DNG to NEF converter?

those camera manufacturers you use DNG as their raw format are those which don't see any benefits of defining their own raw format.
They may not see any benefit of defining their own format but this
does not mean that they are writing transparent universally
understood files.
For example, Ricoh has an extensive and not fully understood
Makernote in their DNG file.
Just because it's DNG doesn't mean it's "open".
No, but it might give niche manufacturers (niche in respect to
raw-producing cameras, like Ricoh) an easy way into applications like
Aperture (Apple might not bother to support Ricoh's own raw format
because they are too small). I don't think DNG is of too much use,
but it fulfills certain niche uses. And Aperture does not seem to be
bothered by that Makernote.
May be a better solution is to allow parser plugins for Aperture.

--
http://www.libraw.org/
 
I use Ricoh as an example because I have actually inspected a GX200 file.

I have no problem with the idea of adopting a known file format so existing programs can process the file.

But in that case what purpose is served by putting proprietary information into the Makernote where it cannot be used?
Something "doesn't compute" there.

Bill (visit me at http://home.comcast.net/~NikonD70/ )
 
May be a better solution is to allow parser plugins for Aperture.
That would fulfill the same purpose (but apart from the fact that you'd need Apple's cooperation on this one) you'd need a parser for each application (Aperture, Bibble, etc.). Writing DNG in camera is like building the parser into the raw file.

Again I am not a big fan of DNG (see it mainly as marketing vehicle for Adobe) but it has its uses.
 
May be a better solution is to allow parser plugins for Aperture.
That would fulfill the same purpose (but apart from the fact that
you'd need Apple's cooperation on this one) you'd need a parser for
each application (Aperture, Bibble, etc.). Writing DNG in camera is
like building the parser into the raw file.
Difference is you may put proprietary notes into DNG and converter will ignore those; while dedicated parser will process those.

--
http://www.libraw.org/
 
All those camera manufacturers who don't offer raw conversion
software of their own and thus don't need any special features in
their raw files, could use it. This would avoid the chore of having
to convert (re-format) them with Adobe's DNG converter for use in
Applications like Aperture and its DNG-baseline 'mode'.
DNG is the raw file format of choice for niche camera manufacturers. It is also used by some minority camera manufacturers.

http://www.barrypearson.co.uk/articles/dng/products.htm#manufacturers
 
May be a better solution is to allow parser plugins for Aperture.
That would fulfill the same purpose (but apart from the fact that
you'd need Apple's cooperation on this one) you'd need a parser for
each application (Aperture, Bibble, etc.). Writing DNG in camera is
like building the parser into the raw file.
Difference is you may put proprietary notes into DNG and converter
will ignore those; while dedicated parser will process those.
Agreed. DNG limits what information you can convey. Your own parser could offer much more. But in the end it depends on what a raw converter accepts as input from such a parser.
 
May be a better solution is to allow parser plugins for Aperture.
That would fulfill the same purpose (but apart from the fact that
you'd need Apple's cooperation on this one) you'd need a parser for
each application (Aperture, Bibble, etc.). Writing DNG in camera is
like building the parser into the raw file.
Difference is you may put proprietary notes into DNG and converter
will ignore those; while dedicated parser will process those.
Agreed. DNG limits what information you can convey. Your own parser
could offer much more. But in the end it depends on what a raw
converter accepts as input from such a parser.
For example, I know D3 and S5 are non-standard, and I know what to do to make them look standard. I can parse and pre0convert, supplying expected linear normalized data to a converter that understands DNG but ignores certain camera features. The way around is to make an additional program that works before the converter preparing DNG, but it turns workflow into a mess.

--
http://www.libraw.org/
 
Difference is you may put proprietary notes into DNG and converter
will ignore those; while dedicated parser will process those.
Agreed. DNG limits what information you can convey. Your own parser
could offer much more. But in the end it depends on what a raw
converter accepts as input from such a parser.
For example, I know D3 and S5 are non-standard, and I know what to do
to make them look standard. I can parse and pre0convert, supplying
expected linear normalized data to a converter that understands DNG
but ignores certain camera features. The way around is to make an
additional program that works before the converter preparing DNG, but
it turns workflow into a mess.
Will you let me have the last word if I say I wholeheartedly agree?
 

Keyboard shortcuts

Back
Top