Street Photography

Larry J. Bond

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Location
Ontario, CA
Street photography for me “is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to”…the street and take images.

Let me first say I’m primarily a bird photographer in Canada but during the end of summer and winter when the birds are relatively inactive and when diminishing returns for my effort cuts in, or when I’m on vacation, I turn to street photography.

I’ve recently became quite intrigued in capturing humanity in the streets, in the day to-day hustle and bustle of commerce and social interactions.

Having read a few books on the subject of street photography I see where there is no end to discussion as what Street Photography is, and how to do it. Some claim only a Leica, black and white Tri-X,film, a rangefinder etc. will do the job. Give me a break! Others claim you need to invest in the time to get to know your subject, making them comfortable, like a family member before you capture their image. Give me a break! Others claim you need to capture the moment unobtrusively. And of course there’s all the debate about personal privacy. It's not a black and white subject.

Now I’ll tell you what I think and invite your comments. I believe in the unobtrusive approach and furthermore I believe you need to “bushwhack” or ambush your subject - like you do a bird. They won't even know the light hit them and bounced into your camera. When I see a posed picture of “street” people (birds do not pose) I see an artificial situation, not true humanity. To me these street images are like taking a picture of a stuffed bird in a museum. You got an image, but really, is that what it’s all about.

What a lot of nonsense about privacy. There are cameras all over the place now in major cities. An even in my own area in the country-side around Kitchener-Waterloo in southern Ontario, Mennonites ply the public roads and are against photography. That’s fine if they don’t want to take pictures and have images of themselves in their homes but should that mean others should not take their pictures on the roads on in the markets?

I like to sit in a coffee shop at a major intersection and watch the street-life flow and attempt to capture some of it, unobtrusively, from this perch. In fact, I’d like to advocate a new genre of street photography, unabashed “Bushwacking” Street Photography. I don't advocate using a blind though in the city :)

Weight in and let me know what you think. I’d love to get a consensus of what people here think about this.

BTW I’m not selling my street images I’m doing it for the pure enjoyment of capturing types of human or social activity. And, perhaps for a little informal therapy.

--
Larry
http://www.ebirdr.com
 
Is still an interesting photo.

I mostly agree with you.

Candid street photography is very enjoyable, and complements other types of photography nicely.
I enjoy it immensely.

maljo
 
I do something very similar.

I spend 20-30min, after my lunch break every day, on one of Melbourne's (AU) busiest corners, with 200mm of reach. I am happy if I capture 1 good photograph per week, be it an interesting looking person, or a moment of emotion, some movement, or just something funny.

I LOVE doing this. It helps clear my mind a bit, I find it fantastically calming.
 
I don't do the street photography you describe; I get tired of the backs of people. I don't object to those that can, however. I would say, as good as you are at creating verbal imagery, you should try poetry. A large SAD light panel, for the winter time, might also be helpful. :-)
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Wes
 
If you're just trying to catch people doing odd things, then standing off with a long lens is probably OK. There ARE some pretty interesting risks doing that, particularly if anything ever gets published and the subject wants to make a stink. There have been some really big settlements made for relatively innocuous things, like someone's face appearing in a photo of a crowd, where the caption on the photo was introducing a story about sexually transmitted diseases. The large national newspaper paid a really serious amount of money to make that case go away.

For me, there's also the moral aspect of it. You're typically not giving a person the right to choose to be photographed. I want that right myself. I feel pretty strongly about it. Since doing a couple of street photography courses where we were forced to work in cultures and communities where we were completely aliens - the two young women from Italy, for example, were sent to photograph in a very strictly observant Orthodox Jewish neighborhood - I discovered that most people are fine with being photographed if given the ability to say no, and they won't pay a jot of attention to you if you don't want them to after that positive eye contact is made.

Also. If you want to tell stories, you really can't do that by being the pervy guy with the long lens hiding in the doorway. I like to tell stories, and I've found that if people in a community discover you don't shoot to embarrass, you respect them enough to ask, they'll let you shoot anything, even invite you to things you wouldn't usually know of.

I understand the instinct to stand off with a long lens, because I was of that same opinion that it's a great way to shoot street work. I don't believe that any more. If you're respectful, professional acting and looking, you don't need to hide, and you'll get way better images.
 
Not sure where in Ontario you are, but assuming near either Windsor or Toronto, go take a street photography class from a published and respected street shooter, whose images you admire. It's been stunning to me how many people I know (initially from the classes I took, now including many from workshops I've taught on other topics) who, after taking a street photography workshop that emphasized interaction with the subject, began shooting with nothing longer than 50mm, and who've built stunning (at least to me) bodies of work about neighborhoods or people they've encountered.

That excites me, because I believe that documenting our world is one of the best ways to pass knowledge to the next generations...

The shortest lens I ever used doing street work used to be 135mm. Now, the longest is 35mm. May work for you.
 
Thanks Ednaz for your suggestion about taking a workshop on street photography. I think I'll do that. I'm in Kitchener and we have some great photo clubs here that do offer such workshops and competitions.

I used my 85 mm f1.4 today and it worked great. I moved down from my 70-200 :) so I am getting there.

--
Larry
http://www.ebirdr.com
 
I am doing it with a D3S, a 50mm., a small strap.....with compassion, time, listening to other and few buck $....and sometime...belt shooting and you don't look at people...

Best regard,
Pierre
 
Hi

I live in Toronto & would love to know where IO can take a course on Street photography. I have tried to stand at a corner for a short time a few times with very little success.
Please help me learn how to do this more effectively.

Stephen
 
I don't know Toronto very well (my Toronto time was all 20 years ago) but look for classes run by an art gallery or arts school. I'm in the NY area, where there's a wealth of options, along with a wealth of alien places to shoot. The biggest "push" that a class environment can give you is to get you out of your current comfort zone, so that you can build a new comfort zone. When I use a telephoto now, it's because I want the visual effect, not because I don't want to get close to my subject. (OK, sometimes it's not getting close to my subject... like shooting a street event where they blow up life-size papier mache sculptures with LOTS of explosives...)

A class that takes place over time will give you a reason to learn to get closer so that you can build a new comfort zone.
 
There are lots of people on this forum who are very anti street and candid photography. They seem to dislike photographing people in their natural habitat going about their every day life. More to the point they object to others doing it as well. Thank god everyone is not like that.
 
you were describing "bush-wacking" and "ambushing like you would a bird", I picture some guy in a Red Green hat atop some roof with a D3s 400mm F2.8 with 1.7x TC sniping unaware pedestrians in 9FPS mode with full 3D track.

What would be fun to capture is a scene where someone with a rangefinder is trying to unobtrusively capture street photography.
 
SP is much more than a guy crossing the street or a couple holding hands... it's very difficult to get good street photos where the subject is interesting and the elements in the frame are in harmony.

"bushwacking" sp is not new, btw, check out Gilden - there's another guy back in the 70's (not Winogrand) that did great stuff up close & personal - sorry I forget his name though.

Grab a wide angle to normal focal length and a latte from your coffee shop and get walking. You'll have more success when you're out and about... ditch the bird photography tele gear so there's depth and layers to your images a la Webb.

Post some images here so we can see the progress!
Have fun!
 
Shooting 'Street' has to be one of photography's most challenging genres. Looks simple enough - walk out the door and shoot. But we all know how difficult it is to bring home the goods (whatever that means).

Unlike studio work where one can control many (if not all) variables or weddings and sports where at least some script (order of events) exists prior, the street provides a near blank blueprint - clickable moments crop up quickly and without warning - the situation is fluid forcing the photog to be ready & able. It does take the proverbial 'pair' to effectively shoot street - It also requires patience, heart & compassion.

Watch this Youtube of Cartier Bresson in action (in French but worth a look).
http://www.youtube.com/watch?v=CqsOYsZlPX4&feature=related

Lots to debate - when to shoot, when to keep walking, style, gear etc.
My modest NYC street snaps are below
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http://www.smugmug.com/gallery/13004568_6YtxZ#941323446_4dNPJ
http://www.joejosephs.com
 
Totally agree, go wander. Hiding in a bunker with a super-tele is not street photography; it is pretending to be a private investigator or something. Here are some from SF taken this afternoon:











More are at the site in my sig below.

Most important part = enjoy yourself and have fun.
--
Zach - Northern Ca
http://zblake.zenfolio.com/
 

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