I've paid some attention to the new Canon SX30, but not the Panasonic model. The SX30 seems to take passably good pictures, despite its handicap of having 14 MP crammed onto its sensor.
I actually gave myself a Christmas present today -- a new HX1. The SX30 with its monster 35x zoom got me interested in the superzoom segment again (I've had a few, from Canon and Panasonic), and I'll be glad to describe my thought process regarding winding up with the HX1.
But let's get through Steve's message, first....
By having such a high magnification power in its lens, any camera will be more susceptible to artifacts such as barrel-distortion and color-fringing. I doubt that the SX30 will produce results that are as clean, bright and undistorted as the HX1. For the extra-high reach of the SX30, an amount of quality-loss would have to be tolerated.
I think that the current crop of 14-megapixel "teensy" sensors have absolutely "tossed the baby out with the bathwater." I don't care who makes the sensor -- these high-pixel-density teensy sensors just produce so much noise that the manufacturers have to employ utterly outrageous amounts of noise reduction processing to deal with it -- and you just wind up with mush. Nothing but mush.
But beyond that, the SX30 images I've seen quite possibly have more color fringing than anything I've ever seen in about a decade's worth of using digital cameras. Canon has always been prone to produce color fringing in its cameras, but the SX30 takes it all to a level beyond horrifying. Why they don't follow Panasonic and deal with that with some in-camera processing, I will never understand. Anyway, add in the high pixel-density mush, and there's just no way I could live with that thing.
Most everything else in the segment, according to the reviews, exhibits relatively the same amounts of high pixel-density mush. Some do better (or not) in regards to color fringing. I kind of like the 30x Olympus SP-800 UZ, since I don't really want or need the EVF and the bulk it requires, but the reviews have been critical of its image quality, and in some "in-store" usage, it was almost impossible to get a stable shot at its full zoom.
I've looked at the HX1 seriously a number of times over the past year or so, and I finally decided I'd better get one before Sony replaces it with yet another 14-megapixel monstrosity.
The reasons that really made me settle for "only" a 20x zoom are the following:
- Lower pixel density sensor.
- Lack of lens distortion at both ends of the zoom range.
- Full features, including image quality settings including noise reduction.
In the end, it really is the only camera with the "Exmor technologies" that provide any image quality adjustments at all, and of course, those settings are really very comprehensive. I compared the "on the LCD" results with the hand-held twilight mode as compared to the Olympus, and the difference was laughable -- just very high-quality results with the Sony, versus "couldn't get a stable shot with a dozen attempts" with the Olympus.
Plus, of course, there are a bunch of other positives such as the articulating screen. It all really adds up to a superzoom camera that I think I can get far better results with as compared to the "out of their freaking minds" high-megapixel competition. And, most of all, the Sony cameras with the "Exmor technologies" are just downright
FUN cameras to use -- gosh, why not get one with that long zoom range, plus a bunch of adjustability that you just can't get in any of the subsequent models Sony has produced since the HX1 hit the market.
So, we'll give it a workout. When I say "I got it today," it was really just a couple of hours ago -- the battery is charging. I'll try to give it a workout over the holidays, and we'll see what happens.
Tom Hoots
http://thoots.zenfolio.com
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