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No, that's wrong.It has the speed like a f2, but a DOF like a 90mm f3.
For a given magnification and equal aperture, the depth of field remains the same.That is using a 1.5 crop, which of course is incorrect. What the
correct crop is, well, that is up for debate.
--If you had DOF bracketed these shots, you most probably would have
picked one with a smaller aperture.
In your second example only one eye is in focus. I fail to see how
this enhances the image?
Frode
If the main subject is equally large in the on the sensor and the
same aperture is used, depth of field is identical irrespective of
focal length.
There is some confusion with regards to smaller sensors having
greater depth of field, but that would be because for a framefilling
shot magnification is naturally less on a small sensor than on a
large one.
Not completely. It is correct if the optical magnification is small. And it is not completely equal, it might differ a few percent.No, that's wrong.It has the speed like a f2, but a DOF like a 90mm f3.
Your claim is false. Your claim is true when the magnification is the most significant.For a given magnification and equal aperture, the depth of fieldThat is using a 1.5 crop, which of course is incorrect. What the
correct crop is, well, that is up for debate.
remains the same.
If you said her left eye, rather than her eyes, I might agree....
I think the second example looks great because it creates an obvious
focal point in the photo, the eyes, and that is important in portrait
photography.
I never said it did not.Perplexed by your argument Phixel.
What about your distance to the subject? That has a direct affect on
the total area of in focus.
Not for macro use and since the lens is slow focusing it has severe limitations in social settings. Maybe OK for studio work though.Having an f/2 aperture is an advantage that makes the lens more
versatile overall.
Tamron says the MFD is 9.1in. (0.23m). Nothing special there.I actually scoffed at the idea of another macro lens so close to the
50mm range at first, until I saw the 100mm minimum focus distance
f2 is worthless for macro work, unless you are more interested in colors than the image, because you aren't going to be able to discern much detail at f2.0 a close focusing distances.along with a bigger apeture setting.
I think Tamron designed as a marketing gimmick, not a really useful feature. No doubt there is a trade-off in sharpness to get the f2.0.I think those two features make
it a viable option which is why Tamron designed it that way.
If you think having an f2 aperture on a macro lens is a good idea than you just haven't done any macro photography. For macro you want a smaller aperture, not larger. Sometimes the things you say make me think you don't actually take photos with your many cameras, but are just a gear guy. I don't see you posting many photos here. Do you even do photography or just write about it for your website? Yeah, I wonder about you to!!Sometimes I wonder about you.
The question is which is it designed for? Is the lens optimized at the 1:1 distance or at portrait distances. Seems to be what we have here at least by the talk is a portrait lens to which some extra extension was added so it could be called macro.I agree totally. Most macros are not shot at wide open apertures
anyway, because of the extremely limited depth of field. It seems
that Tamron wanted to kill two birds with one stone with this lens.
The focal length on a crop sensor would be 90mm, which is very close
to the ideal 85mm for portarits (full frame equivalent), and the wide
aperture is perfect for portraits.
They marketed this lens to kill two birds. Macro and portraiture. Personally this lens just shot high up my list of lenses I want because of f2. This is a great portrait lens (assuming IQ is there and I'm sure it is). I doubt there is any IQ penalty on the macro front to get the f2.I think Tamron designed as a marketing gimmick, not a really useful
feature. No doubt there is a trade-off in sharpness to get the f2.0.
It is simply true. No ifs or buts.Your claim is false. Your claim is true when the magnification isFor a given magnification and equal aperture, the depth of fieldThat is using a 1.5 crop, which of course is incorrect. What the
correct crop is, well, that is up for debate.
remains the same.
the most significant.
For framefilling yes, for magnification no.In short, for non macro use it has the f2 speed, but f2 DOF. For
macro it behaves like a 90mm f2 on FF.
I do not follow the math on this one. Last time I checked my statement was true for low optical magnification. It is also true for all DOF formulas and calculators out there. Please explain what you mean. f2.8 for digital point and shoot most certainly not have the same DOF as f2.8 for any DSLR at the same angle of view....
If the image of your subject is equally tall on the sensor, depth of
field is identical.
A portrait at 50mm F2.2. This was all I have handy on my pbase ATM.Like I said before, f2 DOF is too shallow for portraits. --
Phil