The longer version:
When there is plenty of light, and I don't need subject isolation, the 14-24, 24-70 and 70-200 do an outstanding job. Frankly, I have no need for primes in most cases. But when the light gets low, f/1.4 primes become the tool of choice. If I've got enough light for f/5.6, then the primes have no advantage for my shooting.
Between f/5.6 and f/2.8, a lot of factors come into play. But at events where I don't want to use flashes, fast primes come into their own.
In the old days, I normally used primes for nearly all my shooting. A zoom lens was a specialty lens to use when I was willing to sacrifice IQ for the ability to rapidly change focal lengths. Primes were designed as all-around performers, and were often weak performers when shot at wide open aperture. Zooms were weak at nearly all apertures.
Now the tables have turned. Pro zooms are amazing all-around performers, and have largely replaced primes for most shooters. Primes have become the specialty lenses used for conditions where zooms are not suitable - subject isolation and low light.
A lot of older primes needed to be stopped down to f/2.8 to achieve acceptable performance, so you give up IQ to get speed. Higher ISO performance cameras (like the D700) let me use pro zooms in pretty dark conditions, reducing the need for primes.
Some of the newer primes seem to be much more optimized for wide-open performance than in the past. Sigma really understands this, and their 50mm f/1.4 is a good example. I believe Nikon gets this now.
I now base my selection of primes on performance between maximum aperture to f/2. For my shooting needs, that is where I'll use a prime. Otherwise they don't justify the cost.
I'll bet you will see Sigma dive into this area to become the dominate player in fast primes. They can create a single design and spread the sales across multiple mounts. Nikon has wonderful f/1.4 AF-S primes, but they sure are expensive. I think this opens the door for Sigma.
All that said, I love the 85mm f/1.4 AF D, and shoot it more than any other lens - enough that it stays on a (almost) dedicated D700 body, with whatever-zoom on the second body.
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Ken Elliott
Equipment in profile.