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Thank you.Cricket...Very nice, I like everything about it including
composition.
The key to masks is zooming in and choosing the right size brush. Start with a large brush and then zoom and use a small brush. The key to the art history brush is experimentation (on different layers so you can throw out the ones that didn't work).You truly are the mask and brush expert here.
Thank you.Cricket...Very nice, I like everything about it including
composition.
The key to masks is zooming in and choosing the right size brush.You truly are the mask and brush expert here.
Start with a large brush and then zoom and use a small brush. The
key to the art history brush is experimentation (on different
layers so you can throw out the ones that didn't work).
Cricket
Thank you.Cricket...Very nice, I like everything about it including
composition.
The key to masks is zooming in and choosing the right size brush.You truly are the mask and brush expert here.
Start with a large brush and then zoom and use a small brush. The
key to the art history brush is experimentation (on different
layers so you can throw out the ones that didn't work).
Cricket
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Duplicate the background layer. Desaturate the top layer. Create a
mask and paint with black to remove and white to restore. Paint on
the mask with black where I wanted the color to show through.
Cricket
Great contrast! I like how you are automatically adding the instructions!!![]()
I really appreciate the sharing of information-----someday I may have some-
thing to contribute-------if everyone is going to live to be 100!!
Yes.Are you using PS7?
No all I did was create a layer that was a duplicate of the image layer. Then used image> adjust> hue and saturation to desaturate (you could also use the sponge tool set to desaturate 100%. Then I used a mask to erase (paint with black to remove, white to restore) the parts of the desaturated layer to bring the colors back in. Another way to do this would be to desaturate the whole thing and then use the history brush to restore colors.Are you cloning onto another layer to achieve the
effects?
I like masks because everything is easily reversable. Paint with black to remove and white to restore.It looks like you are using masks frequently.
Dave J has got me using channels a bit. But I didn't use channels at all in this image.What about channels?
Seema, please post some of your work.Interesting. I like the color and black and white and use that
quite a bit for my prints.. but I do it in a whole different way.
One of the fun things about PS is there are many ways to do the same things. Try masks and if you like them then use them. But your way works well too.Perhaps your method is better but since I've never used a mask, I
can't say. I think that masking seems like the next thing for me
to get into. I'm very much a PS novice!
Yes, please. A nice little step by step Masks 101 would be great. This is a wonderful picture and well presented. Thank you.like to see you start Masks 101 and History & Art History Brushes
101 classes here.
I use Qimage to print, not PS. Sorry. I used to be thrilled with Qimage, but right now it is giving me problems so I wouldn't recomend it.When printing a mix of B&W and color, what is your setup in PS? I
get terrible results when printing in color with colored halos on
the B&W zones.