genotypewriter
Senior Member
There's nothing much new said about f/0.7 apart from revisiting history lessons.So what?
GTW
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There's nothing much new said about f/0.7 apart from revisiting history lessons.So what?
I have the 120 medical, burned out the flash tube, Nikon didn't have any replacements, sent it back unfixable. It worked fine on a Fuji S1 and S2 but doesn't meter right on a D200 so I can't use it on my current cameras. I also think my Tamron 90 f2.5 and my 105 AFD are sharper. So it sits in a closet.Given that your name is arachophilia, it is very appropriate that youhere's another lens i think would be fun if i had a spare thousand
dollars laying around:
http://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/special/120medical.htm
want this lens. I own one, with the 2x attachment and an AC power
supply. I find it is one of the easiest ways to do handheld Macro
photography around the house and it is impressively sharp at most
magnifications.
If you manage to find one that has a working DC power supply, it
would be excellent outside the house as well. Note that I paid well
below $1000 for mine and have seen more go for less than that.
If you are bored, please feel free to bring something new and exotic to the table.There isn't a single discussion that mentions f/0.7 that doesn't
mention NASA and Kubrik. And this happens everywhere... over and over
and over and over and overrrrrrrrrrrrrr again!![]()
Yes, the 6 mm fisheye was also in my mind.Nikkor 6mm f2.8
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Thats really cool, i'd love this lens. One sold at Christies in 2007 for £6,600.FYI, Nikon Canada Mississauga office has this lens sitting behind the
service department counter. It always catches my eyes.
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Nick Wong
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d3hs97ir1624e7585183sb8
http://photos.nickwong.net
I really like the output from the DC, but I think the output from the Minolta (Sony) 135 f2.8[4.5] STF is better - there is something magical about its painting of the de-focused area. If only there was a way of attaching it to a D3.I don't know why I'm interested, since I spend most of my timePeople seem to be attracted by exotic lenses for various reasons.
Some people believe lenses of certain brands are better than other
lenses. Whatever the opinions are, one could enjoy some rare lenses
produced through the history of photography.
complaining that I can't find subjects/time/motivation, but I really,
really want a 135 f2 DC. Which is a little exotic. Not hugely so...
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GeekGoth, Writer
http://www.geextreme.com/
Sigma, Nikon, Fuji and Olympus DSLRs
Music, cars (Citroën mostly), computing, media
i'd say you could send it to me, but... i kinda really want with a working flash tube.I have the 120 medical, burned out the flash tube, Nikon didn't have
any replacements, sent it back unfixable. It worked fine on a Fuji S1
and S2 but doesn't meter right on a D200 so I can't use it on my
current cameras. I also think my Tamron 90 f2.5 and my 105 AFD are
sharper. So it sits in a closet.
because there's two things it's known really well for: going to the moon, and filming barry lyndon by candlelight. why should we not mention the famous history?There isn't a single discussion that mentions f/0.7 that doesn't
mention NASA and Kubrik. And this happens everywhere... over and over
and over and over and overrrrrrrrrrrrrr again!![]()
One of these 90mm f1.0 Leica's showed up on Ebay about six months ago. $23,000 or so. Made for them by Elcan for the U.S. Navy.People seem to be attracted by exotic lenses for various reasons.
Some people believe lenses of certain brands are better than other
lenses. Whatever the opinions are, one could enjoy some rare lenses
produced through the history of photography.
Here is one of them; the Zeiss 50 mm f/0.7.
50mm f/0.7 project completed with 10 copies of the lens made, 6 sold
to NASA, 1 kept by Zeiss. Nasa used them in the Apollo flights to
shoot the back side of the Moon.
Other 3 lenses were bought by Stanley Kubrick who made a movie with
scenes lit only by candlelight with it (Barry Lyndon)
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