Can better equipment make you.....

Good points Ben, I guess I fall somewhere between the artist and the technician.

When I was in Maine at the workshops I was checking out the store and noticed they were selling a small plastic camera called a Dories or something like that. They were using them as part of one of the workshops. When I was working on my degree in photography in our first year we built pinhole cameras.

Thinking back on this and on what you said I suspect the purpose of that was not to make fine art with these cameras though I know of some folks who do but to get an understanding of the basics and limitations of the medium and equipment. Those making 'art' have mastered the limitations of the equipment they choose to use.

Fast forward to 2002 and our department converting over to digital from film. I was looking forward to seeing some of our guys who aren't that great technically finally get a better handle on what they were doing because they could now see what they shot. Normally they would drop off their film and the techs would take over from there. Well some have really run with the technology and are doing great while others are just as inconsistant and poor technically as they were before the switch. So from my experience I would say better gear (read that as highly automated) will help to some degree but I would say no amount of money can help some....though I wonder about training monkeys to shoot.....hmmm.....

Kevin
Do you think that better equipment will help you become a better
photographer?
The artists in me says that I should be able to make art with
anything, that photography is in the soul and that a box camera is
all that is needed. Going out on an assignment with a box camera
and returning with a good photo is limiting your capability. Why
accept any limits, ever.

The engineer that I have been for 35 years says that a good
photographer does not automatically become incapable of good art
when he is using better equipment. Better equipment can give a
certain feeling of confidence which removes any physical
limitations on your vision, why not use it and enjoy the experience.

A lot of the "all you need is a box camera to make great art"
comments might come from photographers that don't have the better
equipment and it is just a rationalization to make them feel
better. Not in all cases but perhaps in more than you would think.

These are just my thoughts based on a lifetime of observation,
nothing written in stone. I have purchased the best equipment I can
find (as limited by budget only), I have no regrets. I am not any
worse than I used to be. I do not think I could take photos of the
hummingbirds with a box camera.

Ben

--
http://webpages.charter.net/benlanterman/
 
I would disagree that the only valid goal is to communicate.

What if I just want pictures that mean something to ME?

What if the goal is to take a picture that has no specific meaning?

How many shots have you seen that people interpret differently?

What if the goal is to basically portray an event as it happened?

Caveat: I'd say that most photograpy is a blend of all these things.
When I worked retail I used to say to myself that there was no such thing as a bad picture. Just ones that didn't quite work out technically. But not bad because the photograph meant something to the photographer.

Thanks for reminding me..

Kevin
 
Well, unfortunately, I don't have an ego running amok like you'd like to believe. I certainly don't recall making any comment vaguely similar to the own below unless your getting creative with the paraphrasing. It was my 'opinion' not ego that stated that just buying all the newest gadgets will not make you any better if you don't learn basics first.

Did you start this thread to hear two sides or just find people that disagree with you so you could blast them as egomaniacs?

Josef
Some people want to believe that people of lesser skills don't have
a tinker's chance in improving and that better equipment won't
help. Talking about an egotistical answer or narsistic thinking.
 
Well, yeah badly worded as I put that, I would have to agree. Let's see if I can put that thought so it makes more sense. If you know the technical side of photography, lighting, etc...it opens you up to focus on the art. That I speak from experience. After 5 years of technical industrial photography, I used to walk into a room without even thinking twice about how I was going to light or expose. It was second nature, so I was able to experiment more with the composition knowing that things would turn out.

Josef
If
you are an artist who has not learned the ins-and-outs of how
photography works, than you have constrained yourself and will find
it harder to break rules, because you don't know them.
--
The Unofficial Photographer of The Wilkinsons
http://thewilkinsons.crosswinds.net
Photography -- just another word for compromise
 
Maybe not.

But driving daddy's Formula 1 racer out on the race track will
probably make you a better race-car driver.
Well, illustrating another problem with analogies, experience shows that if it were a modern Formula 1 car, it would make you very unlikely to get around the track in even one lap. Most very experienced drivers seem to find F1 cars a bit unwieldy. Was it last Goodwood or the one before where the guy got about 200 feet before pressing just a little too hard on the fast pedal and the car promptly slewed sideways and into the barriers. I've heard lots of stories like this.

Putting me in a Z06 in an autocross would maybe make me go faster, but I think it would be hard to be a better driver in it. It would be better to stay in a little Miata and learn how to be smooth, and I'd likely go faster anyway (remembering that autocrosses don't have long straights). It's a tough call -- in karting, most people hghly recommend not getting a 125cc shifter to start with since it's too much too soon, and generally you become a bad driver -- start with an 80cc and you end up much smoother. Having driven a 125cc kart briefly, I can see the point -- insane acceleration and braking.

Regarding cameras, it seems complicated. A 70-200 f/2.8 IS is not going to make me a better photographer, but it does enable some things I wouldn't be able to do without more work. Would that work be good for me? Maybe. Sure, using a tripod all the time (no need for that image stabilization) would be good, and working on lighting, subject motion, or different technique might make the f/2.8 unnecessary. But I'm more likely to just forget about it and take a bad picture, not bother, or go on to something more amenable to the equipment I have.

Bringing up another analogy, should we force software developers to use obsolete computers? Will it make them better programmers? Maybe we should restrict them to Fortran for a while. Better yet, Cobol -- then move them up to C++. Does a better computer make you a better programmer? Usually not. It might make you more productive, and it might enable new things (making a modern GUI using an Apple II would be quite a task). Do I think one should jump right in to the latest MS Visual B-Flat development studio? Not if you want a software engineer -- you need to understand the basics of data structures, algorithms, and a lot more. Sort of like understanding lighting, composition, exposure, etc. can turn a picture-taker into a photographer (well, I argue good photography has more art than most software engineering, but I've seen some artistic designs too).
 
Did you start this thread to hear two sides or just find people
that disagree with you so you could blast them as egomaniacs?

Josef
Your above is an egotistical comment.

There was no intent to the thread. I made a comment with no thought in mind where it might go. I've responded to comments that countered my position directly and I've noticed that many here are having trouble with facts that support issues. Those people that have these problems are having these problems because of egotistical reasons. That comment is a fact whether you wish to accept the comment or not.

There is no intent to harm anybody when I make the comment. There's no intent in incest anybody when I make, what I believe to be truthful comments. I'm only using the English language to communicate that which to me is very obvious.

I've taken the time to post that people's comments are confusing. I've posted in response to clarifications. Other's are supporting of this contention. Other's are accepting of the middle ground and others refuse to budge. Okay, that's fine.
Some people want to believe that people of lesser skills don't have
a tinker's chance in improving and that better equipment won't
help. Talking about an egotistical answer or narsistic thinking.
The above quote was a statement of a general nature. It was at no time directed towards you or any one person or comment. I don't see how you could think the above quote was directed at you personally. I stand by my quote above because my comment is based upon their strident refusal to see the facts before them, that's egotistical and can be construed as narsistic in nature.

If I offended you in anyway, my appologies.
 
Why, yes Virginia, you can make a very pretty sows ear out of an ugly, smelly one, but you aint' going to make a silk purse. (no offense intended)

My pictures are better with better equipment, but I'll never be a good photographer because I don't have the talent.
a better photographer? I say it can.
--
Bob
D60, CP5700, CP4500
 
There's no intent in incest anybody when I make, what I believe to
be truthful comments.
"There's no intent to INCEST anybody..."????

I assume (I hope) you meant to say "incite".... :-)
Blusing as I write:-) I thought that incest had two meanings, the obvious aside, I thought it also ment, to upset a person.

Soooooo, I'll be happy to, as you suggested, substitue "incite". :-)
 
....though I
wonder about training monkeys to shoot.....hmmm.....
Actually not a bad approach, the art is in the editing and that might be a lot of fun. The instructors in the workshops are probably looking out across a class of new students with the monkey concept formost in mind.

It is a lot of fun though isn't it. At least in a digital workshop you might not have to make the sensor by hand.

--
http://webpages.charter.net/benlanterman/
 

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