Andy Westlake... superhero!

1) It needs to go up a LOT before you can get rid of the AA filter (apparently).

2) AIUI, and optics is not my field, the AA requirement is linked to pixel density, not pixel quantity.
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http://www.flickr.com/photos/acam
 
I see sensors coming down in price a lot faster than f2 lenses!
Commodity prices are rising, not falling, so I would´t expect sensor prices to com down very fast in the near future. You can expect the price gap between FF and 4/3rds sensors to close a little bit from economies of scale, but no by much. Any cost savings from production efficiencies can apply equally to both formats.

As for the IQ argument, I think there is a quality threshold beyond which nobody really cares for any more improvement, and I believe 4/3rds will reach this threshold in the European and Japanese markets within the next few years. In these markets, FF will be seen as exotica for the privileged few much like Medium Format backs are seen today. As for the US, FF should become the standard format with 20 stops of DR at ISO 12800 on a 26MP chip just like the standard 4 litre V8 that spends life doing 65mph on the highway. What I mean by the car example is that in some markets perceived quality is hugely important even if superfluous and in those markets FF will dominate.

Please note that my argument is based on the fact that FF will always be better than 4/3rds, and I mean a lot better. However, in a few years 4/3rds will be overkill in IQ terms for most people, so where does that leave FF?

Just my 2 cents thrown into your debate :-)
 
If I have the money lying around at the end of the year you can count me in for a 420, one of the UWAs (obviously the 9-18 is more in the spirit of things than the 7-14, but UWAs are very hard to make, and a cheap one sounds very iffy), and one of the light zooms (14-150 preferred). If I have to fill a gap, I'll reluctantly spring for the daft pancake.

However, given the current state of the world economy I expect us all to be broke at the end of the year (I get paid in sterling, and live in the Euro zone, which is just great right now), so I don't see this happening.
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http://www.flickr.com/photos/acam
 
Hi Andy,

Is it possible to allow bypassing the version detection of Flash Player? Beacuse I run a very old operating system (Mac OS 9), I can only run Flash 7. However, I find it works with most things, as long as I'm allowed to try (i.e there isn't any version detection)!

For example, my Flash player doesn't pass the version test on SLRGear, but they allow me to bypass it, then everything works perfectly.

BTW, there's no lens I'd like to see you test more than the Leica 14-150!
 
I've passed your request to Jaysen, we'll see what we can do.

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Andy Westlake
dpreview.com/lensreviews
 
Obviously I´m guessing, but being realistic I expect lots of barrel distortion for this lens and bad vignetting at 18mm and loads of CA. Distortions and CA are issues for me so I am hoping to be pleasantly surprised. Worst case scenario for me is getting the Sigma 10-20mm.
 
Courtesy of a bad ebay habit, I now have a vast collection of Nikkors, and if I don't want to carry a huge, heavy bag then I have to give up something (normally the flexibility of zooms, I mainly use primes now).

While my opinion remains that 35mmFF will become the standard for enthusiasts (by which I mean D300 level, and probably down to the D80 too), I don't this will mean people take better photos, I just think more cameras will get left at home.
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http://www.flickr.com/photos/acam
 
I guess you'll be swapping those lenses on the E-3?

I love to travel light... and hate to swap lenses, so the Leica 14-150mm OIS will go on the E-420 and the 11-22 will go on the E-520. Unless it's a tripod job, in which case I'll need the E-3 for the articulating screen.

Cheers

Brian
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Yes we rely on manufacturers (or distributors) loaning us items, although we have some bodies and lenses which we either own, or are in the office on long-term loan.

On the whole, the time period of loans is quite limited (1-2 months), so we don't place requests until we know for certain which lenses we'll be reviewing. This also somewhat precludes detailed side-by-side tests of lots of similar lenses at once.

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Andy Westlake
dpreview.com/lensreviews
 
While my opinion remains that 35mmFF will become the standard for
enthusiasts (by which I mean D300 level, and probably down to the D80
too), I don't this will mean people take better photos, I just think
more cameras will get left at home.
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http://www.flickr.com/photos/acam
That's kinda funny...how enthusiastic about
photography could you be if you leave your
camera at home?

I suppose then that we'll be seeing more
Olys out and about as FF become the standard
for the "poseur" enthusiasts and gear geeks.

--
Keep your lens clean and your mind open.

http://www.pbase.com/peterb/
 
It appears not, from Andy's response further down the thread, but they did jump straight to the top pro-equivalent lenses for Canon and Nikon.

Robert
 
enthusiastic to buy my gear bag, but you have to be VERY enthusiatic to carry it.

Although these days my solution is to pick up the camera and lens I am LIKELY to be using, and then a handful of light (but not terribly good) primes to cover other eventualities.

So, for example, on a dog walk I'll take the D3, the 14-24 (staple), 100mm macro (insects are the most likely thing), a 35mm f2 (weak-kneed landscapes), a 2X convertor and a 50 f1.4, thus giving me 14-24, 35, 50, 100, 200.

This is a lot lighter than D3, 14-24, 24-70, 70-200 and 100 macro, which is what I USED to struggle round with.

--
http://www.flickr.com/photos/acam
 
Obviously I´m guessing, but being realistic I expect lots of barrel
distortion for this lens and bad vignetting at 18mm and loads of CA.
Distortions and CA are issues for me so I am hoping to be pleasantly
surprised. Worst case scenario for me is getting the Sigma 10-20mm.
What makes you think Oly would bother to bring out such a turkey?

--
Archer in Boulder

'The essence of all beautiful art, all great art, is gratitude.' -- Friedrich Nietzsche
 
Obviously I´m guessing, but being realistic I expect lots of barrel
distortion for this lens and bad vignetting at 18mm and loads of CA.
Distortions and CA are issues for me so I am hoping to be pleasantly
surprised. Worst case scenario for me is getting the Sigma 10-20mm.
What makes you think Oly would bother to bring out such a turkey?
Why would you call it a turkey? Come to think of it, barrel distortion is not really an IQ defect, but a characteristic of the lens which in some cases is taken to an extreme to very good effect (fish eye lenses come to mind). The same could be said for vignetting, which is one characteristic that does´t bother me since I won´t be shooting this lens wide open. As for CA, well it can be corrected in SW, so while it bothers me it should´t be a problem for most people. So there you have it - as far as one can comment on a lens that isn´t on sale yet, all in all it could still be very useful to a lot of people if it is sharp.

I know as much about lens design as I do about wind turbine performance in the arctic (very little), but for a lens of this focal length to be so small, with relatively few elements, I´ll believe its a good performer when I see it. If its as good as the small kit lenses, then its a winner.
 
Louis_Dobson wrote of the 9-18/4-5.6:
... UWAs are very hard to make, and a cheap one sounds very iffy
Agreed about the risks, yet I am somewhat optimistic. Olympus has a good record of producing lower priced "standard grade" 4/3 lenses that keep cost and weight down through reducing maximum aperture, while maintaining fairly good IQ at the available apertures. Modern computerized lens design and automated manufacturing seems to make this viable. And for an UWA and with in-body stabilization, less speed and reduced shallow DOF options are not major sacrifices.

I hope that the 9-18 will repeat this strategy. Partly because I am with you (I think) that the main strength of 4/3 is with gear offering low to medium speed and weight, not in trying to fully compensate for smaller sensor size with extreme low f-stops: that is a bit like an small, insecure man driving an oversized vehicle.
 

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