NYT interview with Sebastião Salgado:

Hi

i think there's an error in the report.... on page 2 there's this paragraph..

".....In this way “Genesis” represents less of a departure than it might at first seem. Even though he recently switched to a digital camera for large-format printing, his pictures have a consistent sensibility. He still generates contact sheets. He still likes to backlight his subjects, emphasizing — or romanticizing, his critics say — their forms. He still works in black and white......"

I'm quite certain the "digital camera" portion was supposed to be his Pentax 67.... not any digital camera....

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Red Dawn

'Photographs that transcend but do not deny their literal situation appeal to me.' -Sam Abell
 
This caught my attention as well. If he ever does go digital I hope that he takes another interview, after he re-tools his process, to describe how he approached the problem. From what I have read he is very rigorous and consistent in how he and his staff manage workflow and printing. It would take him years to establish a digital workflow that met his standards.

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