Humphrey Nash
Senior Member
In the past 4 years I've taken about 40,000 pictures. Most of these are dull or defective. I spend much more time selecting (culling) pictures that taking them. This is a time consuming and painful process. I've eliminated 75% but this still leaves 10,000 which should be further reduced to no more than 1,000. Nobody, including myself, is interested in 10,000 Humphrey Nash pictures. In truth, the world would be better off with at most 100 such pictures.
Now to a related point or issue.
It seems to me that for an individual picture less is often more. A simple image is often more powerful and more pleasing than a complex or cluttered image.
I prefer the second image below to the first.
Similarly, I prefer the second image below to the first.
Now to the main and most controversial proposition. Some of the "advances" in digital photgraphy may produces worse or less interesting or less pleasing images. Ignoring, for the moment whether we should call them "advances", lets consider some of the improvements.
A recent subject that came up whether FINE mode JPGs are visibly better than NORMAL mode. I contended that they were not but I did notice that the NORMAL mode pictures seemed slightly better at least at the normal printing or display sizes. It seemed that more compression was better suited to the actual viewing scale.
I've noticed a similar thing in regard to my XTI pictures where a dull picture becomes more interesting, more colorful, seemingly sharper, better composed when cropped. I'm not referring, for example, to a badly composed original but more to the fact that composition applies better to a reduced image. In the extreme a panorama has no composition to speak of.
I've noticed a similar thing in regard to my (6 megapixel P&S) Fuji 6000 pictures compared to my (10 megapixel DSLR) XTI pictures. The Fuji pictures often look better. I realize the FUJI has more in camera processing, but still the FUJI often produces the better final image.
Are the "advances" in camera technology too much? Can we mentally absorb the detail of a 100 megapixel image? Would 100 MP exceed lens, print or display capabilities? Would it be simply redundant or would it be worse? Certainly recording, storing, post-processing, downloading and viewing would be strained. Do we need to have some comprehensible level of abstraction and simplicity for maximum comprehension and enjoyment? Are 6 billion colors better that 6 million? Are high dynamic range images better? (they actually have less dynamic range!). Is a modicum of noise a desirable feature? I know of one professional photographer who adds noise before resizing!
My old (2 megapixel) Olympus handled light very well. As the megapixels went up the quality of light seemed to go down. The recent Canon XSI is a fine camera with lots of megapixels, yet its handling of light and color seems to be problematic. I'm surprised that nobody has commented on it.
Today's DSLR cameras can take pictures at astonishing ISOs but is this necessarily an "advance"? Sometimes yes, but I don't leave my camera set at ISO 1600. Today's DSLRs can take a whole range of lenses from, primes, zooms, T&S, macros, fisheye to telephoto. Apart from the question of affordability there are physical limitations of size, weight, dust, support. Is this an advance? Certainly not for everybody. The increasingly popular DSLR requires more post processing. Even if this can produce a better picture is it worth the time and trouble? The modern DSLR has a bewildering array of features. Is this generally good?
There is a point where "good enough is good enough" but there may be a point where "more is less". It seems to me that we may have passed the point of diminishing returns. Are we in negative return territory?
Now to a related point or issue.
It seems to me that for an individual picture less is often more. A simple image is often more powerful and more pleasing than a complex or cluttered image.
I prefer the second image below to the first.
Similarly, I prefer the second image below to the first.
Now to the main and most controversial proposition. Some of the "advances" in digital photgraphy may produces worse or less interesting or less pleasing images. Ignoring, for the moment whether we should call them "advances", lets consider some of the improvements.
A recent subject that came up whether FINE mode JPGs are visibly better than NORMAL mode. I contended that they were not but I did notice that the NORMAL mode pictures seemed slightly better at least at the normal printing or display sizes. It seemed that more compression was better suited to the actual viewing scale.
I've noticed a similar thing in regard to my XTI pictures where a dull picture becomes more interesting, more colorful, seemingly sharper, better composed when cropped. I'm not referring, for example, to a badly composed original but more to the fact that composition applies better to a reduced image. In the extreme a panorama has no composition to speak of.
I've noticed a similar thing in regard to my (6 megapixel P&S) Fuji 6000 pictures compared to my (10 megapixel DSLR) XTI pictures. The Fuji pictures often look better. I realize the FUJI has more in camera processing, but still the FUJI often produces the better final image.
Are the "advances" in camera technology too much? Can we mentally absorb the detail of a 100 megapixel image? Would 100 MP exceed lens, print or display capabilities? Would it be simply redundant or would it be worse? Certainly recording, storing, post-processing, downloading and viewing would be strained. Do we need to have some comprehensible level of abstraction and simplicity for maximum comprehension and enjoyment? Are 6 billion colors better that 6 million? Are high dynamic range images better? (they actually have less dynamic range!). Is a modicum of noise a desirable feature? I know of one professional photographer who adds noise before resizing!
My old (2 megapixel) Olympus handled light very well. As the megapixels went up the quality of light seemed to go down. The recent Canon XSI is a fine camera with lots of megapixels, yet its handling of light and color seems to be problematic. I'm surprised that nobody has commented on it.
Today's DSLR cameras can take pictures at astonishing ISOs but is this necessarily an "advance"? Sometimes yes, but I don't leave my camera set at ISO 1600. Today's DSLRs can take a whole range of lenses from, primes, zooms, T&S, macros, fisheye to telephoto. Apart from the question of affordability there are physical limitations of size, weight, dust, support. Is this an advance? Certainly not for everybody. The increasingly popular DSLR requires more post processing. Even if this can produce a better picture is it worth the time and trouble? The modern DSLR has a bewildering array of features. Is this generally good?
There is a point where "good enough is good enough" but there may be a point where "more is less". It seems to me that we may have passed the point of diminishing returns. Are we in negative return territory?