A couple of portraits. (one self portrait). C&C appreciated

Cookster670

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Taken with sb600 and sb900 almost inline with me, but slightly behind zoomed at 85mm (max for sb600). I deliberately wanted an underexposed face. on board flash used to trigger cls and a little fill for the face.



Taken with SB600 on background and sb900 on shoot through umbrella camera left.



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Nikon D80. Nikon 50mm 1.8, Nikon 28-200, SB600

'I am a better critic than photographer'
 
Me as well. Self port is great, and I love little brother staring up admirably at big brother. Nicely done. :-)

-Mike
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mikeskillsky.com
 
Very nice.

The b&w has an "Arnold Newman" feel to it.

The second one is very commercial. Easily sold in a portrait studio. Good light balance for "high key." Very good angular motion. Only change I would do is have the child on the right wear a more solid coloured shirt.
 
Well, if this is the look you were after then you succeeded, well done! Rules are meant to be a guide and you certainly can break them as you have done in this self portrait. The viewer sees the catch lights created by your “on board flash” however, you have two additional lights that are acting like key lights. We see both the right and left areas of the temple lit with the same intensity light. In general, portrait lighting should be believable as we would see light on a subject in a natural environment. In other words we have only one sun acting as a key light with all other lights supporting the key light. This creates a natural or believable image similar to what the viewer would see outdoors.

I see the ears, hands, and neck brightly lit against the dark background which leads me to focus on them. Consider choosing a proven lighting pattern such as loop, Rembrandt, narrow, broad, or even split for a dramatic look. Remember the eye will always go to where light and dark meet.

Lastly, the image of the brothers is nice. I think the younger tike looking up at his older brother is a nice touch. The right arm on the older brother is blown out and I would pay close attention to the hands on both tikes (awkward). If your camera has highlight alert (blinkies David Ziser) consider using it as a guide. I think your self portrait is interesting and different and that may have been your intention.

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I once had a perfectly exposed image of a white cow in a snow storm eating marshmallows.
 
Thanks for your repsonses guys. Yes the self port is a different look and that's what I wanted. I saw a photo on a book with that kind of lighting and thought I want to try that. Could not get anyone in my family to be the subject, so self portrait it was

I do need to also practice the more classic looks though as this style is pretty limited
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Nikon D80. Nikon 50mm 1.8, Nikon 28-200, SB600

'I am a better critic than photographer'
 
Yeah...this was an impromptu of my nephews when they came over...so I had no choice over clothing unfortunately. I did notice I blew the arm out, which I think is because I got too much spill from the backdrop. I didn't have a lot if room so couldn't get the boys as far from the background as I would have liked
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Nikon D80. Nikon 50mm 1.8, Nikon 28-200, SB600

'I am a better critic than photographer'
 
Good point. Would you use a snoot or grid for this? I tried using a home made gridded snoot for this but couldnt get it right so just zoomed bare flash
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Nikon D80. Nikon 50mm 1.8, Nikon 28-200, SB600

'I am a better critic than photographer'
 
Good point. Would you use a snoot or grid for this? I tried using a home made gridded snoot for this but couldnt get it right so just zoomed bare flash
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You could try:

1. makeshift barn doors for you flash unit.

2. Shoot through a cookie, i.e. a large card with a hole. Move the cookie back and forth between your subject and flash to get the correct lighting.
3. Aim you flash for the higlight and use screens to block any spill over light.
 
Good point. Would you use a snoot or grid for this? I tried using a home made gridded snoot for this but couldnt get it right so just zoomed bare flash
I would (and did) use a small brush in Photoshop. Done right on the full image, there isn't a living soul who could tell that it wasn't done with studio lights.

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~ Peano
http://www.radiantpics.com
 

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