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OK, but why would you buy the Nikon? For DOF control? without stabilization you gain nothing vs a stabilized f/2.8 zoom. Oh wait, they don't have any normal fast zoom that is stabilized, so maybe it's interesting in Nikonland.How much is our 35/2.0?
For DOF control? without stabilization you gain nothing vs a stabilized f/2.8 zoom.
OK, that's fine, I guess -- if you're into shooting absolutely static subjects...OK, but why would you buy the Nikon? For DOF control? without stabilization you gain nothing vs a stabilized f/2.8 zoom. Oh wait, they don't have any normal fast zoom that is stabilized, so maybe it's interesting in Nikonland.How much is our 35/2.0?
For DOF control? without stabilization you gain nothing vs a stabilized f/2.8 zoom.
I know you're being snarky, but sometimes it is better to have a stabilized fast prime if you're dealing with stationary or slow moving subjects. I know a wedding photographer who shoots in available light and uses shutter speeds as low as 1/8 of a second when necessary. In that situation, a stabilized FA35/2 can in fact be more useful than the faster Canon lens.By that logic, I guess my FA35/2 is as good as a Canon 35/1.4 L.
It's good to be a Pentaxian!
Go look up how much the Nikon 35mm f/2 costs (about $350). They are both full frame and both fairly equivalent.How much is our 35/2.0?
I have a Pentax A50mm 1.7 for which I paid $25, including a P3n Film 35mm body attached to it !I have a Pentax 50 mm 1.4 for which I paid about $200.
Owen Duncan
I know you're being snarky, but sometimes it is better to have a stabilized fast prime if you're dealing with stationary or slow moving subjects. I know a wedding photographer who shoots in available light and uses shutter speeds as low as 1/8 of a second when necessary. In that situation, a stabilized FA35/2 can in fact be more useful than the faster Canon lens.
Yeah, I have wished for lenses like the 85/1.8 and the new 35/1.8 to be in the Pentax system as well... instead we have a 55/1.4 for almost as much as the 77Ltd. A fine lens but 55mm just isn't long enough, and FA77 isn't exactly priced for economics, it's a "luxury" lens; much like Canon's "L" series. What to say of the FA31, as great as it is, the greatness, as always, comes at a rather steep cost; many shooters wanting a similar lens but at a lower cost are now stuck with either hunting for copies of the now-out-of-production FA35/2 (a fine lens!) or getting a Sigma 30/1.4, which isn't a bad lens but the emphasis on center sharpness doesn't suite everyone.And 85/1.8 for $440.
true, as long as your subject is paper thin (and parallel to you - or your lens can tilt)OK, that's fine, I guess -- if you're into shooting absolutely static subjects...
This "I don't need fast glass, 'cause I have a stabilized sensor" is a fallacy. There's only one thing that will take care of all types of low light shooting -- static and moving -- and that's fast glass.
$600 on ebayHow much is our 35/2.0?