Who needs more than +/- 2.0 EV?

Yes, I need more. I have mine converted to take infrared photos. I need that kind of latitude to get a decent histogram. Granted, my infrared need is specific, but how difficult is it to add another step in the system.
 
There are times when that's a limitation, if one doesn't want to revert to manual exposure control.

Not a deal killer, or a shot looser, (IMO) but it would be nice to have more EC latitude for the other creative modes.

--
...Bob, NYC

'Well, sometimes the magic works. Sometimes, it doesn't.' - Little Big Man

Galleries: http://www.pbase.com/btullis

 
I do! We all have our own ways of working with our gear; obviously I could shoot in maunal, but I prefer to shoot aperture-priority and use the dial to over or underexpose. It suits me, and yes, I often wish there was more than 2 stops to work with on my 20d. Surely it wouldn't be that hard to add the extra range - isn't it just software?

A.N.
 
For the umteenth time, I'm reading as a "Con" in the conclusion of a
review (the Canon Rebel XS in this case) "Limited Exposure
Compensation Range (+ - 2.0EV).
Would it really cost much to have two choices:

"EC measured in 1/2 or 1/3 stops"

"EV of + -2 or + -3 stops"

If not, I'd vote for both, and pay a £ or two to have them - even if I then only remembered they were there twice a year!

Peter

--
Peter - on the green island of Ischia
http://www.pbase.com/isolaverde
 
It is helpful if you shoot HDR images, although as with many things, this would probably not have much impact on the target buyer for the new canon
 
How can a DSLR be "highly Rated" w/ cruddy performance such as 1.5 FPS? Heck even point and shoots that have RAW do beter than that...
 
Lock exposure does not work unless your critical tonality is Zone V (middle gray) or withing + - 2 EV for a camera that limits you to 2 stops EC.

If the area of critical tonality is in Zone II or VIII (darkest or lightest tones showing any texture), then you need more than 2 stops.

Of course, there is manual exposure, but that takes longer, requires setting 2 controls (not just EC on one control).

If a camera maker puts in an EC feature, it should be done properly, not just for backlight situations in which the critical tonality is in or close to Zone V.

EC of + - 2 stops is just half-baked and useful mainly for marketing. Newbs will think it's a great feature when they read about it, but they'll never remember when to use it or how to use it.

Serious shooters who need or want an easy to use (i.e. non-manual exposure) EC feature will find it inadequate some of the time.

It's just a software adjustment to expand the range from + - 2 stops to + - 5 stops. Do it right or not at all.

Just my opinion.
For the umteenth time, I'm reading as a "Con" in the conclusion of a
review (the Canon Rebel XS in this case) "Limited Exposure
Compensation Range (+ - 2.0EV).

Do people need more than + - 2.0EV? I don't. I can remember only
one occasion when I used +2.0: it was a strongly backlit portrait,
and I could have achieved the same effect by using spot metering or
tilting the camera down and locking the exposure. I don't think I've
ever used negative exposure compensation in excess of -1EV. And, in
almost all of these cases, there's an easy workaround of locking the
exposure to an object that gives you the exposure you want. (With
DSLRs, it doesn't have to be the object you're focusing on.)


I just don't see this as a significant limitation. Anyone else?

Bob
--
Galleries: http://www.dheller.net

I am one of the few who decry elitism.
 
Some people do need/want more than + - 2.0EV.

But I must say that, in having taken tens of thousands of pictures with eight cameras (just counting the digital ones), I think I've used exposure compensation of 2.0 no more than about half-a-dozen times. I use exposure lock quite a lot; I use spot metering when necessary, and, with cameras that have the manual exposure feature, I've used that sometimes. I don't do HDR; if I did, I would probably find the + -2.0EV limitation inconvenient.

Bob
 
For the umteenth time, I'm reading as a "Con" in the conclusion of a
review (the Canon Rebel XS in this case) "Limited Exposure
Compensation Range (+ - 2.0EV).

Do people need more than + - 2.0EV?
Yes of course! For shots like those:

http://lordofthelens.co.nz/JAlbum/City/slides/LIDSKI_URBAN%20 (34).html

http://lordofthelens.co.nz/JAlbum/City/slides/LIDSKI_URBAN%20 (53).html

done at night, when what you see with your naked eye is darkness and the stoopid camera exposes for bright lights and you have to switch to manual to get more than +2

See more at:

http://lordofthelens.co.nz/
 
Just an observation based on the Luminous Landscape article:

The histogram pictures are 113pixel high. Looking at the left one, there's still some highlights in the left diagram, which will obviously be clipped applying the exposure compensation. Although it's one-pixel high in the diagram, I'd think this represents a non-negligible amount if pixels that will be clipped.

Did anyone ever look into the tradeoffs we're making here?

thanks,

RJ
 
But I must say that, in having taken tens of thousands of pictures
with eight cameras (just counting the digital ones), I think I've
used exposure compensation of 2.0 no more than about half-a-dozen
times.
How many of those eight cameras could do more than 2.0 stops of EV compensation?

bazz.
--
Zooms? pfffft!
 
But I must say that, in having taken tens of thousands of pictures
with eight cameras (just counting the digital ones), I think I've
used exposure compensation of 2.0 no more than about half-a-dozen
times.
How many of those eight cameras could do more than 2.0 stops of EV
compensation?
None. And I never missed it. That's my point. If the 2.0 stops had not been enough on those few occasions, I would have used an easy workaround, such as manual setting of exposure or using exposure lock in combination with exposure compensation.

Bob
 
More than 2 would be nice, but I do NEED manual exposure. And Hyper Manual, please ;). I really do wonder if there is such and ultra compact on the market ?
 

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