12/13/2009 weekly landscape show & tell

Interesting.

That viewfinder is something else.

Did you play with the Art Filters on any of these?

Are you happy with the IS?

All these shots are great.
The second and third are both really sweet.
Fav is the second.... no maybe the third....

A new partner for the creative flow in your life.
I hope you continue to post images from your new muse here.

Tim
--
http://www.pbase.com/tspringer/

http://www.ylwstone.com/
 
Super pics Dave.
Just super.
I was going to bet these were taken with a TSE lens but no.
Color, composition and extra points for freezing your digits off.

Wallhanger, magazine cover, whatever, your choice.

I keep trying to pic a fav but haven't managed to do that yet.
More people should be commenting on these.

Five stars for you.

*****

Congrats!
Tim
--
http://www.pbase.com/tspringer/

http://www.ylwstone.com/
 
Did you play with the Art Filters on any of these?
The 2nd of the water filter w/guage and ladder was with the Dynamic B&W. And THAT'S what I'm talking about. Can't get a hand-held DSLR at 1/15s to come out that well, even w/40D & 17-55/2.8 IS. I'm surprised at how much I like the art filters, but the bugaboo is that they slow everything down, some to a greater degree than others (as they are rendered in LV).
Are you happy with the IS?
So far, very much so. But I do need more time to let it all settle in.
Fav is the second.... no maybe the third....
[chuckle]
A new partner for the creative flow in your life.
I hope you continue to post images from your new muse here.
I keep getting this vision of painting with oils, then turning to some really fine pastels and a good toothed paper. [g]

If it's taken out of doors, it's a 'scape as far as I'm concerned. And I don't think I've run out of land/city scapes just yet. Besides - this is where you and ALL my peeps hang!

--
...Bob, NYC

'Well, sometimes the magic works. . . Sometimes, it doesn't.' - Little Big Man

http://www.bobtullis.com
 
Dave - as usual you've captured the essence of cold and beauty up/over there. I most love the first, from corner to corner. Lovely delicacy of that blue cast. . .

. . . is that a Yeti / Big-foot / Sasquasch footprint in the ice in the f/g? [g]

--
...Bob, NYC

'Well, sometimes the magic works. . . Sometimes, it doesn't.' - Little Big Man

http://www.bobtullis.com
 
Bob - particularly like the middle 2 here - very atmospheric! I have to say I was potentially tempted by one of these but opted for a little and relatively cheap 500D instead, though appreciate it's a lot bigger! My perfect digital compact camera doesn't exist yet I suspect - maybe never will! Excuse ignorance but what does IBIS stand for?
--
Lizzie
----------------------------------
http://www.lizzieshepherd.com
 
Shots such as Dave was doing at Portage Lake (posted above) have for me been very difficult. That wonderful deep depth showing the rocks close and the mountains in the distance are wonderful. But I've not really gotten how to point the camera and make it really work.

During break this afternoon I took a 5 minute walk to an area many have seen before from me. Ok I had 15 minutes total. So only 5 minutes to shoot by the time you take away the walk there and back. Thus I did not try to use the tripod but shot hand held. These are just concept shots.

So am I getting there? Any where close?

1



2



3



4



5



Thanks

Andy

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But you take what you've got and go with it. Used rebel 300d for the wide angle (18-55IS) and 40d for the telephoto on this trip. I think all are hand held. My thought was that if I cannot use MLU and 2 second timer "why bother with the tripod".
Sound right to me. Well - even at 1/60, it's advised a tripod is an absolute, no room for a heartbeat motion. But one chooses when to be that determined.

Andy, you're eye to the lay of the land just improves. These are quite nice, and they seem to be coming naturally.

I'd like to suggest first that you start showing a bit larger. And I think your next step to consider is in the fine polishing dept. A good 2 or 3 step sharpening practice can go a long way - even if just a LAC touch, and then a final sharpening. But that might involve a layout for software, and a little bit of workflow paradigm shift, so I just say consider (I believe you're using Picassa, right? I don't have a clue as to what that's about).

--
...Bob, NYC

'Well, sometimes the magic works. . . Sometimes, it doesn't.' - Little Big Man

http://www.bobtullis.com
 
Rick, the 2nd and last. . . man oh man. The rest are only perfect, sorry to say.

I wonder if you might be able to use a dodge brush on the third, to take back some of the NDG overlap - for that shot, I think it's worth a try.
 
At web size, everything loooks sharp here except the foreground leaves. Not sure they need to be sharp, but they are stand-ins for the rocks in Daves image, so for practice they should be.

You do have a different type of scene here. No real distant elements like Daves mountains. If you look at hyperfocal tables, using a 40d and 24mm at f16 you can focus close (like 10 feet) and have everything ok from 3.85 feet to infinity, or focus at infinity and have everything ok from infinity to as close as 6.22 feet.

See what happens here, even if you dont like hyperfocal, it tells your something. Focus close if close stuff is most important, and focus far if the distant mountains are critical, and stop down. Decide which end can be a bit fuzzy (which is what the word acceptable stands for in hyperfocal theory).

You had no distant stuff in this scene, maybe 500 feet or so out that was important. I would have focused close for this one and stopped down.

I practice this stuff in my front yard where it is easy to measure focus distance and then look at results immediatly on my computer.

--
When you can't focus, nothing else matters
Once you can, everything else does.

http://ben-egbert.smugmug.com/

Ben
 
rlshep wrote:

doesn't exist yet I suspect - maybe never will! Excuse ignorance but what does IBIS stand for?

heh. It only took me two weeks hanging out on the m4/3 forum, not asking, to find out myself - In Body Image Stabilization

--
...Bob, NYC

'Well, sometimes the magic works. . . Sometimes, it doesn't.' - Little Big Man

http://www.bobtullis.com
 
I take it you're talking composition, not finish in particular. Unsure of what you seek at this moment, if I'm right I'll suggest this for the time being:

Turn these on their side, and upside down, then see how you feel about them. Think generally balance of composition, then what feels like open framing on any side (urge to move towards and beyond); squint to assess shapes, leading lines, bright and dark areas that pull the eye (either for good or bad). . . and whether they play well or conflict, in any way. Let your gut tell you what you see/feel - don't worry about having to describe it (if you can, all the better, but not essential to the cause).

--
...Bob, NYC

'Well, sometimes the magic works. . . Sometimes, it doesn't.' - Little Big Man

http://www.bobtullis.com
 
You have probably been to RR more than I have. I agree that the scenery flattens out with high sun. And you are also right about the "harsh" light... low sun brings heavy shadows and highlighted rocks. I will attach two shots from December '08 which confirms that weather conditions can improve the images. I also found that Calico Basin has some nice views of the rocks... in fact the second image I posted was shot there and not from the overlook.





--
http://nevadajack.smugmug.com/
 
What I was trying to accomplish is the look of this wonderful type of shot done by Dave.



I've got the concept of getting down low. But in this one I'm thinking he is higher and pointing down more. I like this. But I've had a hard time understanding how to point the camera to make it happen.

But I also feel I've pretty well accomplished it with the last one I presented.



Now I need a pretty mountain lake. :) And more time to play with this framing concept. I'll also be trying more shots of this type on the tripod with proper f stop etc.

Thanks for you input.

Andy
--

 
Welcome to the landscape thread. Very nice first post, great color here, and I am always impressed when somebody can make a great landscape in a city.
50D & Tokina 12-24 f/4 DX II & Hoya Circular Polarizer.

1/250s f/8.0 at 12.0mm iso400, handheld.

Auto WB, warmed up a tad in RAW conversion, a little contrast and sharpening.



cheers,
charles

--
http://www.pbase.com/charleschessler
http://www.pbase.com/charleschessler/canon50d
http://www.pbase.com/charleschessler/birdsofcentralpark
--
When you can't focus, nothing else matters
Once you can, everything else does.

http://ben-egbert.smugmug.com/

Ben
 
Hi Andy, my reply was way off target. When I look at Daves images, I see great DOF, so I thought that was what you were seeking. Instead it was a compostion. I am still in my infancy with compostion.

--
When you can't focus, nothing else matters
Once you can, everything else does.

http://ben-egbert.smugmug.com/

Ben
 

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