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Yes, via commonly available adapters.Hi, anyone know? I'm selling some OM lenses and a buyer wants to know. Thanks!
There are adapters available on eBay. OM lenses will naturally focus manually only and stop down metering must be used. Exposure compensation is needed as the 4/3 metering system won't read the light correctly - progressively overexposing at apertures larger than f2.8 and underexposing at smaller than f5.6Hi, anyone know? I'm selling some OM lenses and a buyer wants to know. Thanks!
E-500 is a 4/3rds body. It has an 8MP Kodak CCD sensor. Review here:Great, I understand he has an Evolt 500. So, an adapter would do it? I don't think this is a 4/3s body.
From 2.8 onward for a normal 50mm lens. The 2.8 on 300mm will most definitely overexpose at least for a good stop and plus.The in-camera metering works very well with legacy lenses, specially from about f/1.8 onwards.
Not in my experience. The f/1.4 and faster lenses can cause problems. This is easily overcome. I will inform the OP how to do it if the OP requests it ...From 2.8 onward for a normal 50mm lens. The 2.8 on 300mm will most definitely overexpose at least for a good stop and plus.The in-camera metering works very well with legacy lenses, specially from about f/1.8 onwards.
You do not have experience.Not in my experience.From 2.8 onward for a normal 50mm lens. The 2.8 on 300mm will most definitely overexpose at least for a good stop and plus.
You can shoot the 50/1.4 with confidence past f/2.8 and on. Anything before it may, or may not come out right. The light becomes more of a problem as the focal length increases. As I remember I could never shoot 90/2.5 wide open for example in most cases. Although sometimes the images were ok.The f/1.4 and faster lenses can cause problems.
By either stopping the lens down or fitting in some light limiting window behind it. Which in essence does the same thing.This is easily overcome. I will inform the OP how to do it if the OP requests it ...
Yes I do.You have personal experience with the OM f2.8/300?
My personal experience.Source?
Here is 50/1.4 from wide open. You can figure the aperture out through the shutter speeds, as it increases by stop. Starting at f/1.4. The second image is still overexposed, since overall scene was rather dark, although you can pass it on for an ok in some cases. The ideal from the scene exposure is in the third frame, at f/2.8. From then on you can shoot with confidence.And it works fine at any aperture.
I also use a 55mm f1.2 and that meters pretty well even wide open as well, though it isn't very useable at that aperture![]()
What rot! See below.You do not have experience.Not in my experience.From 2.8 onward for a normal 50mm lens. The 2.8 on 300mm will most definitely overexpose at least for a good stop and plus.
Perhaps it was your technique and metering mode used?You can shoot the 50/1.4 with confidence past f/2.8 and on. Anything before it may, or may not come out right. The light becomes more of a problem as the focal length increases. As I remember I could never shoot 90/2.5 wide open for example in most cases. Although sometimes the images were ok.The f/1.4 and faster lenses can cause problems.
Let me get this straight.By either stopping the lens down or fitting in some light limiting window behind it. Which in essence does the same thing.This is easily overcome. I will inform the OP how to do it if the OP requests it ...
Yes I do.You have personal experience with the OM f2.8/300?
My personal experience.Source?
That's been my experience as well. f1.8 and smaller seems OK.And it works fine at any aperture.
I also use a 55mm f1.2 and that meters pretty well even wide open as well, though it isn't very useable at that aperture![]()
You may have the lenses but you have no experience in using them. Just like a have two violins in my house but I can not play them...
Let me get this straight.
You state that I have no personal experience with this, when I have ten legacy lenses. And have posted many images here from time to time taken with these legacy lenses.
Actually plenty, and many in response to you specifically. Just the posts from the last week, which for whatever strange reason were removed, had such images in them. I guess I should not be calling it strange, since the first sentence might give it a hint already.Then you expect me to believe that you have personal experience with one of the more esoteric OM lenses? To my knowledge, this is the first time you have ever mentioned such experience, and have not posted a single image here taken with any legacy lenses AFAIK ...
There has been more substantial evidence on this subject posted by me than anyone ever needs. You just need to search for it.Given your record here, you will pardon me if I ask for some slightly more substantial evidence than you have tendered?
Here, the f/2 in in the middle,..
My f/1.4 50mm is very unpredictable at f/1.4. Fine from f/2 and smaller. My f1.8/50 is fine at all apertures, and as sharp as anything even at f/1.8.
He could have done the same by using the aperture ring.Dark Goob's solution for the faster lenses seems to work judging from the experience of others who have used it.
Gee, I didn't realise that you had lived with me for all these years ...You may have the lenses but you have no experience in using them...
Let me get this straight.
You state that I have no personal experience with this, when I have ten legacy lenses. And have posted many images here from time to time taken with these legacy lenses.
Your ability to play a violin or not is totally irrelevant here.Just like a have two violins in my house but I can not play them.
Eh? Not so ... Link and quote - to quote your mate from San Diego ...Actually plenty, and many in response to you specifically.Then you expect me to believe that you have personal experience with one of the more esoteric OM lenses? To my knowledge, this is the first time you have ever mentioned such experience, and have not posted a single image here taken with any legacy lenses AFAIK ...
You and your mates all hit the Complain button on someone?Just the posts from the last week, which for whatever strange reason were removed, had such images in them. I guess I should not be calling it strange, since the first sentence might give it a hint already.
A fruitless search, perhaps?There has been more substantial evidence on this subject posted by me than anyone ever needs. You just need to search for it.Given your record here, you will pardon me if I ask for some slightly more substantial evidence than you have tendered?
Poor use of metering? AFAICT.Here, the f/2 in in the middle,..
My f/1.4 50mm is very unpredictable at f/1.4. Fine from f/2 and smaller. My f1.8/50 is fine at all apertures, and as sharp as anything even at f/1.8.
http://forums.dpreview.com/forums/read.asp?forum=1022&message=37101734
Here is another one, 90/2.5 wide open - does this image look normal or overexposed?
http://i.pbase.com/o4/83/694283/1/110867079.Kts7HbAJ.exposure20060705_7057692.jpg
Shows how much you understand about image circles ... and formats.He could have done the same by using the aperture ring.Dark Goob's solution for the faster lenses seems to work judging from the experience of others who have used it.
Gee, I didn't realise that you had lived with me for all these years ...You may have the lenses but you have no experience in using them.
Your ability to play a violin or not is totally irrelevant here.Just like a have two violins in my house but I can not play them.
So tell us, what do you do when the setup continually overexposes? Show us your experience, what is the trick?Poor use of metering? AFAICT.Here is another one, 90/2.5 wide open - does this image look normal or overexposed?
http://i.pbase.com/o4/83/694283/1/110867079.Kts7HbAJ.exposure20060705_7057692.jpg
You get what you give in this world, mostly ...So tell us, what do you do when the setup continually overexposes? Show us your experience, what is the trick?Poor use of metering? AFAICT.Here is another one, 90/2.5 wide open - does this image look normal or overexposed?
http://i.pbase.com/o4/83/694283/1/110867079.Kts7HbAJ.exposure20060705_7057692.jpg