Help Understanding Olympus DOF

The number in the f/x is actually obtained dividing the FL by the diameter of the lens, with the actual diaphragm.

So, yes, in mm the 100mm @f/4 will have an aperture (in mm) of 25 mm, and the 50 mm @ f/2 will have the same 25 mm.

That is regardless of format, it will be the same if you use the lens with a tiny P&S sensor or a medium format sensor.
--
Antonio

http://ferrer.smugmug.com/
 
Badboy,
you introduced yet another variable, which just shows that these
comparisons are more complex than we would think, on a first approach.
Yeah, that's why I asked Venkat to start another thread on equivalent ISO as there's enough to think about on this one.
But I don't think that you are on the right track, though what you
say about the CoC is correct.
You choose a CoC based on the output magnification from your photo. For example, a 5R print or a poster size print. A poster size print needs a smaller CoC so that when you magnify the photo, the dot points are as small as possible.

For example, this website quotes:

http://www.photozone.de/depth-of-field
  • 0.03mm (circle-diameter) represents the common standard which is usable for small prints or low-end needs
  • 0.025mm - for posters
  • 0.02mm - professional level (also for slides)
  • 0.01mm - this level is oriented at the resultion of an average film or lens (about 100 lines/mm=0.01mm). The calculated Depth-of-Field will be sharp by any standard !
Now, this is the size of the circle projected by the lens onto your sensor.
Comparing an E-330 with an E-3 (both 4/3s, one 7 MP, other 10 MP), I
found the pictures undistinguishable regarding OOF background.
I think that when we go from less to more MP, the resolution
increases (everything else being equal). So, we have more detail in
the subject and a slightly more blurred background (if the lens
outperforms the sensor, which it may not in the corners, or in case
of diffraction limited operation). But the difference, while it may
show in the resolution of a sharp subject, is to small to notice in
the OOF characteristics of the background.
Using extreme exaggeration:

My guess is that if you have a 20MP sensor vs a 2MP sensor, yes, the 2MP sensor will not be able to resolve much of the 0.03mm CoC, therefore, the 2MP sensor image will be limited by the sensor.

Assume, the 20MP sensor will be finer in res than the 0.03mm CoC meaning that it will out resolve the 0.03mm CoC - however, the sharpest the photo will ever be is limited by the 0.03mm CoC, not the 20MP sensor -

a crude and not very accurate analogy is if the 90-250mm f/2.8 Zuiko costs AUD 1000, then you give me 50% off for friendship's sake, I still cannot afford this lens because I don't have AUD 5000 still.

Hmmm....

--



Ananda
http://anandasim.blogspot.com/
http://olympuse510.wikispaces.com/
http://picasaweb.google.com/AnandaSim/
http://www.flickr.com/photos/32554587@N00/
 
The number in the f/x is actually obtained dividing the FL by the
diameter of the lens, with the actual diaphragm.
So, yes, in mm the 100mm @f/4 will have an aperture (in mm) of 25 mm,
and the 50 mm @ f/2 will have the same 25 mm.
That is regardless of format, it will be the same if you use the lens
with a tiny P&S sensor or a medium format sensor.
--
Antonio

http://ferrer.smugmug.com/
Thank you very much Pedgydusz, this has helped greatly.

If someone could confirm this, all my troubles would be over:
If if I am standing with an Olypmus 5mm f/2 and a FF 100mm f/2 at an
equal distance from a subject, why wouldnt the DOF be the same?
--
Daniel
Look at my posts in this thread. Precisely because the depth of field
of a 50 mm lens at f2 is the same regardless of the size "sensor"
behind it, whether the sensor is four thirds, a roll of 35 mm film in
an Olympus OM2 camera or 120 roll film (6x7) in a Mamiya 7 or for
that matter 4x5 sheet film in a large format camera. The image
circles of these lenses (all do in fact exist, though you would have
to substitute 47 mm or 55 mm in 4x5 in reality) will obviously need
to be differnet to cover these differing "sensors", but that would
open an entirely new can of worms. Their field of view is also
different it is a normal lens on 35 mm film but a megawide on 4x5.
Are you saying that because the 50mm lens is wider, its DOF is greater because its focused area takes up more space in the frame, and when it is cropped, the focused area is blown up (magnified due to cropping of the other area) and then the DOF is greater?

If that is right, then I can wrap it up (for myself) by saying that for a given focal distance, sensor size is quite (if indirectly) relevant DOF. Take before's example, where weare talking about a 100mm focal distance. Because there is a crop factor of 2 on the Olympus lenses, the focal length of the lens must be 100/2 and therefore bearing in mind Pedaguydusz's formula where f=fl/d it is harder to obtain larger apertures because the focal length is always shorter.

Now to return to the original question, if anyone still remembers, which was can a direct comparison to be made to transpose the aperture to FF or APS-C, because they are on different scales, and by this I mean that a true aperture (diameter) is the same but the f values are different. To demonstrate this, I will use the previous example. To get a 25mm diameter, one needs a 50/2 4/3 lens and a 100/4 FF lens, because D=FL/A so 50/2=25 and 100/4=25. Therefore using the formula, on DX format with its 1.5 crop factor, a FL of 66.6 and an aperture of 2.6 would be needed.

However, if one were to make a direct comparison between FF and 4/3, where one would see that to get the same diameter, one needs a FF f value that is double that of the 4/3 f value, so we can double it. I now wonder why one cannot do the same with DX. To get to FF sensor size you (roughly) double and to get the crop factor for DX sensor size you divide DX sensor area by 4/3 sensor area which is 372.09/224.9

=1.6. However, that number does not work in application. I will try the number on the previous equation. 50/2 Olympus lens becomes 100/4 (w/ crop factor of 2). Therefore, DX lens should be 66.6 (because 66.6*1.5=100) and should have an aperture of (2*1.6) 3.2, but it doesnt. Do any of you know why?

I suppose this also answers the question whichI posed in an earlier thread, asking why there are no Olympus lenses with an aperture larger than f/2, which I stopped following because it went ridiculously technical and off topic, and I couldnt follow it. The answer to that then is that it physically requires a larger diameter for any f stop. It all makes sense now (apart from above). Anyone?
--
Daniel

Olympus e-five10 + 14-42, 40-150
 
I suppose this also answers the question whichI posed in an earlier
thread, asking why there are no Olympus lenses with an aperture
larger than f/2, which I stopped following because it went
ridiculously technical and off topic, and I couldnt follow it. The
answer to that then is that it physically requires a larger diameter
for any f stop. It all makes sense now (apart from above). Anyone?
--
Daniel

Olympus e-five10 + 14-42, 40-150
Now you've completely lost me - I asked others not to expand the scope of discussion and go outside the topic of DOF. This is explicitly so to ensure that the number of parameters we discuss is limited to DOF.

When you talk about why f/2 lenses cannot be made, there are parameters there which may not be technical at all and nothing to do with DOF.

Start another thread if you want to, because this will just meander.

In the long conclusion you posted, the longer you wrote and the more words you used, the more confused I was to understanding what you expressed you understood. In potentially complex topics, more words - less understanding all round.

--



Ananda
http://anandasim.blogspot.com/
http://olympuse510.wikispaces.com/
http://picasaweb.google.com/AnandaSim/
http://www.flickr.com/photos/32554587@N00/
 
Take a 100mm lens that would fit a 35mm film camera. Fit it on a film
camera and then fit it on an Oly. If the lens fits either, you still
have a 100mm lens. And both cameras can shoot with the lens.

But because the Oly sensor is 2x smaller, it only sees half the
image.
No offense, but this is just flat-out wrong. You assume that ALL lenses are designed for 35mm film or 'full frame'. Are medium format lenses designed for 'full frame?' Are lenses on compact digital cameras designed for 'full frame?' No, they are not, and the DIgital Zuiko lenses are not either. That is whole point of the E-system after all.

The Digital Zuiko lenses do not produce an image circle large enough for 'full frame' sensors or 35mm film. The size of the image produced by different lenses in different formats is not the same. That is why the depth of field of Four-Third lenses is larger than for the equivalent effective focal lengths of APS, 35mm, and beyond. The factor is 2X.

For example:

14mm F4 in 'Four-Thirds' = 28mm F8 in 'full frame'

25mm F7 in 'Four-Thirds' = 50mm F14 in 'full frame'

Notice how the 'full frame' lenses have to be stopped down more to provide the same depth of field at the same angle of view. Notice also that the F-number is simply multiplied by 2. The amount of 'stops' doesn't matter.

My C-7070, at the 28mm equivalent focal length and at the max aperture of F2.8, has the same depth of field as a 28mm 'full frame' lens at F14! This is why it is almost impossible for it to get selective focus outside of macro shooting. Anyone who has ever used a compact digital camera can attest to this. Haven't any of you people ever used a compact digital camera?

Lenses designed for larger film or sensors simply have less of depth of field at the same F-stop and equivalent focal length than lenses in smaller formats. After all, this is the reason medium format landscape photographers have to use a tripod: the amount that the F-stop has to be lowered to provide an acceptable depth of field reduces the shutter speed too much to be handholdable.
 
Take a 100mm lens that would fit a 35mm film camera. Fit it on a film
camera and then fit it on an Oly.
No offense, but this is just flat-out wrong. You assume that ALL
lenses are designed for 35mm film or 'full frame'.
Uh... the example states that a 100mm lens designed for 35mm application attached to a 4/3 camera is still 100mm, except that because the sensor is designed for a smaller image circle, you are capturing half the image. How is this assuming all lenses are designed for 35mm? The example states it's a 35mm lens, not that all lenses are for 35mm.
 
If you frame a person with one sensor size, and keep the same framing w/another sensor size, then the DOF changes.

It may be true that if you keep the same FL the DOF doesn't change, but that's comparing apples to oranges.

Actually, for the same magnification, you have the same DOF for any system. Magnication is subject size to projected image size. For a smaller sensor you need less magnification for the same subject framing, so you have more DOF.

DOF is proportional to the square of the magnification for the same subject framing. A sensor half the size (linear) of another has 4 times the DOF.
There is a widespread oversimplification/misunderstanding that the
DOF depends on sensor size. It does not! A given lens delivers the
same picture with the same DOF regardless of what sensor you put
behind it. But the FOV will be different. And to get the same FOV for
different sensor sizes you need lenses with different FL, which in
turn causes different DOF if the aperture number is the same.
 
No offense, but this is just flat-out wrong. You assume that ALL
lenses are designed for 35mm film or 'full frame'. Are medium format
No, read again. That's not what I assume.

I am telling the OP that we DO TAKE A 50mm lens meant for a 35mm film camera and mount it, firstly on a film camera, then we take it off and mount it on a Four Thirds camera.

WE ARE NOT ASSUMING EVERY LENS IS DESIGNED FOR 35MM

I say for this ONE EXAMPLE, we take a lens designed for a 35mm film camera.
lenses designed for 'full frame?' Are lenses on compact digital
cameras designed for 'full frame?' No, they are not, and the DIgital
Zuiko lenses are not either. That is whole point of the E-system
after all.
We are not discussing what is the point of the E-System. We are explaining how background blur happens and to some extent comparing background blur WITH THE SAME LENS on two different cameras.
The Digital Zuiko lenses do not produce an image circle large enough
for 'full frame' sensors or 35mm film. The size of the image produced
by different lenses in different formats is not the same. That is why
the depth of field of Four-Third lenses is larger than for the
equivalent effective focal lengths of APS, 35mm, and beyond. The
factor is 2X.
What you say is correct. HOWEVER WE ARE NOT TAKING A ZD LENS for this example.
For example:

14mm F4 in 'Four-Thirds' = 28mm F8 in 'full frame'
NO
25mm F7 in 'Four-Thirds' = 50mm F14 in 'full frame'
NO
Notice how the 'full frame' lenses have to be stopped down more to
provide the same depth of field at the same angle of view. Notice
also that the F-number is simply multiplied by 2. The amount of
'stops' doesn't matter.
The f/stop numbering system was designed so you can take ANY LENS OF ANY FOCAL LENGTH FOR ANY FORMAT and expect to get the same exposure for film.

Take a light meter. ASSUME that the light meter is reading f/4 1/100th sec.

If you want to use that reading, you set that reading FOR EXPOSURE ONLY ON ANY LENS ANY CAMERA.
My C-7070, at the 28mm equivalent focal length and at the max
aperture of F2.8, has the same depth of field as a 28mm 'full frame'
lens at F14! This is why it is almost impossible for it to get
selective focus outside of macro shooting. Anyone who has ever used
a compact digital camera can attest to this. Haven't any of you
people ever used a compact digital camera?
YES WE HAVE. I HAVE THREE non DSLR digitals.

WE ARE SAYING WHAT YOU ARE SAYING. BUT WE ARE SAYING:

a. for DOF, the ACTUAL FOCAL LENGTH of the optic should be used, NOT THE EQUIVALENT FOCAL LENGTH.

b. because people don't talk about the actual focal length of the optic, people say 28mm on the mini sensor camera vs 28mm on a film camera. In that case, the framing of the person's face will be the same at the same standing distance between the camera and the subject - SAME FIELD OF VIEW. SAME MAGNIFICATION.

However, the DOF IS DIFFERENT because THE ACTUAL OPTICAL FOCAL LENGTH of the mini sensor digital cam is not 28mm, it is 3mm or something like that.
Lenses designed for larger film or sensors simply have less of depth
of field at the same F-stop and equivalent focal length than lenses
in smaller formats. After all, this is the reason medium format
landscape photographers have to use a tripod: the amount that the
F-stop has to be lowered to provide an acceptable depth of field
reduces the shutter speed too much to be handholdable.
NO. THAT IS INCORRECT.
A 50mm lens is a 50mm lens
An f/4 lens is an f/4 lens

However, 50mm is a standard lens on a 35mm film camera, a huge telephoto on a minisensor camera and a wide angle on a Hasselblad. Optically it is a 50mm lens.

--



Ananda
http://anandasim.blogspot.com/
http://olympuse510.wikispaces.com/
http://picasaweb.google.com/AnandaSim/
http://www.flickr.com/photos/32554587@N00/
 
Take a 100mm lens that would fit a 35mm film camera. Fit it on a film
camera and then fit it on an Oly.
No offense, but this is just flat-out wrong. You assume that ALL
lenses are designed for 35mm film or 'full frame'.
Uh... the example states that a 100mm lens designed for 35mm
application attached to a 4/3 camera is still 100mm, except that
because the sensor is designed for a smaller image circle, you are
capturing half the image. How is this assuming all lenses are
designed for 35mm? The example states it's a 35mm lens, not that all
lenses are for 35mm.
Can you read? I will quote again:
Take a 100mm lens that would fit a 35mm film camera. Fit it on a film
camera and then fit it on an Oly.
A "35mm film camera", not a 35mm focal length.
 
Ananda, as I said in another thread, it's dificult to teach someone that the rest mass of an object does not change because this object's weight is bigger on earth than on the moon.
But keep in your mind that most people understand an argumental(?) opinion.
 

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