I think the second shot is best. I would actually move the girl to the left a bit more. And go in even tighter if you can.
That I can do ... did actually shoot some close crop stuff too.
But, it's for a Hotel AD ... Those shots would only be for the model. (and me lol).
I would love to try to shoot in this situation. I would look get the camera closer to the model. Put it on a tripod in the pool, and use a remote trigger so you can wait for the water to become glass-like.
Well, the glass-like part ... needs the pumps of the pool OFF
any ripple, sends shock waves thru the whole pool.
And, you really cannot shut down the Pool at a high end hotel like that in the Middle of Summer at 90% occupancy ... for too long.
and then there is the wind.
I would also play around with getting some light onto the model - maybe with off-camera flash or a reflector.
Had the gear to do that ... but the sun was doing a pretty good job that morning. It even reflected light off the pool onto her.
Key here was to have somewhat of a natural look. I think the sun did that rather well.
Did you try any other poses?
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When they fly you over for a shoot ... and you have a few hours there ... you will end up shooting some "Gig-age".
I actually thought ... a shot of her floating around in a inner tube would be "the shot" ... or maybe lying on the edge ... standing on the edge ... standing in the middle.
Some worked ok, and might use for something else.
The only spot I did not shoot her at was on the close edge of the Pool ... because I had thought it would make the pool look smaller.
Needed a mood ... and a comfortable pose. (the model was not really the subject)
But, a "idea" was mentioned earlier on this thread that I might try in Post with a clone in of the model, on a close 3rd to the left, filling the frame.
That is what I love about digital ... I can cover my mistakes
HG
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Please feel free to criticize, make suggestions, and edit any of my photos & re-post, to help show me 'the way'. * I am trying to Elevate the Level of my 'Snap Shots'
Love f2 Oly lens wide open ... 14-35mm f2, & a 50mm f2+1.4TC is my fav. combo on two 'IS' oly bodys.