Foveon vs Bayer, Photodiodes vs Photodiodes

Luis Augusto

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I've been waiting for manufacturers to go with Foveon-like technology for years, so lately I've been asking myself why didn't they go with it?

My answer is rather simple, Sigma SD14 it's a 4.7 MP camera, regardless of how you see it, that's all, it's a 4.7 MP. However, those 4.7 MP are obtained by 14.1K photodiodes. Sony Alpha A380 has 14.9K photodiodes which produce a 14.2 MP image.

Ok, so both have similar numbers of photodiodes, however, the sigma has a 3D sensor design while the other has a 2D sensor arrange, this automatically means Foveon it's more expensive to make.

The theoretical advantages of Foveon X3 is that it has true color rendition, because it's an analog device (it actually detects the color channels individually), while Bayer just guess them.

On the other hand, is known to have better per-pixel sharpness, this is true, but it's using a lot more photodiodes than a Bayer 4.7 MP camera, so it has to be like that, because it has more light sensors, regardless of the image size.

So, what I'm doing here is comparing cameras with a similar number of light sensors (photodiodes).

First comparative, Resolution:



The differences are negligible, even more since I didn't really process them with much care.

Resolution conclusion? With the same number of photodiodes, it's safe to say both offer the same true detail, even if they differ on spatial (MP) resolution.

Second comparative, High-ISO shots (image order remains the same):

ISO 800:



The A380, at this point, is doing a much better job, but the difference isn't that huge, even tough I don't have any way to confirm this, I would bet that if sensor sizes were the same, noise would be almost identical.

ISO 1600:



At ISO 1600, the Foveon sensor can no longer match the Bayer one, the difference seems to be quite huge, and doesn't seem to be caused by the sensors sizes differences.

ISO 3200:



ISO 3200 on the Sigma it's absolutely unacceptable, the dark parts are completely destroyed by the noise (this is not seen on the crops, but if you want to, go to the Sigma DP2 review, then check the full size high ISO shots to see what I'm talking about). The CCD does a pretty poor job too, but not nearly as bad as the Foveon.

High ISO Conclusions? Foveon can't compete with the CCD of the A380, which isn't stellar, against new CMOS sensors it's going to be at least 2 stops behind, if not more (Sony Alpha A550, Canon 7D, Nikon D5000).

Third comparative, Dynamic Range:

I can't truly compare them, so I will rely on dpreview tests:

Foven X3 (Sigma DP2): 10.5 EV; Marked as usable range.
Sony CCD (Sony A380): 11.9 EV; Marked as usable range.

Seems like Foveon doesn't truly offers better DR, it's even beaten by Sony CCD (that said, Sony DR is probably the highest).

Fourth comparative, Color accuracy:

According to Popphoto, Sigma DP2 (and Foveon X3) color accuracy is 6.56 (rated as excellent), but, they didn't rate, yet, the A380, however, the older and cheaper Sony A200 (the most similar I could find) scores 7.6.

Conclusions:

This may cause problems on the Sigma/Foveon community (as it caused to me, since I truly believed Foveon was the way to go), however, using the same number of photodiodes, the classic bayer sensors offer the same resolution at lowest ISO, much better high-ISO performance, slightly better DR and higher color accuracy.

All of that disadvantages, while still being more expensive to produce.

PS:This is as they stand now, I don't know (and neither do you) if Foveon is going to improve enough to beat Bayer sensors with the same number of photodiodes (like improving high-iso performance for example).

--
Feel free to crush my pics, just tell me why, you will
help me a lot.
I'm working on a project called 'Photography, poetry
and a little bit of philosophy ('Fotografía, poesía y algo
de filosofía' in spanish)'. It will take me a long time to
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categories.
 
I can see you've done a lot of work and I'm sure your methods are sound.

I've seen the DR comparisons done on paper, and I've seen the DR comparisons done with actual images. On paper bayer wins but on the images it's not so.
See Amin's review

http://www.seriouscompacts.com/2009/09/sigma-dp2-shootout-pt-3-dynamic-range.html

Now as for color. Once again it appears that bayer wins. My experiences when I share images either projected or uploaded to various sites shared by other photographers (all bayer) the results are ALWAYS the same..."Oh Wow! What great colors"

I also make a lot of prints, all different sizes and show / share them with other photographers. Once again they are very impressed with my colors and also with the image clarity in my large prints (24 x 36). So I'm thinking once again in actual use foveon does better than would be expected.

As they say in sports. "That's why they play the games."

Good work though, thanks for sharing.

Charles Maclauchlan

--
http://dp1meanderings.blogspot.com/
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I read the article, however, you're only testing highlights, while forgetting shadows. DP review tests pretty much say the same you do (DP2 highlight range is higher, but has a comparatively low shadow range).

About colors, all samples at dpreview, or any other for the matter, have muted colors, I've seen shots here with (in the forum) with AMAZING colors, but I guess is all up to post-process.
--
Feel free to crush my pics, just tell me why, you will
help me a lot.
I'm working on a project called 'Photography, poetry
and a little bit of philosophy ('Fotografía, poesía y algo
de filosofía' in spanish)'. It will take me a long time to
finish it, since I want it to be good on all three
categories.
 
Nice comparison

The low ISO image is hard to evaluate, unfortunately. You say they are similar. Maybe. Hard to tell when the test image itself is not sharp.

But the rest is rather conclusive. According to DPReview test images, the SD14 has not a chance at higher ISO. Its totally outclassed.

One thought is that there might be better ways to upscale.

Another thought is that the DP cameras have a much improved color engine over SD14. So - maybe SD15 is going to be better?

But - it is clear. If you only have 4.7 million spatial samples, then you only have 4.7 million spatial samples. And if you have problems with high ISO you have problems with high ISO.

--
Roland

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If approached formally, all right, but...
My favorite quote:

"You can see the DP2’s potential. Some of the images just look like they could be magic. Magic like the way people can pick out Leica slides on a light table even when they swear that they shouldn’t be able to. Magic in the way that make you sit there and stare at the screen saying “I made THIS image?” for a half an hour. "
http://photo.net/equipment/sigma/dp2/review/
--
Igor Tulaev
St.Petersburg, Russia

 
"You can see the DP2’s potential. Some of the images just look like they could be magic.
Yes - and currently I think I understand what that magic is. Tomorrow I might not :)

1. The colors are ... ehem ... unusual. You get the wrong but rather attractive colors - right out of the box. To get the same from an RGB camera you have to do serious tweaking. The RGB cameras are too neutral.

2. The pixels are equal. When pixel peeping Bayer CFA images you always see things you dont want to see - and the things are "randomly" spread all over the image. Annoying. You can see problems (e.g. rope aliasing) from a Foveon image also, but it is rather predictable.

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Roland

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ISO 3200:



ISO 3200 on the Sigma it's absolutely unacceptable, the dark parts are completely

destroyed by the noise (this is not seen on the crops, but if you want to, go to the > Sigma DP2 review, then check the full size high ISO shots to see what I'm talking
about). The CCD does a pretty poor job too, but not nearly as bad as the Foveon.
Then you missed the point of our love - The painted mush you so much prefer is discussing in my way of looking. I VERY much prefer the even noise that the foveon produce - and you can actually get more or less accurate colors too if correct processing is made. Or produce stunning monochrome wb black and whites..

See these examples provided by http://www.sigmauserforum.com/forum/showthread.php?p=2201#post2201

But, I like your post, it's always nice to pixel peep now and then. We did this sooo much back in the days of SD9. And had lots of fun.

thanks.
--
Carl @ Rytterfalk.com (Göteborg, Sweden)
http://www.rytterfalk.com
Proud Foveon user. Using Sigma SD and DP cameras.
 
Then you missed the point of our love - The painted mush you so much prefer is discussing in my way of looking. I VERY much prefer the even noise that the foveon produce - and you can actually get more or less accurate colors too if correct processing is made. Or produce stunning monochrome wb black and whites..
Hmmmm ... lets see ... you might be right :) Or not :)

Lets look at the (upscaled) ISO 3200.

The Foveon is desaturated and VERY noisy and unsharp. The noise is very even and looks like "normal" noise. If you accept that it is noisy - then you only want to do something about the desaturation.

The Bayer CFA is much less noisy. Its sharper. And it has nice colors. But - looking at 200% you see color artifacts and mush. Something you dont see in the Foveon image. So - if you dont like this - you can of course find it "disgusting". But - what happens if you desaturate and unsharpen that image? Then the color artifacts will also be decreased. And so will the mush.

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Roland

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ISO 3200:



ISO 3200 on the Sigma it's absolutely unacceptable, the dark parts are completely

destroyed by the noise (this is not seen on the crops, but if you want to, go to the > Sigma DP2 review, then check the full size high ISO shots to see what I'm talking
about). The CCD does a pretty poor job too, but not nearly as bad as the Foveon.
Then you missed the point of our love - The painted mush you so much prefer is discussing in my way of looking. I VERY much prefer the even noise that the foveon produce - and you can actually get more or less accurate colors too if correct processing is made. Or produce stunning monochrome wb black and whites..

See these examples provided by http://www.sigmauserforum.com/forum/showthread.php?p=2201#post2201

But, I like your post, it's always nice to pixel peep now and then. We did this sooo much back in the days of SD9. And had lots of fun.

thanks.
--
Carl @ Rytterfalk.com (Göteborg, Sweden)
http://www.rytterfalk.com
Proud Foveon user. Using Sigma SD and DP cameras.
No need to throw a fogbomb.
Lowlight is a massive, critical problem, inherent
in the method of Foveon sensing.
To wrangle a picture through post processing
and promote BW is no solution, Carl.

A bigger sensor would help.
 
No need to throw a fogbomb.
Lowlight is a massive, critical problem, inherent
in the method of Foveon sensing.
To wrangle a picture through post processing
and promote BW is no solution, Carl.
Carl has a point. The noise in the Foveon image in this thread is even and "nice looking". The noise in the Bayer CFA image is much less, but not nice looking though - actually its b*t ugly.
A bigger sensor would help.
Yeah. But the A380 sensor is not all that much bigger. Its 1.5 crop compared to Foveon 1.7 crop. But a 1.5 crop Foveon sensor would be nice though.

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Roland

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hehe, reading my post again, it came out a bit harsh, didn't it? Oh well, it was before the coffee. Now I feel much better.

But Roland, if you desaturate the bayern alternative, mush don't go away.. Does it? But I must also add that I've been working with a Nikon D300 in a pro assignment for Volvo at high ISO and developed first using Lightroom but soon discovered that if I used Raw Developer (that I sometimes prefer for my SD14 raws) noise and detail became much more apparent and less mush overall.

Same thing with a friends LX3 (you know the small thingi) and I had looked at it's pictures before thinking oh, boring. But now I brought it with me for fun and switched over to RAW only to discover that it looked pretty good. Especially using the right developer. ;)

But this mush that the poster talks about as nice is just not nice in my view. Also if you followed my link you would see that there is good ways to actually squeeze much more information (or nicer looking) out of those poor high iso Sigma raw. (they're poor in many ways compared to bayern - especially compared to big sensor bayern such as the D3).

Also a note to Gene, Monochrome high iso looks really good with SD14 RAW's. The monochrome mode is very different from desaturated images in that all three layers info comes out as one - and you get a few extra stop of good even noise info to play with. Would actually be very interesting to compare some black and white from bayern with that from Sigma - The sigma gives a very cool, micro-contrasty a bit gritty black and white look.

Over and out. :)
No need to throw a fogbomb.
Lowlight is a massive, critical problem, inherent
in the method of Foveon sensing.
To wrangle a picture through post processing
and promote BW is no solution, Carl.
Carl has a point. The noise in the Foveon image in this thread is even and "nice looking". The noise in the Bayer CFA image is much less, but not nice looking though - actually its b*t ugly.
A bigger sensor would help.
Yeah. But the A380 sensor is not all that much bigger. Its 1.5 crop compared to Foveon 1.7 crop. But a 1.5 crop Foveon sensor would be nice though.

--
Roland

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Carl @ Rytterfalk.com (Göteborg, Sweden)
http://www.rytterfalk.com
Proud Foveon user. Using Sigma SD and DP cameras.
 
Dont most if not all bayer based, or non-foveon cameras use some sort of internal
noise reduction ..before you even see the pic on the LCD screen??

Rich
ny
 
We can only wonder what vision that both Foveon and the Bayer manufacturers have for future products. But for now, most of the superiority of the Foveon image is because it DOES NOT INTERPOLATE.

I wonder if the Bayer manufacturers might not be intending to design a 2D sensor that also does not interpolate.

How?

By grouping either three or four sensors together (pehaps under one micro lens) and calling it a single photosite, like Foveon does Three pixels if it will be RGB and four if it will be RGGB.

Right now the Foveon pixel (or photosite) has a 2D measurement of 7.8 microns and that same 2D space could theoretically accomodate three 2 micron pixels, RGB, under one lens coming up with the same non-interpoloated color resolution being achieved by the Foveon. How successful this would be remains to be seen. But they are already selling cameras with Bayer sensors with 1.7 micron pixels which means that they are already building Bayer sensors that could achieve this.

I read, recently, a speculation by an (un-named) online journalist that the Nikon D700 "probably" has the same senor as the D3x, effectively using a 24.4 MP sensor to produce a 12.1 MB image. Theoretically that would be easy to do as it is merely a software trick. Suppose, however, that Nikon wanted to emulate Foveon and turn that 24.4 MP sensor into a 8 MP Foveon type sensor, combining RGB. They could do that right now because that trick is merely a software issue as well. Or they could make a 6 MP sensor if they wanted each photosite to have two greens, again, a software issue.

Why don't they? Probably because they don't have to. They don't see the market demand at this time. It they did, can you imagine Nikon trying to charge $3000 USD for an "8 MP" canera? They would face the same marketing bias that Foveon is now facing.
 
I wonder if the Bayer manufacturers might not be intending to design a 2D sensor that also does not interpolate.
You could rotate an 18 MP Bayer CFA 45 degrees and make a 9 MP image without interpolating the green channel. Then you could use the red and blue to create color. This would result in much better pixels. But .... you would lose half the number of (marketing) pixels. NOTE - you would not lose any resolution - only the pixel count will be lower.

Good choice - bad choice ??

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Roland

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I've had this SD14 for a little while and its surprised me quite a bit comparing it to my CCD digiback on the Mamiya and the cmos sensor in the Canon 5D MK II.

As far as I can see it, the only advantage of the foveon chip is the lack of AA filter on the chip, and I don't think so much interpolation is going on. The camera seems to do minimal processing when shooting in raw compared to shooting in raw with the bayer sensored cameras.

Correct me if I'm wrong, but the colors seem almost right on the money with the bayer sensored cameras out of the camera shooting raw and the raw image coming out of the SD14 doesn't seem to have much post processing done to it in the camera. To me this is a tremendous advantage as I can truly have a wide range of leeway on how I edit the final image.

Final analysis is that this camera produces images similar to a 10 to 12 megapixal camera in terms of resolution. The amount of color information captured is very high but that doesn't translate into better color accuracy.

I'm betting that the color accuracy can be improved in camera with better algoritms and improved in the SPP software or maybe by using another third party raw processor software.

I have been reading the noise comparisons etc and think that the bayer sensors are doing this noise reduction algoritms in camera whereas the foveon has to be done outside of the camera--correct me if I'm wrong. Again, adding algorithms like noiseware etc to the SPP 3.3 software allow users to have more " Keeper" images at higher ISOs.

Maxine
Oh - I forgot to write. Thats what Fuji does - almost.

But they did not dare to half the number of megapixels - probably for marketing reasons.

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Roland

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Familiarity Breeds Contempt
 
Nice compariso

But - it is clear. If you only have 4.7 million spatial samples, then you only have 4.7 million spatial samples. And if you have problems with high ISO you have problems with high ISO.
But - it is clear. If a 14MP Bayer camera has 3.5 million spacial samples for Red, then the Foveon sensor has 1.2 million more. The same for Blue. If a Bayer camera has problems with low (base) ISO, it comes nowwhere near the quality of Foveon which doesn't have. If you have a camera with high ISO today, IQ is not at it's best.

Just need to add that, never mind....

wolfgang
 
Please define "correct colors". There is a reference, but every eye is different from each other. Interpreting voices here, some people are much more sensitive to spacial information than to color, and vice versa.

Colors as defined can only be correct when reflected by a black body heated up to a reference temperature (5000K?). All other colors have to be corrected for all sensors, a sign that they don't record information like the eyes sees. There are many possible color rooms, each camera uses one native. One for sure, this is not my eye's color room nor yours. I bet, sunlight filtered by air and water in the air has a complete other distribution than a real black body. Just let us not forget some simplifications. Then there is the rumor that some people have 4 color sensitiveness...

Best regards
wolfgang
"You can see the DP2’s potential. Some of the images just look like they could be magic.
Yes - and currently I think I understand what that magic is. Tomorrow I might not :)

1. The colors are ... ehem ... unusual. You get the wrong but rather attractive colors - right out of the box. To get the same from an RGB camera you have to do serious tweaking. The RGB cameras are too neutral.

2. The pixels are equal. When pixel peeping Bayer CFA images you always see things you dont want to see - and the things are "randomly" spread all over the image. Annoying. You can see problems (e.g. rope aliasing) from a Foveon image also, but it is rather predictable.

--
Roland

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...conservative is not the opposite of progressive...
 

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