Quantum Help
Senior Member
CreaDVty: I see that on the blog you atarted in the fall of 2009, that you are an amature photographer, who started "Road Map for Family Photographers", to leaqrn how to take better pohotos of the children and families and for other aspiring photographers to teach them or aid them on their journey through the image creating process.
Ian, of UKphotographers, is a photographer who has been in the business for a while. He has a lot more experience than you do. He is a commercial photographer. He also does portraiture, wedding and event photography, architectural photography, ad infinitum. I know this and tell you this, that I have the same experiences, in the same fields tht Ian has, only for a longer time frame.
He started off trying to share his knowledge with you, as well as others. if he tells you that there are differences using different zoom settings in an umbrella, believe him. Any photographer can say "Yeah, I use umbrellas", but that statement does not tell the whole story. A shoe mount Speedlight does not even do a good job in the typical umbrella. You have a rectangular light pattery in a round modifier. You are not even lighting up the entire surface of the umbrella. If you use a round umbrella, you should use a light source that has a parabolic reflector.
Is is a translucent umbrella and bouncing off it. If so, that in itself loses more light because you are shooting some of it through the fabric and nor reflecting all of it back toward the subject. If you are going to bounce out of an umbrella, use one with a thicker, closely knit material for more light efficency. Shooting through a translucent umbrella is transmitted light, while bouncing light off an umbrella provides you with reflected light. There is a difference in this kind of light. I am not going to teach you the difference, but rather have you learn for your seld the difference.
If you use a larger umbrella (they come 24", 32" 36" 42", 48", 60", etc. etc.) the shoe mount flash will not provide sufficient power or coverage. Again, a call for a more sophisticated light for umbrella use. Same goes for using the rectangular Speedlights with Softboxes. There are people out there trying to us large softboxes with a light that wasn't made for that purpose.
Different shapes for umbrellas also contribute to how the light is modified and directed. Different fabrics (i.e. - translucent white, solid white, matt silver, shiny silver, matte gold, shiny gold) also contribute to the color and quality of the light.
Then enters the brolly-box. This is a cross between an umbrella and a softbox and has its own set of parameters.
I could go on for a while, but I just want to give you a brief synopsis of what one tiny portion of lighting for photographers is about.
The size of the umbrella has a lot to do with the quality of light
Ian, of UKphotographers, is a photographer who has been in the business for a while. He has a lot more experience than you do. He is a commercial photographer. He also does portraiture, wedding and event photography, architectural photography, ad infinitum. I know this and tell you this, that I have the same experiences, in the same fields tht Ian has, only for a longer time frame.
He started off trying to share his knowledge with you, as well as others. if he tells you that there are differences using different zoom settings in an umbrella, believe him. Any photographer can say "Yeah, I use umbrellas", but that statement does not tell the whole story. A shoe mount Speedlight does not even do a good job in the typical umbrella. You have a rectangular light pattery in a round modifier. You are not even lighting up the entire surface of the umbrella. If you use a round umbrella, you should use a light source that has a parabolic reflector.
Is is a translucent umbrella and bouncing off it. If so, that in itself loses more light because you are shooting some of it through the fabric and nor reflecting all of it back toward the subject. If you are going to bounce out of an umbrella, use one with a thicker, closely knit material for more light efficency. Shooting through a translucent umbrella is transmitted light, while bouncing light off an umbrella provides you with reflected light. There is a difference in this kind of light. I am not going to teach you the difference, but rather have you learn for your seld the difference.
If you use a larger umbrella (they come 24", 32" 36" 42", 48", 60", etc. etc.) the shoe mount flash will not provide sufficient power or coverage. Again, a call for a more sophisticated light for umbrella use. Same goes for using the rectangular Speedlights with Softboxes. There are people out there trying to us large softboxes with a light that wasn't made for that purpose.
Different shapes for umbrellas also contribute to how the light is modified and directed. Different fabrics (i.e. - translucent white, solid white, matt silver, shiny silver, matte gold, shiny gold) also contribute to the color and quality of the light.
Then enters the brolly-box. This is a cross between an umbrella and a softbox and has its own set of parameters.
I could go on for a while, but I just want to give you a brief synopsis of what one tiny portion of lighting for photographers is about.
The size of the umbrella has a lot to do with the quality of light