Herbert, you are so kind!
Do you mean you actually read the long article that I linked to? They gave a huge amount of detail about the reconstruction of Ripple, way beyond my understanding.
On my montor the big pano popped up almost immediately, barely any
wait. - optimized processing. My 17" MacBook screen was obviously
too small and I naturally had to scroll both up and down and sideways
to see it all. Stephen this is an absolutely masterful pano.
Congratulations!
Thank you!
The fact that it popped up quickly is because I aggressively compressed the jpeg down to 2MB. It is surprising how much you can compress a well sharpened jpeg and not generate artefacts for web posting.
From your bug photos i know that you are armed with the necessary
patience to scout the site for the right position, wait for the
weather and carefully calculate and make each click. Then like a
maestro conducting the orchestra, you stitch it all together together
till it sounds magnificent. Applause - Bravo!
Thank you. I probably took an hour or so to prepare and make the shots - walking along the harbour for the best viewpoint, testing exposures (no metering with Zeiss lenses on the S3), making the shots.
I particularly like the saturated reds that pops everything to life.
I don't think I had to do anything special for those, except get the exposure right. Hyperutilities makes a great job of colour in conversion from raw with colour set to "high". I usually do increase vibrancy of colours in PP in LAB colour, but I don't think I had to do anything to the reds in this image. By the way, setting colour to "ORG" followed by steeper processing in LAB colour in Photoshop achieves a very similar effect with most images. I find that "high" colour is a better starting point for most of my colour.
And the detail is exceptional. I can well understand why you chose
the S3 over the S5 for this.
Certainly a reason for preferring the S3. But I did not yet own an S5 when I shot the images, so this is perhaps a forced choice! Given both cameras, I would have chosen the S3 though. A lot of the detail is down to good exposure, a good lens, converting without sharpening and then some careful and varied sharpening in PP. See my answer to Walter for more.
distant couple on the yacht near the harbor entrance. I notice that
two of the boats have the name "Penzance" on them. Brought back
memories from the time when i was about ten and took part in the
chorus of a school operetta by Gilbert & Sullivan - "The Pirates of
Penzance". I still remember "Climbing over rocky mountains…"
Oh yes, Pirates of Penzance. I had forgotten all about that.
There may be only two boats with Penzance in the name. But a lot of them have PZ in their registration number. Those are Penzance registrations.
Yes indeed Stephen - interesting and entertaining. But how about
educating - like Walter, my curiosity is all-a-bubble about how many
pics, stitch technology, processing, lens, settings etc? In time I
hope all will be revealed here
I have now posted a detailed answer to Walter's questions which I think covers yours too. I'm glad you are interested. I hope the answer to Walter tells you what you want to know. Please feel free to ask more.
As for 'posting too many images' as far as I'm concerned there's
ample room for more…
Ah well. I have a few more series to go before I run out of material. It will probably be a month before I have the next one ready though. For as long as kind folk such as you keep looking and commenting, I shall post more series.
Stephen
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I have a home on pbase
http://www.pbase.com/claypaws/
If you have the time to look
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