*isteve
Veteran Member
Hmm, interesting. The following are just my own attempts and are not gospel, but they work for me.
I did no manipulation of the charts other than view them at 300%
a. Non-interpolated resolution - the point up till which both black and white bands retain equal width and contrast. This is the lens/sensor resolution and represents the smallest correctly sized object you are likely to see in isolation (ie with no neighbouring data to interpolate from). I would expect this to be the same for all cameras with the same sensor, and it was.
Note I measured approximately the same horizontal and vertical so I just included the one measure.
F707 1010
D7i. 1010
E20 1010
CP5 1010
b. Maximum interpolated resolution - the point at which 9 black or "darker" llines are visible on the chart. By this time all white bands had merged into grey
In this case I ignored the noise unless the dots changed the relative values of the lines (dark/light). This of course would be exaggerated by contrast enhancement hence your dim view of the D7i. This would represent the limit to which information could be interpolated linearly, given information to interpolate from...
F707 1580
D7i. 1450
E20 1450
CP5 1420
Good result from the Sony, all the others were pretty close with the D7i being quite "noisy". Sony is doing some good math interpolation to pull this much detail out. Good for wires, hair etc.
c. Extinction, at which point no information is visible..
F707 1800
D7i 1600
E20 1650
CP5 1620
Again good for F707, evens for rest.
So squaring the interpolated resolution gives relative values (in millions) of
2.5 (sony, top marks ... your value 3.3)
2.1 (D7i, E20 ... your value 2.0)
2.0 (CP5 ... your value 2.6)
Good result for the Sony but it does not put the D7i at the bottom of the pack, merely on a par with the rest.
For the top 4mp cameras I got
S85 1.7
G2 1.7 ...your value 2.3)
So, a ratio of 5/4 roughly for the average 5 vs 4 (as you would expect??)
At least my values seem to tally with subjective experience and can easliy be verified. I'm sure someone will dispute them for one reason or another and thats fine. At least we have two sets of figures instead of one - Oh, and Phil's too. Multiplying his two values gives
F707 1.8 vs
D7i 1.5.
Same ratio as mine (and I think he was a tad harsh on the D7i Vertical).
--
Steve
I did no manipulation of the charts other than view them at 300%
a. Non-interpolated resolution - the point up till which both black and white bands retain equal width and contrast. This is the lens/sensor resolution and represents the smallest correctly sized object you are likely to see in isolation (ie with no neighbouring data to interpolate from). I would expect this to be the same for all cameras with the same sensor, and it was.
Note I measured approximately the same horizontal and vertical so I just included the one measure.
F707 1010
D7i. 1010
E20 1010
CP5 1010
b. Maximum interpolated resolution - the point at which 9 black or "darker" llines are visible on the chart. By this time all white bands had merged into grey
In this case I ignored the noise unless the dots changed the relative values of the lines (dark/light). This of course would be exaggerated by contrast enhancement hence your dim view of the D7i. This would represent the limit to which information could be interpolated linearly, given information to interpolate from...
F707 1580
D7i. 1450
E20 1450
CP5 1420
Good result from the Sony, all the others were pretty close with the D7i being quite "noisy". Sony is doing some good math interpolation to pull this much detail out. Good for wires, hair etc.
c. Extinction, at which point no information is visible..
F707 1800
D7i 1600
E20 1650
CP5 1620
Again good for F707, evens for rest.
So squaring the interpolated resolution gives relative values (in millions) of
2.5 (sony, top marks ... your value 3.3)
2.1 (D7i, E20 ... your value 2.0)
2.0 (CP5 ... your value 2.6)
Good result for the Sony but it does not put the D7i at the bottom of the pack, merely on a par with the rest.
For the top 4mp cameras I got
S85 1.7
G2 1.7 ...your value 2.3)
So, a ratio of 5/4 roughly for the average 5 vs 4 (as you would expect??)
At least my values seem to tally with subjective experience and can easliy be verified. I'm sure someone will dispute them for one reason or another and thats fine. At least we have two sets of figures instead of one - Oh, and Phil's too. Multiplying his two values gives
F707 1.8 vs
D7i 1.5.
Same ratio as mine (and I think he was a tad harsh on the D7i Vertical).
--
Steve