Bart7D
Veteran Member
Of Course the DPR review influenced my purchase - since it among many other reviews from sites and forum members here mentioned the initial noise problems at high ISO etc. With the arrival of FW v.4 I was reassured and bought the 700 (upgrading from Maxxum 7 and KM 7D).
To people who deny the review's influence on their purchase (unless they bought before the review): be honest, would you buy such an expensive camera if it got a bad review from DPR,- given the extensive tests and descriptions that extend on other sites' and user's short opinions?
It's the whole package I use,- not just one test or opinion. I'm willing to pay a price for top-notch equipment to fulfill my photographic needs, but cannot afford to simply jump on anything new that comes out.
The A700 surely has lived up to my expectations. For me it still is an excellent piece of equipment, helping me to work and be creative in a vast array of applications (weighing heavily towards concert- and theatre photography, so lots of low-light scenes).
I 'm trying to wait patiently for what Sony has to offer if/when my 700 will come to an irrevocable halt. (I'm at 70-80.000 estimated shutter actuations)
My brand loyalty is not emotional, but caused materially: by a quadruplet of top Minolta lenses that I would hate to sell. But if there's little or no support for high-end / no-nonsense cameras I'll move on.
Bart
To people who deny the review's influence on their purchase (unless they bought before the review): be honest, would you buy such an expensive camera if it got a bad review from DPR,- given the extensive tests and descriptions that extend on other sites' and user's short opinions?
It's the whole package I use,- not just one test or opinion. I'm willing to pay a price for top-notch equipment to fulfill my photographic needs, but cannot afford to simply jump on anything new that comes out.
The A700 surely has lived up to my expectations. For me it still is an excellent piece of equipment, helping me to work and be creative in a vast array of applications (weighing heavily towards concert- and theatre photography, so lots of low-light scenes).
I 'm trying to wait patiently for what Sony has to offer if/when my 700 will come to an irrevocable halt. (I'm at 70-80.000 estimated shutter actuations)
My brand loyalty is not emotional, but caused materially: by a quadruplet of top Minolta lenses that I would hate to sell. But if there's little or no support for high-end / no-nonsense cameras I'll move on.
Bart