Eos 1Ds, Kodak 14N, digital photography in general

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As a professional photographer for 23 years and shooting digital since 2,5 years (I have started tests since 1993 but waited for the equipment to be more reliable before I did the final step with a DCS 560)
I have read many comments before I decided to walk into this forum.

I don't know how many of those who give their opinion are actually making a living from photography, but most of the comments seem very childish.
I I would like to give my views on digital photography, and the new products.

First of all, what is most important in photography is not the weight of the files, the noise(?!) and so on. What is really important is the global look of the picture, colours, tonal range, contrast, sharpness etc...

For example the D60 delivers 18Mbyte files, but as the imager is half the size of the D1s for example, the depth of fiel is much more important when using the same lenses, and it may give this "video" look, you know, when everything is in focus. Then comes noise... A digital camera delivers bitmap files, not vectorial. How does film react to light, how do you get different shades on a negative? Is this noise? I don't mind noise, it is not going to show on prints, and anyway less then grain on a film.

Productivity has to be considered when buying a digital camera. For example, the DCS 560 is a fine camera that delivers good raws. Those raws don't reach my standarts of quality, and it takes quite a lot of works and experience to get printable pictures out of them, and the process is very time consuming. I shoot about up to 800 frames a day, and editing is a real drag with the PhotoDesk, Image Acquire and so on... The D60 delivers better looking pictures, but Canon's software is an absolute waste of time. It takes so much time to preview pictures and to acquire them, that it makes a fine product absolutely incompatible with professional use. Let's hope some work has been done in this matter, otherwise the D1s with files almost twice bigger will not meet professional requirements either...

Then comes service... Let me tell you about my personnal experience in this matter: one day, I realised that my DCS 560 was out of focus and tried to get it repaired. Kodak litterally dumped me. It took 1 month before the camera was returned to me, with no better focus and much worse general condition (caps missing, screws marked, fingerprints on LCD, very, very dirty imager, a real shame. I had to return, and then it took again 3 months to get it repaired. Of course no replacement solution was proposed in the mean time, and thats why I had to buy the D60. Let's hope Kodak will give a better service for the 14n...

About the 14n versus the 1Ds, just one word: how the hell do you want to compare two camera when one does not even exists. Today, all Kodak can provide us about the 14n, is pictures of a pre-serie camera, and figures on paper. I am not saying that this will be a bad camera, I am sure that it will be an excellent one. I just find strange that Kodak releases the camera to the press before it even exists?!

Now my conclusion: I am sure that both DCS and EOS will be excellent, and that they will meet my quality requirements. The EOS body is state of the art, but the imager slightly bigger on the Kodak is probably a bit better, and should deliver crisper pictures than the Canon. The software delivered with the Kodak is going to be fast enought to make editing and aquisition a piece of cake, but we don't know much yet about how fast "Picture file utility" will be.

Then service has to be considered, and again let's hope Kodak will rethink its position: we are not just beta-tester, but professionals, and deserve a little bit more attention...

Anyway, it is going to be a very tough decision to make a choice, as both system has it's pros and cons...

After 17 years shooting with Nikon, I went to Canon because of their concern for professionals, and I don't know if the 14n will be good enough to go back to Nikon... So far, I have placed an order for the D1s!
 
----------- the Canon seems like good solution.

I was very tempted to sell off the Nikons a few months back but what did I do - I bought another one instead. I’m looking at the Kodak now – it has a few features that I like.

--
A new me ................. ;)))
 
If Canon prices the 1Ds right, I would go with it in a heart beat.
As a professional photographer for 23 years and shooting digital
since 2,5 years (I have started tests since 1993 but waited for the
equipment to be more reliable before I did the final step with a
DCS 560)
I have read many comments before I decided to walk into this forum.
I don't know how many of those who give their opinion are actually
making a living from photography, but most of the comments seem
very childish.
I I would like to give my views on digital photography, and the new
products.
First of all, what is most important in photography is not the
weight of the files, the noise(?!) and so on. What is really
important is the global look of the picture, colours, tonal range,
contrast, sharpness etc...
For example the D60 delivers 18Mbyte files, but as the imager is
half the size of the D1s for example, the depth of fiel is much
more important when using the same lenses, and it may give this
"video" look, you know, when everything is in focus. Then comes
noise... A digital camera delivers bitmap files, not vectorial. How
does film react to light, how do you get different shades on a
negative? Is this noise? I don't mind noise, it is not going to
show on prints, and anyway less then grain on a film.
Productivity has to be considered when buying a digital camera. For
example, the DCS 560 is a fine camera that delivers good raws.
Those raws don't reach my standarts of quality, and it takes quite
a lot of works and experience to get printable pictures out of
them, and the process is very time consuming. I shoot about up to
800 frames a day, and editing is a real drag with the PhotoDesk,
Image Acquire and so on... The D60 delivers better looking
pictures, but Canon's software is an absolute waste of time. It
takes so much time to preview pictures and to acquire them, that it
makes a fine product absolutely incompatible with professional use.
Let's hope some work has been done in this matter, otherwise the
D1s with files almost twice bigger will not meet professional
requirements either...
Then comes service... Let me tell you about my personnal experience
in this matter: one day, I realised that my DCS 560 was out of
focus and tried to get it repaired. Kodak litterally dumped me. It
took 1 month before the camera was returned to me, with no better
focus and much worse general condition (caps missing, screws
marked, fingerprints on LCD, very, very dirty imager, a real shame.
I had to return, and then it took again 3 months to get it
repaired. Of course no replacement solution was proposed in the
mean time, and thats why I had to buy the D60. Let's hope Kodak
will give a better service for the 14n...
About the 14n versus the 1Ds, just one word: how the hell do you
want to compare two camera when one does not even exists. Today,
all Kodak can provide us about the 14n, is pictures of a pre-serie
camera, and figures on paper. I am not saying that this will be a
bad camera, I am sure that it will be an excellent one. I just find
strange that Kodak releases the camera to the press before it even
exists?!
Now my conclusion: I am sure that both DCS and EOS will be
excellent, and that they will meet my quality requirements. The EOS
body is state of the art, but the imager slightly bigger on the
Kodak is probably a bit better, and should deliver crisper
pictures than the Canon. The software delivered with the Kodak is
going to be fast enought to make editing and aquisition a piece of
cake, but we don't know much yet about how fast "Picture file
utility" will be.
Then service has to be considered, and again let's hope Kodak will
rethink its position: we are not just beta-tester, but
professionals, and deserve a little bit more attention...
Anyway, it is going to be a very tough decision to make a choice,
as both system has it's pros and cons...
After 17 years shooting with Nikon, I went to Canon because of
their concern for professionals, and I don't know if the 14n will
be good enough to go back to Nikon... So far, I have placed an
order for the D1s!
 
Now that's interesting ... in my experience kodak's professional support is excellent. sorry to hear that you had a different experience, but it would probably depend on location.

kodak, by the way, has more to show than a pre-production body. a lot more :-)

what i am especially interested in is the new enhanced jpeg standard - this will make my life a lot easier (i am one of those lazy b*stards trying to get things done as fast as possible)

i am very glad that i have kept my nikon glass :-)

cheers

veniamin kostitsin
http://www.digitalimage.at/
As a professional photographer for 23 years and shooting digital
since 2,5 years (I have started tests since 1993 but waited for the
equipment to be more reliable before I did the final step with a
DCS 560)
I have read many comments before I decided to walk into this forum.
I don't know how many of those who give their opinion are actually
making a living from photography, but most of the comments seem
very childish.
I I would like to give my views on digital photography, and the new
products.
First of all, what is most important in photography is not the
weight of the files, the noise(?!) and so on. What is really
important is the global look of the picture, colours, tonal range,
contrast, sharpness etc...
For example the D60 delivers 18Mbyte files, but as the imager is
half the size of the D1s for example, the depth of fiel is much
more important when using the same lenses, and it may give this
"video" look, you know, when everything is in focus. Then comes
noise... A digital camera delivers bitmap files, not vectorial. How
does film react to light, how do you get different shades on a
negative? Is this noise? I don't mind noise, it is not going to
show on prints, and anyway less then grain on a film.
Productivity has to be considered when buying a digital camera. For
example, the DCS 560 is a fine camera that delivers good raws.
Those raws don't reach my standarts of quality, and it takes quite
a lot of works and experience to get printable pictures out of
them, and the process is very time consuming. I shoot about up to
800 frames a day, and editing is a real drag with the PhotoDesk,
Image Acquire and so on... The D60 delivers better looking
pictures, but Canon's software is an absolute waste of time. It
takes so much time to preview pictures and to acquire them, that it
makes a fine product absolutely incompatible with professional use.
Let's hope some work has been done in this matter, otherwise the
D1s with files almost twice bigger will not meet professional
requirements either...
Then comes service... Let me tell you about my personnal experience
in this matter: one day, I realised that my DCS 560 was out of
focus and tried to get it repaired. Kodak litterally dumped me. It
took 1 month before the camera was returned to me, with no better
focus and much worse general condition (caps missing, screws
marked, fingerprints on LCD, very, very dirty imager, a real shame.
I had to return, and then it took again 3 months to get it
repaired. Of course no replacement solution was proposed in the
mean time, and thats why I had to buy the D60. Let's hope Kodak
will give a better service for the 14n...
About the 14n versus the 1Ds, just one word: how the hell do you
want to compare two camera when one does not even exists. Today,
all Kodak can provide us about the 14n, is pictures of a pre-serie
camera, and figures on paper. I am not saying that this will be a
bad camera, I am sure that it will be an excellent one. I just find
strange that Kodak releases the camera to the press before it even
exists?!
Now my conclusion: I am sure that both DCS and EOS will be
excellent, and that they will meet my quality requirements. The EOS
body is state of the art, but the imager slightly bigger on the
Kodak is probably a bit better, and should deliver crisper
pictures than the Canon. The software delivered with the Kodak is
going to be fast enought to make editing and aquisition a piece of
cake, but we don't know much yet about how fast "Picture file
utility" will be.
Then service has to be considered, and again let's hope Kodak will
rethink its position: we are not just beta-tester, but
professionals, and deserve a little bit more attention...
Anyway, it is going to be a very tough decision to make a choice,
as both system has it's pros and cons...
After 17 years shooting with Nikon, I went to Canon because of
their concern for professionals, and I don't know if the 14n will
be good enough to go back to Nikon... So far, I have placed an
order for the D1s!
--
Veniamin Kostitsin II
http://www.digitalimage.at/
 
Hello Venjamin,

I saw your picture, it is excellent work.

I work in the fashion industy, and don't have too many chances to do nice personnal stuff...

Regarding the Kodak body, I confirm: here in Paris, all the Kodak people have for us is a printed leaflet and figures!

I believe that they rushed the annoncement of the 14n just to keep many people from moving to Canon. Now we are left with figures, a price around 6000 euros, and no date (the last I heard from Kodak was March!?)

I agree with you regarding ERI, it is going to be great help for us. I wish Canon did some work in this matter as speed is really a problem while editing!
All the best.
Jean-Luc
PS: where are you located, and how do I post pictures?
kodak, by the way, has more to show than a pre-production body. a
lot more :-)

what i am especially interested in is the new enhanced jpeg
standard - this will make my life a lot easier (i am one of those
lazy b*stards trying to get things done as fast as possible)

i am very glad that i have kept my nikon glass :-)

cheers

veniamin kostitsin
http://www.digitalimage.at/
As a professional photographer for 23 years and shooting digital
since 2,5 years (I have started tests since 1993 but waited for the
equipment to be more reliable before I did the final step with a
DCS 560)
I have read many comments before I decided to walk into this forum.
I don't know how many of those who give their opinion are actually
making a living from photography, but most of the comments seem
very childish.
I I would like to give my views on digital photography, and the new
products.
First of all, what is most important in photography is not the
weight of the files, the noise(?!) and so on. What is really
important is the global look of the picture, colours, tonal range,
contrast, sharpness etc...
For example the D60 delivers 18Mbyte files, but as the imager is
half the size of the D1s for example, the depth of fiel is much
more important when using the same lenses, and it may give this
"video" look, you know, when everything is in focus. Then comes
noise... A digital camera delivers bitmap files, not vectorial. How
does film react to light, how do you get different shades on a
negative? Is this noise? I don't mind noise, it is not going to
show on prints, and anyway less then grain on a film.
Productivity has to be considered when buying a digital camera. For
example, the DCS 560 is a fine camera that delivers good raws.
Those raws don't reach my standarts of quality, and it takes quite
a lot of works and experience to get printable pictures out of
them, and the process is very time consuming. I shoot about up to
800 frames a day, and editing is a real drag with the PhotoDesk,
Image Acquire and so on... The D60 delivers better looking
pictures, but Canon's software is an absolute waste of time. It
takes so much time to preview pictures and to acquire them, that it
makes a fine product absolutely incompatible with professional use.
Let's hope some work has been done in this matter, otherwise the
D1s with files almost twice bigger will not meet professional
requirements either...
Then comes service... Let me tell you about my personnal experience
in this matter: one day, I realised that my DCS 560 was out of
focus and tried to get it repaired. Kodak litterally dumped me. It
took 1 month before the camera was returned to me, with no better
focus and much worse general condition (caps missing, screws
marked, fingerprints on LCD, very, very dirty imager, a real shame.
I had to return, and then it took again 3 months to get it
repaired. Of course no replacement solution was proposed in the
mean time, and thats why I had to buy the D60. Let's hope Kodak
will give a better service for the 14n...
About the 14n versus the 1Ds, just one word: how the hell do you
want to compare two camera when one does not even exists. Today,
all Kodak can provide us about the 14n, is pictures of a pre-serie
camera, and figures on paper. I am not saying that this will be a
bad camera, I am sure that it will be an excellent one. I just find
strange that Kodak releases the camera to the press before it even
exists?!
Now my conclusion: I am sure that both DCS and EOS will be
excellent, and that they will meet my quality requirements. The EOS
body is state of the art, but the imager slightly bigger on the
Kodak is probably a bit better, and should deliver crisper
pictures than the Canon. The software delivered with the Kodak is
going to be fast enought to make editing and aquisition a piece of
cake, but we don't know much yet about how fast "Picture file
utility" will be.
Then service has to be considered, and again let's hope Kodak will
rethink its position: we are not just beta-tester, but
professionals, and deserve a little bit more attention...
Anyway, it is going to be a very tough decision to make a choice,
as both system has it's pros and cons...
After 17 years shooting with Nikon, I went to Canon because of
their concern for professionals, and I don't know if the 14n will
be good enough to go back to Nikon... So far, I have placed an
order for the D1s!
--
Veniamin Kostitsin II
http://www.digitalimage.at/
 
Salut Venjamin,

je dois peut-être aller à moscou la semaine prochaine pour faire un casting. J'ai besoin de trés belles filles pour la beauté. Tu connais?
j'essaie de placer une image:
http://kalista.free.fr/setcards/beauty
Salut Jean-luc, je viens de Moscou, mais je travaille a Vienne,
Autriche. pour attacher les images tu devrais les placer online
dans un autre server et includer l'url d'image ici, c'est tout.

veniamin

--
Veniamin Kostitsin II
http://www.digitalimage.at/
 
malheureusement pa, je ne travaille pas beaucoup a moscou, je suis probablement plus d'autrichien que d'un russe - j'ai passe 12 ans ici.

si tu veux je pourrais parler avec mes copins a moscou, ils peuvent t'aider. je connais un photograph excellent qui traivaille pour le vogue russe, et quelques autres publications aussi.

mon email est [email protected], ecris-moi et on va voir.

salut

Veniamin
je dois peut-être aller à moscou la semaine prochaine pour faire un
casting. J'ai besoin de trés belles filles pour la beauté. Tu
connais?
j'essaie de placer une image:
http://kalista.free.fr/setcards/beauty
Salut Jean-luc, je viens de Moscou, mais je travaille a Vienne,
Autriche. pour attacher les images tu devrais les placer online
dans un autre server et includer l'url d'image ici, c'est tout.

veniamin

--
Veniamin Kostitsin II
http://www.digitalimage.at/
--
Veniamin Kostitsin II
http://www.digitalimage.at/
 
Sorry, I have followed your conversation in french ok, but am not good enough to reply en francaise. You have to add a ".jpg" to the end of your url if you want the pic embeded into your message like this:


je dois peut-être aller à moscou la semaine prochaine pour faire un
casting. J'ai besoin de trés belles filles pour la beauté. Tu
connais?
j'essaie de placer une image:
http://kalista.free.fr/setcards/beauty
Salut Jean-luc, je viens de Moscou, mais je travaille a Vienne,
Autriche. pour attacher les images tu devrais les placer online
dans un autre server et includer l'url d'image ici, c'est tout.

veniamin

--
Veniamin Kostitsin II
http://www.digitalimage.at/
--
http://www.pbase.com/mcdiarmid/
http://www.slanty.net
pbase supporter
 
I find the orginal post strange. The question I ask is this. If you are so ctritical of what is out there and have very exact reuirements. Surely you would like to try out an production camera first before you order?

You can't comment about people wait for the Kodak when your say you have order the Canon. Neither can be purchased just yet! The reviewers are getting the pre-production models now!

I would say you need to try out both these camera before you purchased one. That would mean waiting 6-12month maybe?

I think both camera are's very interesting. From the comment in pre production unit testing it would seem there is much to be proved. How good is a full size CCD really going to be?

You point about support is very important and one to consider.
Alex
 
I recently had all my equip stolen - still was using the old F-1s. with the insurance monies, I went ahead and bought the EOS1v and two lenses: 28-70 and a 70-200 (2.8). I love them...and was planning on buying a 1ds but the Kodak is 3,000 less and a higher resolution - that is making me want to sell off all my canon junk and buy nikon - for the first time ever in my life! How can canon have the arrogance to sell their camera at such a high price compared with the Kodak 14n??? I don't get it.
As a professional photographer for 23 years and shooting digital
since 2,5 years (I have started tests since 1993 but waited for the
equipment to be more reliable before I did the final step with a
DCS 560)
I have read many comments before I decided to walk into this forum.
I don't know how many of those who give their opinion are actually
making a living from photography, but most of the comments seem
very childish.
I I would like to give my views on digital photography, and the new
products.
First of all, what is most important in photography is not the
weight of the files, the noise(?!) and so on. What is really
important is the global look of the picture, colours, tonal range,
contrast, sharpness etc...
For example the D60 delivers 18Mbyte files, but as the imager is
half the size of the D1s for example, the depth of fiel is much
more important when using the same lenses, and it may give this
"video" look, you know, when everything is in focus. Then comes
noise... A digital camera delivers bitmap files, not vectorial. How
does film react to light, how do you get different shades on a
negative? Is this noise? I don't mind noise, it is not going to
show on prints, and anyway less then grain on a film.
Productivity has to be considered when buying a digital camera. For
example, the DCS 560 is a fine camera that delivers good raws.
Those raws don't reach my standarts of quality, and it takes quite
a lot of works and experience to get printable pictures out of
them, and the process is very time consuming. I shoot about up to
800 frames a day, and editing is a real drag with the PhotoDesk,
Image Acquire and so on... The D60 delivers better looking
pictures, but Canon's software is an absolute waste of time. It
takes so much time to preview pictures and to acquire them, that it
makes a fine product absolutely incompatible with professional use.
Let's hope some work has been done in this matter, otherwise the
D1s with files almost twice bigger will not meet professional
requirements either...
Then comes service... Let me tell you about my personnal experience
in this matter: one day, I realised that my DCS 560 was out of
focus and tried to get it repaired. Kodak litterally dumped me. It
took 1 month before the camera was returned to me, with no better
focus and much worse general condition (caps missing, screws
marked, fingerprints on LCD, very, very dirty imager, a real shame.
I had to return, and then it took again 3 months to get it
repaired. Of course no replacement solution was proposed in the
mean time, and thats why I had to buy the D60. Let's hope Kodak
will give a better service for the 14n...
About the 14n versus the 1Ds, just one word: how the hell do you
want to compare two camera when one does not even exists. Today,
all Kodak can provide us about the 14n, is pictures of a pre-serie
camera, and figures on paper. I am not saying that this will be a
bad camera, I am sure that it will be an excellent one. I just find
strange that Kodak releases the camera to the press before it even
exists?!
Now my conclusion: I am sure that both DCS and EOS will be
excellent, and that they will meet my quality requirements. The EOS
body is state of the art, but the imager slightly bigger on the
Kodak is probably a bit better, and should deliver crisper
pictures than the Canon. The software delivered with the Kodak is
going to be fast enought to make editing and aquisition a piece of
cake, but we don't know much yet about how fast "Picture file
utility" will be.
Then service has to be considered, and again let's hope Kodak will
rethink its position: we are not just beta-tester, but
professionals, and deserve a little bit more attention...
Anyway, it is going to be a very tough decision to make a choice,
as both system has it's pros and cons...
After 17 years shooting with Nikon, I went to Canon because of
their concern for professionals, and I don't know if the 14n will
be good enough to go back to Nikon... So far, I have placed an
order for the D1s!
 
  • that is making me want to sell off all my canon junk
and buy nikon - for the first time ever in my life! How can canon
have the arrogance to sell their camera at such a high price
compared with the Kodak 14n??? I don't get it.
I'll happily take your Canon 'Junk' - even pay for the postage! :-)

The reason for the Canon being more expensive is simply because the Canon is built to proffesional specifications and the 14n not (much like the D60 and D100 against the 1D,D1). That is not to say that the 14n will not be used proffesionally, but the 1ds is in a league of its own at the moment - and, oh yes, you can actually buy a 1ds :-)

Regards
Thys
 
How can canon
have the arrogance to sell their camera at such a high price
compared with the Kodak 14n???
Given that no amount of money what-so-ever will get you a DCS-14n
today, the EOS-1Ds seems quite reasonably priced in comparison.

-Z-
Yea, but for a $3000 discount, I'm willing to wait it out...does anyone know whether you have to buy an anti-aliasing filter for the Kodak? Is that how their keeping their prices down? Also, I'm a Canon man but if I were to buy Nikon lenses what are their flagship lenses - autofocus that is - thanks.
 
Hi,

Point being thats is the so called 'Pro spec.' you get worth the price of a OK second hand car? Most people think not and Canon is not too sure either.

The AA filter is a 'wait and see'. Look at the Sigma SD9, and it's looking likely that at this res. the image will be starper with little/no moire. Kodak developed the AA filter and maybe it's fitting they play a part in it's removal too.

Hope so anyway!
Alex
  • that is making me want to sell off all my canon junk
and buy nikon - for the first time ever in my life! How can canon
have the arrogance to sell their camera at such a high price
compared with the Kodak 14n??? I don't get it.
I'll happily take your Canon 'Junk' - even pay for the postage! :-)

The reason for the Canon being more expensive is simply because the
Canon is built to proffesional specifications and the 14n not (much
like the D60 and D100 against the 1D,D1). That is not to say that
the 14n will not be used proffesionally, but the 1ds is in a league
of its own at the moment - and, oh yes, you can actually buy a 1ds
:-)

Regards
Thys
--
Alex
LWS photographic (UK)
 
First, I paid just over $7000 for my 1DS (exact amount not disclosed due to dealer relationship).

Second, Kodak seems to be rasing the price of the 14n, so in actuality the cost for it may be $5000-5500 by the time it ships.

Third, the 1D/1V body is worth an extra $1000 all by itself.

Fourth, the 1DS has the AA filter (could be a toss-up there).

Fifth, I HAVE the 1DS, and have had been shooting with it for over three weeks now.

So in reality, my price difference was only about $500-1000. Given my investment in Canon lenses and other equipment, that difference was inconsequential.
 
You know the answer to this question when you use one.

I am a cheapskate. I have been a professional for more than 10 years and I have never bought a "pro" body, just pro glass. After all, the body just holds the film.

So trust me when I tell you I struggled with the $8,000.

Now I want a second one, even for $8,000. It is simply the best camera I have ever owned, film or digital.

I hope the price will come down before I need another, but this camera is so far ahead of everything else digital, and most things film. Keep in mind this is a 35mm based body that will replace your medium format hardware.

Wanna buy an Arca-Swiss?

Tom
As a professional photographer for 23 years and shooting digital
since 2,5 years (I have started tests since 1993 but waited for the
equipment to be more reliable before I did the final step with a
DCS 560)
I have read many comments before I decided to walk into this forum.
I don't know how many of those who give their opinion are actually
making a living from photography, but most of the comments seem
very childish.
I I would like to give my views on digital photography, and the new
products.
First of all, what is most important in photography is not the
weight of the files, the noise(?!) and so on. What is really
important is the global look of the picture, colours, tonal range,
contrast, sharpness etc...
For example the D60 delivers 18Mbyte files, but as the imager is
half the size of the D1s for example, the depth of fiel is much
more important when using the same lenses, and it may give this
"video" look, you know, when everything is in focus. Then comes
noise... A digital camera delivers bitmap files, not vectorial. How
does film react to light, how do you get different shades on a
negative? Is this noise? I don't mind noise, it is not going to
show on prints, and anyway less then grain on a film.
Productivity has to be considered when buying a digital camera. For
example, the DCS 560 is a fine camera that delivers good raws.
Those raws don't reach my standarts of quality, and it takes quite
a lot of works and experience to get printable pictures out of
them, and the process is very time consuming. I shoot about up to
800 frames a day, and editing is a real drag with the PhotoDesk,
Image Acquire and so on... The D60 delivers better looking
pictures, but Canon's software is an absolute waste of time. It
takes so much time to preview pictures and to acquire them, that it
makes a fine product absolutely incompatible with professional use.
Let's hope some work has been done in this matter, otherwise the
D1s with files almost twice bigger will not meet professional
requirements either...
Then comes service... Let me tell you about my personnal experience
in this matter: one day, I realised that my DCS 560 was out of
focus and tried to get it repaired. Kodak litterally dumped me. It
took 1 month before the camera was returned to me, with no better
focus and much worse general condition (caps missing, screws
marked, fingerprints on LCD, very, very dirty imager, a real shame.
I had to return, and then it took again 3 months to get it
repaired. Of course no replacement solution was proposed in the
mean time, and thats why I had to buy the D60. Let's hope Kodak
will give a better service for the 14n...
About the 14n versus the 1Ds, just one word: how the hell do you
want to compare two camera when one does not even exists. Today,
all Kodak can provide us about the 14n, is pictures of a pre-serie
camera, and figures on paper. I am not saying that this will be a
bad camera, I am sure that it will be an excellent one. I just find
strange that Kodak releases the camera to the press before it even
exists?!
Now my conclusion: I am sure that both DCS and EOS will be
excellent, and that they will meet my quality requirements. The EOS
body is state of the art, but the imager slightly bigger on the
Kodak is probably a bit better, and should deliver crisper
pictures than the Canon. The software delivered with the Kodak is
going to be fast enought to make editing and aquisition a piece of
cake, but we don't know much yet about how fast "Picture file
utility" will be.
Then service has to be considered, and again let's hope Kodak will
rethink its position: we are not just beta-tester, but
professionals, and deserve a little bit more attention...
Anyway, it is going to be a very tough decision to make a choice,
as both system has it's pros and cons...
After 17 years shooting with Nikon, I went to Canon because of
their concern for professionals, and I don't know if the 14n will
be good enough to go back to Nikon... So far, I have placed an
order for the D1s!
--
http://www.kachadurian.com
 
Yea, but for a $3000 discount, I'm willing to wait it out...
I doubt the difference will ever be $3k. You can get an EOS-1Ds today for $7k-$7.5k and the DCS-14n will debut at close to $5k. As soon as the 14n ships, the EOS-1Ds will come down a bit more. Etc.
does
anyone know whether you have to buy an anti-aliasing filter for the
Kodak? Is that how their keeping their prices down?
The DCS-14n does not have an AA filter. (Nor is one available as an option.)

-Z-
 
So you're actually saying that the 1ds is as good or better in quality than a - uh....Hasselblad??

z
You know the answer to this question when you use one.

I am a cheapskate. I have been a professional for more than 10
years and I have never bought a "pro" body, just pro glass. After
all, the body just holds the film.

So trust me when I tell you I struggled with the $8,000.

Now I want a second one, even for $8,000. It is simply the best
camera I have ever owned, film or digital.

I hope the price will come down before I need another, but this
camera is so far ahead of everything else digital, and most things
film. Keep in mind this is a 35mm based body that will replace your
medium format hardware.

Wanna buy an Arca-Swiss?

Tom
 

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