Dan,
In my case, for what I want more (high ISO) the 3Ds made more sense. But if I were to get it, I could only afford one “so-so” lens and then work overtime and save to get glass… while my fine Canon glass would be laughing at me from the closet.
I have a 40D, a 5D2 and now the 1D4 and I’m a happy camper. I think my “everyday camera” is the later. I love the 5D2 for portrait and landscape those files, detail.. everything! is a joy to work with in post if you expose correctly; it’s a nightmare if you want to push shadows. My grief was low light, the AF not being fast or accurate. I even used the 5D2 for some sports without a problem (sunny day time).
The 1D4 AF is another league, it nail every time when the 5 is hunting. And the files for the former are easy to manage; the noise is not blotchy and overall is very good.
In the future I may start a double system, but I’ll do it as I did with Canon, prioritizing glass then bodies. So maybe when the successor of the D700 is released, I’ll get the 700 and start building nice glass first, then get the latest pro-body when time/economy is good.
I truly think that Canon’s trio is of great value. My 40D is my chosen camera when I travel to places I don’t know, not getting attention. The 5D2 (yes, get one, price is dropping) is a very good balanced camera and the 1D4 is really good. Yes, not on par of the clean files delivered by Nikon, but again, I think not that far away either for your use.
I got an exceptional sharp 1D4, unfortunately it got Err 20. Being that sharp, I took the route of sending it to Canon so I hope to receive it back soon and post more examples.
Oh, and regarding noise, with the correct tool, do not fear the 1D4, I use Topaz Denoise with awesome results from all my cameras.
--
Jorge
Topaz Group
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atncentral
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