aware of one very big caveat: when the scene you're metering hits 16.3 EV, the matrix metering system gives up and sets its value for 16.3 EV, no matter how much more light there may be. EV 16.3 at ISO 100 is f/11 at 1/500, which is barely beyond Sunny 16."
--This is a bit OT, regarding the D7000 metering -- but I have to say I'm a little disappointed in the technical sloppiness of Thom's EV calculations you quoted. EV 16.3 is 1/640s at ISO 100 and f/11 (not 1/500s). And that's 1.7 EV (3.2 times) brighter than "Sunny 16", which is EV 14.6. I'd hardly call that "barely beyond".Thom, in his D7K review, wrote this about the MM system of D7K:
"Be aware of one very big caveat: when the scene you're metering hits 16.3 EV, the matrix metering system gives up and sets its value for 16.3 EV, no matter how much more light there may be. EV 16.3 at ISO 100 is f/11 at 1/500, which is barely beyond Sunny 16."
Okay now, back on topic ...![]()
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Greg