What if a "Pro" Body was made LIGHTER

So...
  • Nikon F3HP (760g) + MD-15 (480g) + 8 AA (208g) * 2 + roll of film (29g) * 22 = 2294g
  • Nikon D3X (1260g) + spare EN-EL4e (160g) = 1420g
Yeah, that DSLR shaved a couple of pounds off the bag, by eliminating the archaic film "support system".

--
Someone mentioned lenses, too. It was probably in the mid-80s before I got so I trusted zooms, so I'd have at least six lenses with me when I was working races. 20mm. 35mm. 75 or 85mm. 135mm. 200mm. 300mm. 400mm. Today, with two bodies, I need two lenses, though I usually have four. For a fat old man, that's enough weight, but considerably less than I carried 40 years ago. Of course, I'm toting a bit of personal extra that is proving hard to get rid of, sort of like my first wife.

--
Charlie Self



http://www.charlieselfonline.com
 
That is what Canon did with the 5D and it works fine for some and not for others. 90% or more of the weight I deal with at weddings is equipment other than the camera including 8 lenses, tripod, group lighting kit, strobes, battery packs and spare AA batteries, camera bags and a roller case.

A lighter camera would have very little impact. The best one could hope for would be a pro grade APS-C camera to be able to use lighter lenses and still shoot at ISO 6400. Within 1-2 years that should be possible.

Some may say that they can do this with the D7000 or the 7D but I will believe it when I see it with my own two eyes. I see shots all the time at ISO 3200 taken with the 5D Mark II that have noise that is worse than from the D300s at that setting and none that I would want to ever show to a client.
 
But let's put it this way, for Poly-Carbonate / Composite material to be build as sturby as such of a typical Mag alloy body the shell will need to be engineered to be thick with in build ridges and grid for distributing loads and that in the end made it actually heavier ...

And as for the need for ligher body that will not see tough environment. Well, there's always the 5D MK-II vs the 1Ds, and the D700 vs the D3s ... might be they are not exactly equivalent, but close enough that I would say majority of the need can be met ( especially for those who shoot RAW and do their own development )

And for a twist , why not consider those that actually build lighter but yet still well build bodies like that of a Pentax K-5
--
  • Franka -
 
would you buy a "pro" body, top of the line, Flagship camera body of your favorite/chosen camera manufacturer if that camera body was made 50% or 60% lighter by using "plastic" (or whatever the tough plastic needs to be used to make it super sturdy and pliable like a magnesium alloy equivalent, which is what is usually used)...?

and let's say your pro work -- is a wedding photographer/studio photographer...you know where the body will not usually be exposed to rough and tough environments?

you know.. the camera body will look the same as teh existing Canon 1D mark something or Nikon D3x... only that it will be 60% lighter..?

will you buy it knowing it will perform teh same and knowing it will give the same super quality Images you get from a body made with a magnesium alloy chassis?

--
http://www.johnparas11.zenfolio.com
 
The real weight issues I've had have been with lenses more than bodies.

The D700 bodies that I use aren't too heavy, but lenses like the 70-200 can be too heavy when used for weddings.

That was one of the reasons behind a recent move to mainly primes.
 
The real weight issues I've had have been with lenses more than bodies.
I still take out my T90 and 80-200 f4 L on occasion. That setup feels like a feather compared to a pro DSLR with a 70-200 2.8.

Since eyeglasses have been made of polycarbonate forever, why can't the internal elements in our camera lenses be made of some sort of plastic as well?
 
I think the pentax k-5 may well surprise performance-wise and sell well. I am not a technician but I don't understand why Pentax doesn't sell thin lens adapters so that Canon or Nikon owners could switch to Pentax without having to buy a new set of lenses.

I realize that camera makers make money from their lenses and want to lock you in their systems, but since Pentax has such a small DSLR market share, they would have very little to lose and a lot to gain.
 
The real weight issues I've had have been with lenses more than bodies.
I still take out my T90 and 80-200 f4 L on occasion. That setup feels like a feather compared to a pro DSLR with a 70-200 2.8.

Since eyeglasses have been made of polycarbonate forever, why can't the internal elements in our camera lenses be made of some sort of plastic as well?
This question comes up often enough to be a FAQ. Plastics are cheap, and they're so much easier to grind to lens shapes than goass, so you'd think they'd be in common use.

Eyeglasses are slow, 2 diopter (average strength) glasses 60mm across are only f9. They sit in front of the human eye, which is not color corrected and has terrible CA, not to mention very high distortion, and requires a huge computer to correct. Photographic lenses are shorter focal lengths, and much faster, and they have to have their CA and distortion much better corrected than human vision. And eyeglasses are single elements, while photographic lenses have up to 28.

So, while plastics are suitable for eyeglasses, they're not suitable for most photographic lenses for several reasons...
  1. Glass, amorphous SiO2, has a molecular weight of 60.1, while plastics stable enough to hold shape have molecular weights in the hundreds of thousands or millions. So, when photons go through plastics, their paths get altered passing through forests of those huge polymer molecules. This limits resolution and causes a certain "veiling" effect.
  2. Different glass formulas give you a range of dispersion (change in focal length of a lens with different colors of light, the cause of "chromatic aberration) from Abbe number around 20 (very high dispersion) to 100 (extra low dispersion). By combining positive and negative elements of different dispersions, you can cancel chromatic aberrations. There's no such thing as ED plastic.
  3. Plastics, even cross-linked polymers, "creep" after they're cast, ground, or mounted. After it ages a few months or years, a plastic lens no longer has a shape whose precision is measured in fractions of a wavelenght of light, and it loses resolution.
  4. Plastics tend to be hygroscopic, they absorb water. Polycarb, for example, can easily absorb 0.2% of its weight in water, accompanied by a 0.1% shift in dimensions. It swells and warps. A 12mp image is 3000x4000 pixels. If the lens swells 0.1%, focus shifts by about 30 or 40 pixels across the image. Other plastics are better, but none are as good as glass.
  5. With an upper working temperatures of 120-200°C (polycarb, for example, is 130°C) plastics don't take well to the application of modern optical coatings. Typically, there's about 18 trips through a vacuum chamber, getting blasted with arc-vaporized metals.
There have been attempts: the Nikon 10mm orthoggraphic fisheye used a plastic inner element. And, of course, hybrid aspheric elements, where most of the lens is glass, ground to a conventional spherical shape, and the plastic "overlay" just distorts that shape to an aspheric one. Because it's thin, and there aren't many of them, the plastic "problems" don't affect the optical design.

wizfaq plastic lenses

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
This question comes up often enough to be a FAQ. Plastics are cheap, and they're so much easier to grind to lens shapes than goass, so you'd think they'd be in common use.
Or mold. I think a fair number of lenses have plastic components in them. I have a cheap preset 400mm lens (don't use it anymore) that has a plastic lens. After a few years, it started having some issues. I disassembled the lens and buffed that piece with a soft cloth, improving it substantially.
Eyeglasses are slow, 2 diopter (average strength) glasses 60mm across are only f9.
So what? They're supplemental lenses. A Canon 500D closeup lens with a 58mm thread would also be an f8 lens. That doesn't really mean much for a supplementary lens, though.
They sit in front of the human eye, which is not color corrected and has terrible CA, not to mention very high distortion, and requires a huge computer to correct. Photographic lenses are shorter focal lengths, and much faster, and they have to have their CA and distortion much better corrected than human vision. And eyeglasses are single elements, while photographic lenses have up to 28.
You really should be comparing the eye (rather than eyeglasses) to a photographic lens, it seems to me.
So, while plastics are suitable for eyeglasses, they're not suitable for most photographic lenses for several reasons...
  1. Glass, amorphous SiO2, has a molecular weight of 60.1, while plastics stable enough to hold shape have molecular weights in the hundreds of thousands or millions. So, when photons go through plastics, their paths get altered passing through forests of those huge polymer molecules. This limits resolution and causes a certain "veiling" effect.
Isn't a lens' job to alter the light's path?
  1. Different glass formulas give you a range of dispersion (change in focal length of a lens with different colors of light, the cause of "chromatic aberration) from Abbe number around 20 (very high dispersion) to 100 (extra low dispersion). By combining positive and negative elements of different dispersions, you can cancel chromatic aberrations. There's no such thing as ED plastic.
... which doesn't mean you can't use them for some of the elements.
  1. Plastics, even cross-linked polymers, "creep" after they're cast, ground, or mounted. After it ages a few months or years, a plastic lens no longer has a shape whose precision is measured in fractions of a wavelenght of light, and it loses resolution.
... unless it is cemented to a glass element where it has no place to creep.
  1. Plastics tend to be hygroscopic, they absorb water. Polycarb, for example, can easily absorb 0.2% of its weight in water, accompanied by a 0.1% shift in dimensions. It swells and warps. A 12mp image is 3000x4000 pixels. If the lens swells 0.1%, focus shifts by about 30 or 40 pixels across the image. Other plastics are better, but none are as good as glass.
... if it's sealed from water, say, by being cemented to glass, this issue would tend to go away somewhat.
  1. With an upper working temperatures of 120-200°C (polycarb, for example, is 130°C) plastics don't take well to the application of modern optical coatings.
A lens bonded to another lens doesn't need a coating.
Typically, there's about 18 trips through a vacuum chamber, getting blasted with arc-vaporized metals.
Plastics are metalized regularly. I don't think this is an issue.
There have been attempts: the Nikon 10mm orthoggraphic fisheye used a plastic inner element. And, of course, hybrid aspheric elements, where most of the lens is glass, ground to a conventional spherical shape, and the plastic "overlay" just distorts that shape to an aspheric one. Because it's thin, and there aren't many of them, the plastic "problems" don't affect the optical design.
Bottom line, plastic lenses have a place, but it's insignificant, relatively speaking.

--

 
don't understand why Pentax doesn't sell thin lens adapters so that Canon or Nikon owners could switch to Pentax without having to buy a new set of lenses.
Canon, at least, requires a camera body with an extremely wide mount.

--
RDKirk
'TANSTAAFL: The only unbreakable rule in photography.'
 
I think the pentax k-5 may well surprise performance-wise and sell well. I am not a technician but I don't understand why Pentax doesn't sell thin lens adapters so that Canon or Nikon owners could switch to Pentax without having to buy a new set of lenses.
They don't do a Nikon adapter because:
  • The Nikon register (lens mount to focal plane distance) is 46.5mm, about 1mm longer than the Pentax register of 45.46mm, so the lens bayonets "interdigitate", that is, the tabs of one bayonet flange fit in the notches in the other, and you literally can't turn the lens to lock it into the adapter. So, you need to make something 1mm thick that has complex, lever operated claws to grab each bayonets tabs and pull the interdigitated bayonets close together.
  • Newer Nikon lenses lack an aperture ring, so the adapter also needs a lever or a gear driven knob to operate the lens's aperture mechanism.
  • Somehow, that 1mm thin adapter also has to have gears and a coupling from the Pentax AF screwdriver to the Nikon AF screwdriver, or you're stuck with manual focus.
They don't do a Canon adapter because:
  • You can build an adapter to put Pentax lenses on a Canon. The Canon register of 44mm is about 1.5mm shorter than the Pentax register of 45.46mm. So, a 1.5mm thick adapter can mount a Pentax lens on a Canon body, and you get around the "interdigitating" problem because the Canon mount is 10mm larger in diameter than the Pentax mount, so the adapter can rotate inside the Canon mount. Because the Canon mount is larger, the Canon bayonet has to sit entirely in front of the Pentax bayonet, and you end up with an adapter at lest 4mm thick, but you'd have to have a negative 2.5mm thick adapter because of the register difference. So, you make up that 6.5mm with lenses in the adapter to move the lens "optically" closer to the camera. Optical quality suffers greatly from this.
  • Canon lenses use electronic aperture controls, so your adapter would also have to have an aperture control ring or lever, and a processor to talk to the Canon lens.
  • If you want autofocus, the adapter now needs contacts for both the Pentax body and the Canon lens, and a processor powerful enough to translate focusing messages from one system to the other.
I realize that camera makers make money from their lenses and want to lock you in their systems,
They don't care as much about the need to "lock you in" as they do about feeling that they are "right" and all the other camera makers are "wrong". Pentax felt they were "right" having a screw mount when Nikon had a bayonet and Canon had a breech lock. Canon felt like they were right making a whole new mount with a shorter register than Nikon or Pentax, and a larger diameter.

Canon actually deliberately designed the EOS mount to accept a Nikon adapter, in order to help them crack into the pro market.

Pentax spent the first 10 years of their camera business making lenses for Konica and Minolta, about the same time frame Nikon was making lenses for Canon.

And I think they should revisit that strategy.
but since Pentax has such a small DSLR market share, they would have very little to lose and a lot to gain.
Help me out here. Until recently, I was a dual system user (K20D, 31mm and 77mm limited, 14mm DA*, Nikon D3 and too many lenses to list) and a business planner, and I can't figure out what Pentax would gain. Cameras are lower profit margin items than lenses. From what I've been able to work out, companies like Pentax, Oly, or Sigma that sell cameras in 1/10 the quantities of Nikon or Canon are looking at a 30$ cost penalty, and if they price the cameras competitively, they end up selling at a small loss on bodies, hoping to make it up on lenses.

Personally, I think the "little to lose, much to gain" strategy for Pentax is to make lenses in Nikon and Canon mounts. Limiteds and pancakes for the lighter weight Nikon and Canon bodies that Nikon and Canon don't support with as cool lenses.

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
Victor, thank you. You're giving me the most serious debate I've had here in days.
This question comes up often enough to be a FAQ. Plastics are cheap, and they're so much easier to grind to lens shapes than goass, so you'd think they'd be in common use.
Or mold. I think a fair number of lenses have plastic components in them.
Only in the form of the "hybrid aspherics" I mentioned earlier. I haven't seen a serious, major maker lens with a full plastic element in anything other than a point and shoot in decades.
I have a cheap preset 400mm lens (don't use it anymore) that has a plastic lens. After a few years, it started having some issues. I disassembled the lens and buffed that piece with a soft cloth, improving it substantially.
Ick. Yeah, that's a big difference. Plastics are hydrocarbons, with relatively low bonding energies, and molds can take them apart to make more molds. There are some molds that can "feed" off glass, after a fashion, but the bonds are higher energy, and all they can really do is go after the oxygen, leaving the silicon behind.
Eyeglasses are slow, 2 diopter (average strength) glasses 60mm across are only f9.
So what? They're supplemental lenses. A Canon 500D closeup lens with a 58mm thread would also be an f8 lens. That doesn't really mean much for a supplementary lens, though.
Good point. That comes down to two things. The Canon 500D is often used with huge pupils, like 70-200mm f2.8 lenses (71mm), so you actually see the supplemental lens's speed. The small pupil of an eye "stops" the glasses down to about f50.
They sit in front of the human eye, which is not color corrected and has terrible CA, not to mention very high distortion, and requires a huge computer to correct. Photographic lenses are shorter focal lengths, and much faster, and they have to have their CA and distortion much better corrected than human vision. And eyeglasses are single elements, while photographic lenses have up to 28.
You really should be comparing the eye (rather than eyeglasses) to a photographic lens, it seems to me.
That is true, since the eye is a lightweight organic, relatively slow, uncorrected system that relies on the brain to "fix" the horrid images. But Ho72 brought up eyeglasses as the example of why this should be possible.
So, while plastics are suitable for eyeglasses, they're not suitable for most photographic lenses for several reasons...
  1. Glass, amorphous SiO2, has a molecular weight of 60.1, while plastics stable enough to hold shape have molecular weights in the hundreds of thousands or millions. So, when photons go through plastics, their paths get altered passing through forests of those huge polymer molecules. This limits resolution and causes a certain "veiling" effect.
Isn't a lens' job to alter the light's path?
Har har....

OK, maybe I should have been clearer. The optical polymers alter the path of photons in a random fashion, causing the light to lose focus even if the optical design is good. They "scatter" light.
  1. Different glass formulas give you a range of dispersion (change in focal length of a lens with different colors of light, the cause of "chromatic aberration) from Abbe number around 20 (very high dispersion) to 100 (extra low dispersion). By combining positive and negative elements of different dispersions, you can cancel chromatic aberrations. There's no such thing as ED plastic.
... which doesn't mean you can't use them for some of the elements.
True. Once you get past the scattering effects, the difficulty coating, and the mold. ;)
  1. Plastics, even cross-linked polymers, "creep" after they're cast, ground, or mounted. After it ages a few months or years, a plastic lens no longer has a shape whose precision is measured in fractions of a wavelenght of light, and it loses resolution.
... unless it is cemented to a glass element where it has no place to creep.
That would stabilize one surface, but unless the plastic was very thin, it's not stabilizing the other surface. And if the plastic is very thin, you can't do CA compensation, and it's not saving much weight.

There's another thing. Look at modern lens designs, the number of cemented elements goes down every year. The main reason for cementing elements was reflection. Modern optical coatings reduce that. Two cemented elements give a lens designer 6 degrees of freedom, the position and radius of curvature of the front, rear, and shared surfaces. Not cementing them gives the lens designer 8 degrees of freedom, the position and location of 4 independent surfaces.

This, in and of itself, can be used to reduce the weight of lenses, as 3 independent elements (6 surfaces) can now do the work of 4 elements cemented in pairs (also 6 surfaces).

(stupid 6000 character limit!)

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
  1. Plastics tend to be hygroscopic, they absorb water. Polycarb, for example, can easily absorb 0.2% of its weight in water, accompanied by a 0.1% shift in dimensions. It swells and warps. A 12mp image is 3000x4000 pixels. If the lens swells 0.1%, focus shifts by about 30 or 40 pixels across the image. Other plastics are better, but none are as good as glass.
... if it's sealed from water, say, by being cemented to glass, this issue would tend to go away somewhat.
Again, only if the plastic is thin. Or if it's cemented between glass on both sides.
  1. With an upper working temperatures of 120-200°C (polycarb, for example, is 130°C) plastics don't take well to the application of modern optical coatings.
A lens bonded to another lens doesn't need a coating.
On one side. But, like I mentioned, modern lens designs are moving away from cemented elements. There are too many optical advantages to having them all free.
Typically, there's about 18 trips through a vacuum chamber, getting blasted with arc-vaporized metals.
Plastics are metalized regularly. I don't think this is an issue.
It was, the last time I checked on this. Optical plastic makers are still crowing about making plastic lenses survive two layer coatings, like they were doing with glass 60 years ago.
There have been attempts: the Nikon 10mm orthoggraphic fisheye used a plastic inner element. And, of course, hybrid aspheric elements, where most of the lens is glass, ground to a conventional spherical shape, and the plastic "overlay" just distorts that shape to an aspheric one. Because it's thin, and there aren't many of them, the plastic "problems" don't affect the optical design.
Bottom line, plastic lenses have a place, but it's insignificant, relatively speaking.
Agreed.

I see three places where they're desirable.
  1. Simple, fast, not-so-sharp lenses. There's a demand, mostly because of small sensor cameras, for "historic" primes. Cosina has things under their Voigtlander name like a recreation of the 50mm f1.4 Topcor, or a neat 40mm f2 aspheric of their own design. These are very "solid" lumps of glass, very thick elements, and a couple of plastic elements replacing the "flint glass" parts of a classic double achromat would cut the weight of the lens about 30%. And, I imagine, the cost. An older, 6 element, cemented element design would get around most of the plastic lens limitations on coatings (1960s coatings on a 1960s design? Perfect!) People putting old 50mm f1.4 lenses on micro four thirds adapters as portrait lenses would appreciate lower weight and cost.
  2. Big, front heavy teles, maybe pulling 100 or 200 grams out of a 70-200mm f2.8, with plastic "flint glass" behind ED glass "crown glass".
  3. Anything being hit by the current shortages of rare earth metals, since plastic dispersion is altered by organics.
--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
A lens bonded to another lens doesn't need a coating.
On one side. But, like I mentioned, modern lens designs are moving away from cemented elements. There are too many optical advantages to having them all free.
http://forums.dpreview.com/forums/read.asp?forum=1014&message=36543179

I quote an old post of yours regarding the Canon 100mm f/2.8 vs the Hasselblad 120mm f/4...

(btw, I'm still looking for the lens diagram on the Canon 100mm)
The Blad has a very unusual design, the elements are both thick, and very far spaced. All 9 elements (the individual glass lenses that make up what we call "a lens") are isolated, and it's totally asymmetric, the front part of the lens looks nothing like the rear, so the rear can't really help correct the CA of the front. This type of design means that every single lens element gives you four "degrees of freedom" in the design, the curve and location of both the front and rear surfaces. So, 9 elements gives you 36 parameters to tune, trying to squeeze every last drop of sharpness out of the lens.
The Canon 100mm f2.8 IS is an entirely different design. Literally, they're about a quarter century apart, the Blad Fujinon looks like a 1985 design, the Canon looks like today. It has 15 elements, but four are flat, don't contribute to the CA situation at all, and only serve to provide the IS. Of the 11 that are left, 6 are thin, and cemented together in pairs, making their CA cancellation very effective both for lateral and longitudinal CA. But gluing two elements together means giving up two of those "degrees of freedom". The lenses have to mate, the front curve of one has to snuggle into the rear curve of the other. The front surface of the one is also located against the rear surface of the other. Two lenses, 6 degrees of freedom, instead of 8. Canon has two more elements than Blad, but burns up all the extra degrees of freedom in the process of killing the longitudinal CA.
So does not cementing any of the elements together look like 1985 or today? ;)

I'm also looking at the lens diagram of the newly released 35mm f/1.4G. Of its 10 elements, 6 are bonded together...

I'd start comparing new and old lenses of the same focal lengths now, but I gotta go...
 
Canon actually deliberately designed the EOS mount to accept a Nikon adapter, in order to help them crack into the pro market.
They had already more than cracked the pro market by then. They would not have even developed the EF mount, except that the Minolta Maxxum 7000 forced them to give up the FD mount.

--
RDKirk
'TANSTAAFL: The only unbreakable rule in photography.'
 
Canon actually deliberately designed the EOS mount to accept a Nikon adapter, in order to help them crack into the pro market.
They had already more than cracked the pro market by then.
I'd say "barely cracked". The majority of PJs and sports shooters in 1985 were still shooting Nikon.
They would not have even developed the EF mount, except that the Minolta Maxxum 7000 forced them to give up the FD mount.
Actually, I'd say the Canon T80 forced Canon to give up the FD mount. T-80 launched in April, 1985, same month as Minolta Exxon 7000.

If you missed that sad little chapter in history, the T80 was Canon's attempt to add contacts to the FD mount, the way Nikon did with the F3-AF. The problem was that the FD "cleverly disguised breech lock" didn't have a sufficient wiping action to keep the contacts performing reliably, nor did it have adequate mechanical tolerances.

Although the time I had a Canon AT-1 lens mount literally fall apart in my hands while trying to mount a lens might also be part of what "forced" Canon to give up the FD mount.

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
sadly, I got that one. Then, and now.

--
=====================
Bring Back The Mind Of Minolta !
=====================
 
By the late 70s, Canon had a good chunk of the pro market, and it was growing.
Actually, I'd say the Canon T80 forced Canon to give up the FD mount. T-80 launched in April, 1985, same month as Minolta Exxon 7000.
The Maxxum 7000 wasn't a total surprise, but certainly the T80 was Canon's rushed initial response to it. Notice that the T80 had three lenses with the automation built into the lenses, not into the camera. The camera was in production for only a year--it was clearly just a stopgap measure.

However, Canon had been working on the T90 for years prior to the release of the Maxxuum 7000, and it was still a year from its own 1986 release when the Maxxum 7000 was released in 1985. The T90 was a top-of-the-line, ultimate professional camera containing everything Canon knew about camera making...except autofocusing.

The Maxuum 7000 clearly obsoleted every manual focusing 35mm camera, but Canon was too far along it the development of the T90 to cancel it. The T90 was a wonderful manual focusing camera, but for that one feature, it was technologically dead on arrival. It would take two years after the introduction the Maxxum 7000 before Canon could release a true competitor of equal or superior technology, the EOS 650.

--
RDKirk
'TANSTAAFL: The only unbreakable rule in photography.'
 
Actually, I'd say the Canon T80 forced Canon to give up the FD mount. T-80 launched in April, 1985, same month as Minolta Exxon 7000.
The Maxxum 7000 wasn't a total surprise, but certainly the T80 was Canon's rushed initial response to it.
How can it be a "response to" something that launched at the same time?

Are you saying that Canon had enough spies in Minolta to discover not only the products they were developing, but the business plan, release dates, etc. far enough in advance to plan a release?

Basically, everyone at that time was working on AF. Nikon actually launched 2 years before Minolta or Canon. It wasn't exactly an epic launch, but still...
Notice that the T80 had three lenses with the automation built into the lenses, not into the camera. The camera was in production for only a year--it was clearly just a stopgap measure.
I prefer to think of it as a failure. Like Pentax's first AF system, or the Oly OM-AF system. It was only on the market for a short time because it was unreliable and unloved by the public. Had it worked out better, it would have been in production longer.
However, Canon had been working on the T90 for years prior to the release of the Maxxuum 7000,
Same with the Maxxum 7000.
and it was still a year from its own 1986 release when the Maxxum 7000 was released in 1985. The T90 was a top-of-the-line, ultimate professional camera containing everything Canon knew about camera making...except autofocusing.

The Maxuum 7000 clearly obsoleted every manual focusing 35mm camera,
No, it did no such thing.
but Canon was too far along it the development of the T90 to cancel it.
That's the "myth of sunk money". People doing armchair analysis always make statements about companies having sunk too much into a project to cancel it. A large corporation will cancel an expensive project if they pick up on something going wrong. I know, I've been through it more than once at Ford and Visteon.
The T90 was a wonderful manual focusing camera, but for that one feature, it was technologically dead on arrival. It would take two years after the introduction the Maxxum 7000 before Canon could release a true competitor of equal or superior technology, the EOS 650.
Not "equal or superior", I'd say it was pretty clearly superior.

Minolta did some really strange things with the 7000. So strange that there's a lot of speculation that they bought someone else's project and, as you put it, rushed it into production, a hasty answer to Nikon and Pentax. From the multiple IP violations (trademark, body styling, and the Honeywell AF system) to the lack of ESD protection (which I personally regard as criminal) to ...

The brain dead decision to not add contacts to their quite functional bayonet mount, but to replace it with a new bayonet mount that was literally worse in every possible way.

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 

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