Cafe musicians

Mark Ehlers

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WI, US
More from a two year project to photograph musicians at a local cafe.

MP, 50/1.4 lux pre-asph, and Kodak TMax 3200 @ 1600 EI









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  • Mark Ehlers (formerly 'markE')
http://www.pbase.com/marke



'Good street/wildlife photography is a controlled accident,
a vision of preparation and surrender materialized.'
 
Wonderful and evocotive images, I think the film grain adds to the mood, fading memorys of a greag gig. Vic
 
Nice. Always amuses me how people moan about digital noise but like film grain. I don't mind either but then I shoot a D2x and M8!
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cheers

Ian :)
 
Mark - in the shot of the drummer, the film offers a lot of pop or definition. I haven't been able to do this using Rodinal and my beginner's lack of skill in developing. What developer was used here?

Looking at photo #2, the exposure level on the bassist's (?) face is quite high. I have seen digital images of faces in a strong stagelight, and usually the highlights are so overblown, that they seem to bleed into the shadows of the rest of the face. In your shot it seem as if the overexposure is still well handled, and maybe represents the slight superiority film has over digital in terms of broader dynamic range.
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http://www.flickr.com/photos/12191517@N05/
 
Too many musicians in your photo's Mark. I guess that's the reason for the noise, err... I mean grain. Nice to see these as I remember your series from your other postings.

You are doing a great service by introducing film to the younger photographers. Never stop Mark.

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Life as an artist has had some unusual times to say the least.
visit my web site http://www.flickr.com/photos/artist_eyes/
Remember to click on 'All Sizes' for better viewing.
Artist Eyes
 
Mark - in the shot of the drummer, the film offers a lot of pop or definition. I haven't been able to do this using Rodinal and my beginner's lack of skill in developing. What developer was used here?
Kodak TMax dev. I've never tried Rodinal. I've heard that it can offer a bit more sharpness in the TMax films, but at the loss of some shadow detail. Not that there was actually any shadow detail to lose here. ;)
Looking at photo #2, the exposure level on the bassist's (?) face is quite high. I have seen digital images of faces in a strong stagelight, and usually the highlights are so overblown, that they seem to bleed into the shadows of the rest of the face. In your shot it seem as if the overexposure is still well handled, and maybe represents the slight superiority film has over digital in terms of broader dynamic range.
I think you're right about that, Jeff. That guitarist's face (he's not bass, BTW) still has some facial structure to it, and I was a bit suprised when I first saw it. I was tempted to do a bit of burning, but then decided it could stand on it's own. This is one big reason why I have spent so much time shooting film again. I'm no expert at this, but from what I understand, it's not only the broader dynamic range of film that differes from digital, but also the way each responds to such things as curves in PS. Due to the extreme contrast of lighting in this venue, I think film proves to be the better choice.

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  • Mark Ehlers (formerly 'markE')
http://www.pbase.com/marke



'Good street/wildlife photography is a controlled accident,
a vision of preparation and surrender materialized.'
 
Too many musicians in your photo's Mark. I guess that's the reason for the noise, err... I mean grain.
;)
Nice to see these as I remember your series from your other postings.

You are doing a great service by introducing film to the younger photographers. Never stop Mark.
Thanks, Peter. I'm not sure how much of a factor I am in introducing the younger photographers to film, but your words encourage me to possibly persue something in that direction. I have been hearing that colleges have been seeing more interest from students in shooting film and learning traditional darkroom process. Hmmm...

--
  • Mark Ehlers (formerly 'markE')
http://www.pbase.com/marke



'Good street/wildlife photography is a controlled accident,
a vision of preparation and surrender materialized.'
 

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