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Don't you find it interesting that regardless of the topic (A900, A55, A550, Nex, or whatever) you have WaltKnapp here with him injecting his "I can do this with my A700"? You called me a fanboy several times, but there you have the king of fanboys -- but just of the camera that he owns.Hey zepzr, you are such a diplomat, I think we should parachute you into Iran and see what happens. ;-)
Dear zepzr, if it’s any thing to you I like the idea of the A-55, but unfortunately you have a lot of history here and you know that, what ever alias you use.Don't you find it interesting that regardless of the topic (A900, A55, A550, Nex, or whatever) you have WaltKnapp here with him injecting his "I can do this with my A700"? You called me a fanboy several times, but there you have the king of fanboys -- but just of the camera that he owns.Hey zepzr, you are such a diplomat, I think we should parachute you into Iran and see what happens. ;-)
What good is "continuous shooting" without AF tracking? And how about IR on AF tracking?by the way - I read the "continuous shooting performance" to be frame rate not necessarily focus tracking. Clarification would be nice.
;-) thats not niceI wouldn't even take an A700 to the park to shoot turtles.
What good is "continuous shooting" without AF tracking? And how about IR on AF tracking?by the way - I read the "continuous shooting performance" to be frame rate not necessarily focus tracking. Clarification would be nice.
http://www.imaging-resource.com/PRODS/AA55/AA55A.HTM
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"This sequence gives some idea of the Sony A55's autofocus tracking ability. The subject was a car, approaching the camera at constant rate of 30 miles/hour. In the first shot of the series, the car was perhaps 70 feet from the camera, in the last shot, it's perhaps 15 feet away. Images were shot at a focal length of 150mm, with a Sony 70-200mm f/2.8 G lens. There are a few minor bobbles, but the fourth image of the series was actually blurred by camera motion, not AF error. We shot side by side with the Sony A55 and a Canon 7D, and felt that the A55's AF performance here was pretty similar to that of the much more expensive Canon."
This is not correct. The a55's forte is follow-focusing on moving subjects. Though it lacks the mag-alloy body that gives the a700, a850 and a900 their durability, the a55 follow-focus is much better than any of those cameras.They are pointing out the poor job the a55's AF does with moving subjects. And the Olympics is mostly about moving subjects.After reading DPR's summary of the oh-so-interesting A55 I was curious about the statement "...just don't plan on shooting the Olympics with it."
To help put that quip into perspective, would you shoot the Olympics with an a700?
This is not correct. The a55's forte is follow-focusing on moving subjects. Though it lacks the mag-alloy body that gives the a700, a850 and a900 their durability, the a55 follow-focus is much better than any of those cameras.They are pointing out the poor job the a55's AF does with moving subjects. And the Olympics is mostly about moving subjects.After reading DPR's summary of the oh-so-interesting A55 I was curious about the statement "...just don't plan on shooting the Olympics with it."
To help put that quip into perspective, would you shoot the Olympics with an a700?
What the review is actually referring to is the a55's 10fps mode is designed more as a burst mode than for continuous shooting, though to be honest, even the $5000 F3S and 1Ds4 cameras hit a buffer.
You certainly don't need 10fps continuous to shoot the Olympics. My friend Dave Burnett does some very fine work with a Holga:
http://www.davidburnett.com/portfolio.html?folio=my%20Formats
Using the following settings: Advance:Manual l Exposure:Sun or Clouds l Focus:Mountain
See the post by Brian Smith below. He has used A55. A55 AF is tracking superior to A700/A850/A900 .. that means it's superior to ALL Pentax cameras (the worst kid on the block). IR tested it and it found it on par with 7D.Again, don't get me wrong - the A55 may be great at focus tracking but I'm warning people that you can't draw conclusions based on what we've seen here. As much as you might want to.
So Brian you feel the A-55 has better AF than the previous A-700,A-850 and say A-550?This is not correct. The a55's forte is follow-focusing on moving subjects. Though it lacks the mag-alloy body that gives the a700, a850 and a900 their durability, the a55 follow-focus is much better than any of those cameras.They are pointing out the poor job the a55's AF does with moving subjects. And the Olympics is mostly about moving subjects.After reading DPR's summary of the oh-so-interesting A55 I was curious about the statement "...just don't plan on shooting the Olympics with it."
To help put that quip into perspective, would you shoot the Olympics with an a700?
What the review is actually referring to is the a55's 10fps mode is designed more as a burst mode than for continuous shooting, though to be honest, even the $5000 F3S and 1Ds4 cameras hit a buffer.
You certainly don't need 10fps continuous to shoot the Olympics. My friend Dave Burnett does some very fine work with a Holga:
http://www.davidburnett.com/portfolio.html?folio=my%20Formats
Using the following settings: Advance:Manual l Exposure:Sun or Clouds l Focus:Mountain
OK - Brian Smith. I see he's a great portrait photog. I'm failing to see his credentials as a sports photographer though. He absolutely may have those credentials but I don't see them on his site which is about portrait work.See the post by Brian Smith below. He has used A55. A55 AF is tracking superior to A700/A850/A900 .. that means it's superior to ALL Pentax cameras (the worst kid on the block). IR tested it and it found it on par with 7D.
See the post by Brian Smith below. He has used A55. A55 AF is tracking superior to A700/A850/A900 .. that means it's superior to ALL Pentax cameras (the worst kid on the block). IR tested it and it found it on par with 7D.Again, don't get me wrong - the A55 may be great at focus tracking but I'm warning people that you can't draw conclusions based on what we've seen here. As much as you might want to.