Hello, Hassy:
I have never thought of my work (product photography) as particularly exciting and did not think anyone else would be that interested in it. But since you asked, here is one example I did the day after I got my D100. I still happened to have this carpenter's work light in the studio after a D1 shoot for color fliers. When my D100 showed up the next day I thought I would set up and take a comparison for the fun of it. Both shots have had some PS7 levels, curves and of course a lot of compression for the web which accounts for the slight jaggies. I could only match the lighting by memory so I'm sure there was some difference in placement and exposure there.
The first image here is the original D1 shot. It went to the printer pretty much the way you see it. I also had it rezed up and printed at 30x20 and it is excellent.
The second is by the D100. I haven't had time to print it or anything so I don't yet know just how they will compare.
This is not very scientific, but maybe it will help you some. PatiO.
D1, Nikkor 17-35AFS 2.8D Studio strobes in soft boxes on seamless white paper.
D100, Nikkor 17-35AFS 2.8D Studio strobes in soft boxes on seamless white paper.
I have never thought of my work (product photography) as particularly exciting and did not think anyone else would be that interested in it. But since you asked, here is one example I did the day after I got my D100. I still happened to have this carpenter's work light in the studio after a D1 shoot for color fliers. When my D100 showed up the next day I thought I would set up and take a comparison for the fun of it. Both shots have had some PS7 levels, curves and of course a lot of compression for the web which accounts for the slight jaggies. I could only match the lighting by memory so I'm sure there was some difference in placement and exposure there.
The first image here is the original D1 shot. It went to the printer pretty much the way you see it. I also had it rezed up and printed at 30x20 and it is excellent.
The second is by the D100. I haven't had time to print it or anything so I don't yet know just how they will compare.
This is not very scientific, but maybe it will help you some. PatiO.
D1, Nikkor 17-35AFS 2.8D Studio strobes in soft boxes on seamless white paper.
D100, Nikkor 17-35AFS 2.8D Studio strobes in soft boxes on seamless white paper.
Folks, don't take this the wrong way, I love your pix but, it would
be great to see some shots by the professionals out there to really
see what this baby can do.
Studio, portrait, product shots, weddings, PR, photojournalism.
Or maybe the folks doing these shots are too busy working.
Maybe I should post this over on the ProDigital discussion.