Chris_in_Osaka
Veteran Member
I've gotten used to firsts with Olympus. Dust buster and live view to name a couple. I took it for granted that Olympus would be the first maker to stick a movie mode in a DSLR.
Not so. Nikon beat them to it with the D90. From the hands on preview:
"In a world first for D-SLRs, the D90 offers a movie function, allowing you to shoot HD720p (1,280 x 720 pixels), 640 x 424 pixels or 320 x 216 pixels movies at the professional smoothness of 24 frames per second in motion JPEG format. The D90’s sensor, which is much larger than the sensor of a typical camcorder, ensures higher image quality and exceptional low-noise, high ISO sensitivity performance, even during movie shooting. Capturing creative movie clips or the drama of life’s moving moments is further enhanced by the wide selection of incredibly sharp NIKKOR interchangeable lenses that are available, from fisheye to wide-angle to super-telephoto. And Micro NIKKOR lenses bring the magic of extreme close-up imagery to movie making."
To say I'm disappointed would be an understatement.
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Olympus E-3 and E-420, Panasonic DMC-L1
Leica 25mm. Zuiko 25mm pancake, 50mm, 14-42mm, 12-60mm, 50-200mm, and 8mm fisheye. FL-36R and FL-50R Flashes. HLD-4 Grip.
Canon PowerShot TX1
Ricoh GR-D
Sony DSC-V3
Not so. Nikon beat them to it with the D90. From the hands on preview:
"In a world first for D-SLRs, the D90 offers a movie function, allowing you to shoot HD720p (1,280 x 720 pixels), 640 x 424 pixels or 320 x 216 pixels movies at the professional smoothness of 24 frames per second in motion JPEG format. The D90’s sensor, which is much larger than the sensor of a typical camcorder, ensures higher image quality and exceptional low-noise, high ISO sensitivity performance, even during movie shooting. Capturing creative movie clips or the drama of life’s moving moments is further enhanced by the wide selection of incredibly sharp NIKKOR interchangeable lenses that are available, from fisheye to wide-angle to super-telephoto. And Micro NIKKOR lenses bring the magic of extreme close-up imagery to movie making."
To say I'm disappointed would be an understatement.
--
Olympus E-3 and E-420, Panasonic DMC-L1
Leica 25mm. Zuiko 25mm pancake, 50mm, 14-42mm, 12-60mm, 50-200mm, and 8mm fisheye. FL-36R and FL-50R Flashes. HLD-4 Grip.
Canon PowerShot TX1
Ricoh GR-D
Sony DSC-V3