Tokina 11-16 vs 12-24

From what I saw about the new Nikon 10-24 is that the front element moves in and out as you focus. That is a dust pump.

The Tokina 11-16 seems to be a bit better in the shared range.

--
Catallaxy
 
Nikon 10-24

http://www.lemondedelaphoto.com/TEST-AF-S-DX-NIKKOR-10-24mm-f-3-5,2126.html

Tamron 10-14

http://www.lemondedelaphoto.com/TEST-BONUS-MDLP-No14-Tamron-SP-AF,2011.html

Tokina 11-16

http://www.lemondedelaphoto.com/Presentation,1385.html

I've bought the Nikon 10-24. After AF Tuning (+6) on the D300 I'm now satisfied with the IQ. I have to stop it down to f11 on 10mm to get good performance in the very extreme corners. But what I've seen from the tests above and other tests in the internet the other lenses are even worse.

The Nikon 10-24 is very fine and versatile lens. And it is expensive.

Martin
Thanks for these links, highly interesting! And great to have another reference for lens reviews. I even started to remember some almost forgotten French :)

Cheers

Mike
 
The Nikkor 10-24 is getting a difficult time here:
http://www.photozone.de/nikon--nikkor-aps-c-lens-tests/443-nikkor_1024_3545
http://forums.dpreview.com/forums/readflat.asp?forum=1030&thread=32473988

Good luck with your search. Kindly let us know your findings too.

Cheers,
Nikon 10-24 the best? I've never seen that clear statement before. It has the cheapest build of the 3 for sure and I believe the jury is still out on the IQ. I'd love for it to be the clear winner as it has the best range and it is made by Nikon.

I'm interested in this thread as I just damaged my Tokina 12-24 (which I think is great for the money) and may need to repair or eventually replace it. I probably would have bought the 11-16 2.8 if it had been available at the time I bought mine. The cost difference between all these lenses is negligible to me, so I'm looking for the best of the 3 period. I don't believe there is a clear winner as they all have advantages and shortcomings. I'm even considering the Nikon 12-24 as it has started to drop to a more reasonable price.
The more I research, the more confusing it is. I came to the conclusion that this is because for DX UWA zooms, there is a well balanced trade-off between the top three: Tokina 11-16 (faster), Tokina 12-24 (longer reach), Nikon 10-24 (the best, but cost much more) :(
 
This seems like a good advise to me.
At least in my case I reached to somewhat similar conclusion.

I often feel quite restricted at 17mm of my Tamron 17-50 F/2.8 but after I borrowed Tokina 11-16 F/2.8 for several days, it turned out that in order to get some remotely acceptable shot, I have to think a lot before pressing the shutter at 11 mm :-) .
In the same time I found 16 mm to be frustratingly short.

So in the end I decided that for me, 12-24 F/4 is probably more reasonable compromise. At least in terms of focal length.

As for the F/2.8 aperture, it seemed to me that this particular copy of Tokina 11-16 is quite soft wide and near to wide open (it's normal, I guess, but that doesn't mean I have to be happy with it :-) ).

But still, it's better to be able to open to F/2.8 in case you do not have other choise ...
Since you are looking to start out, I will recommend the Tokina or Nikkor 12-24

as a first option. Part of that reasoning is that developing good skills with the
body you choose will require time with the lens on it as well to develop a good
sense of perspective. If you don't have a good idea of the things you wish to
spend time imaging then you will want to spend time with a lens that has a
good perspective to cover a number of shooting opportunities.

12-24 in DX translates to 18-36mm focal length in 35mm or FX parlance. This is
wide enough to cover any number of landscape and architectural shots, indoors,
crowds, large objects, and creative situations you will invent along the way.

There is no hard and fast rule about what to use to get a shot. You can even
do portraits with this lens, and it will give you a unique look that a normal or
portrait telephoto will not.

This not to say that an 11-16 zoom is bad, but I have used both, and have
found the 12-24 reach more useful for general photography. The advantage
to the 11-16 is that you can take "wider" shots of things such as buildings,
interiors, landscapes, etc. The extra 1mm yield several degrees of additional
coverage, and also increases perspective distortion that you may or may not
like.

Ultimately the decision is yours, and I think you will find a 12-24 will be more
suitable starting out than the 11-16. Once you get the hang of the 12-24
you may want to have the 11-16 for what it will do, and you will be comfortable
enough with shooting UWA to really enjoy the lens and it's yield.
 
I had the Tokina 12-24 and IMO:
  • it's a fine lens, built to pro standards and with good sharpness and contrast when stopped down to f/8 or so
BUT
  • it's really soft in the corners at f/4
  • it suffers from noticeable CA and some PF
On a side note, if you can forego the convenience of a zoom, and if you don't mind not being able to mount filters, I can warmly recommend the Tamron SP 14/2.8 prime. In my experience:
  • at f/2.8 it is already noticeably sharper than the Tokina 12-24 at f/4
  • at f/5.6 - 8 it's all you could ever wish for sharpness- and contrast-wise
  • while it also suffers from some CA in the corners, I found it easier to fix (e.g. using Photoshop CS2's lens distortion filter).
Marco.
 
Happy to see the Tokina 12 - 24 new version II Pro ATX has a built in motor for us D40/D60 users at a price / performance point that won't break the bank !
  • Chris
 
Genix,

Thanks for spending your time to help me (and apparently quite a few other readers here too).

You made very good point for me to go longer to 24 mm. So, the Tokina 11-16 is out for me even though it also has good IQ.

Now I am left with two choices, Tokina 12-24 DX II or Nikkor DX 10-24 .

IF I forget about the money for now, I think the Nikkor has significant advantage because:

1. It has wider range (goes down to 10 mm)

2. It will obviously work well with Nikon DX cameras (flash, AF, metering, etc.)

3. Nikon is confident enough to put it's name on this new release. (I do not want to get into an argument about this.) This should count for something anyway.

4. It's sibling, the Nikkor 12-24, have received very good reviews. Although I do not have a confirmation of the Nikkor 10-24's good IQ, it is hard for me to imagine Nikon coming out with a new (and updated?) lens that is materially inferior to the older version. The verdict is still not in, but, IMHO, the odd is against that happening.

IF I put the money factor back into the picture (about USD 520 for Tokina 12-24 DX II and USD 920 for Nikkor 10-24, both gray market prices where I live) and consider the good IQ of the Tokina 12-24, it will be hard to justify going for the Nikkor 10-24 unless it has a few undiscovered surprises.

.....may be I should do less thinking and more shooting instead! Just how I am anyway :)
Since you are looking to start out, I will recommend the Tokina or Nikkor 12-24

as a first option. Part of that reasoning is that developing good skills with the
body you choose will require time with the lens on it as well to develop a good
sense of perspective. If you don't have a good idea of the things you wish to
spend time imaging then you will want to spend time with a lens that has a
good perspective to cover a number of shooting opportunities.

12-24 in DX translates to 18-36mm focal length in 35mm or FX parlance. This is
wide enough to cover any number of landscape and architectural shots, indoors,
crowds, large objects, and creative situations you will invent along the way.

There is no hard and fast rule about what to use to get a shot. You can even
do portraits with this lens, and it will give you a unique look that a normal or
portrait telephoto will not.

This not to say that an 11-16 zoom is bad, but I have used both, and have
found the 12-24 reach more useful for general photography. The advantage
to the 11-16 is that you can take "wider" shots of things such as buildings,
interiors, landscapes, etc. The extra 1mm yield several degrees of additional
coverage, and also increases perspective distortion that you may or may not
like.

Ultimately the decision is yours, and I think you will find a 12-24 will be more
suitable starting out than the 11-16. Once you get the hang of the 12-24
you may want to have the 11-16 for what it will do, and you will be comfortable
enough with shooting UWA to really enjoy the lens and it's yield.
 
Namtarn,

Thank you for the compliment. I enjoy helping where I can. It's understandable
to want to think things through when money is a primary issue.

I'd still suggest the Tokina 12-24 to you - given finances. Even with the
added CA (which is not much BTW), it is very easily corrected with NX2
or Photoshop - just like the Nikkor will.

After you do some shooting with whatever you choose, I think you will be
more comfortable with your decision as the results will build confidence and
experience. Besides, shooting is one of life's great quiet pleasures that help
give one a new perspective on the world around them.

Good Luck...
Genix,

Thanks for spending your time to help me (and apparently quite a few other readers here too).

You made very good point for me to go longer to 24 mm. So, the Tokina 11-16 is out for me even though it also has good IQ.

Now I am left with two choices, Tokina 12-24 DX II or Nikkor DX 10-24 .

IF I forget about the money for now, I think the Nikkor has significant advantage because:

1. It has wider range (goes down to 10 mm)

2. It will obviously work well with Nikon DX cameras (flash, AF, metering, etc.)

3. Nikon is confident enough to put it's name on this new release. (I do not want to get into an argument about this.) This should count for something anyway.

4. It's sibling, the Nikkor 12-24, have received very good reviews. Although I do not have a confirmation of the Nikkor 10-24's good IQ, it is hard for me to imagine Nikon coming out with a new (and updated?) lens that is materially inferior to the older version. The verdict is still not in, but, IMHO, the odd is against that happening.

IF I put the money factor back into the picture (about USD 520 for Tokina 12-24 DX II and USD 920 for Nikkor 10-24, both gray market prices where I live) and consider the good IQ of the Tokina 12-24, it will be hard to justify going for the Nikkor 10-24 unless it has a few undiscovered surprises.

.....may be I should do less thinking and more shooting instead! Just how I am anyway :)
 
Since Nikon introduced the 10-24mm, used prices for the 12-24 have dropped further....with careful shopping it is possible to find them now in the mid-$500 range. This was and still is a superb lens, right up there with the best and outperforming any widely-available fixed focal length lense in this range that Nikon produces.
--
HARRY LAVO
68 years and lovin it!

A couple of NIkon bodies | All the glass I need| Manfrotto pods and clamp system| Enough software to still be low on the learning curve
 
I don't think that is quite right. The verdict was 4 stars optically, but only 2.5 value-for-money (remembering that the money is a good bit more in euros than in US$). Personally, I think the rating is perverse: I just can't see how US$300 makes the difference between 2.5 and 5 stars value-for-money, especially with half a star difference in optical quality. It is true that the lost half a star had to do with the Tokina family failing of high CA, which you can fix, but still. Build quality is another issue, and if that is important to you the Tokina wins easily.

The Tokina 11-16 is reviewed on Photozone for Canon mount - which should not make too much difference. The summary is "the best UWA zoom available", with 5 stars for value. It is just a matter of whether the range is right.
--
'I am the living proof that blondes are not stupid'. Paris Hilton
 
I'd still suggest the Tokina 12-24 to you - given finances. Even with the
added CA (which is not much BTW), it is very easily corrected with NX2
or Photoshop - just like the Nikkor will.
Yeah! Tokina 12-24 it will be. It's good and much cheaper. Another possibility that I will find out soon is that I may get a used Nikkor 10-24 from my uncle for about USD 630-700. He is moving to Compacts because they are better for his wrist.
After you do some shooting with whatever you choose, I think you will be
more comfortable with your decision as the results will build confidence and
experience. Besides, shooting is one of life's great quiet pleasures that help
give one a new perspective on the world around them.
Looking forward to it.
Good Luck...
Thanks.

Namtarn
 
I finally got a used (in great condition) Nikkor 10-24 from my uncle at a friendly price of USD 680. A new one would cost about USD 870 locally, while a new Tokina 12-24 DX II would cost about USD 570, both gray market prices.

Thank you very much for all your helps

--
Namtarn
 

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