morninglight
Senior Member
In the late 80's American Photo would do an end page where they showed, and the photographer commented on the contents of thir main "bag". The photographer was the main featured photographer in that issue. I though would ask the same question, What is in your bag (or main bag) today?
Me.
My Landscape bag", an original Domke F2:
D200 w/ 18-70mm zoom.
Yashicamat 124g (a 120 film format twin lens reflex).
Tri-x film
Tripod quick releases on each body
cable release, empty spool, Zone VI previsualization filter for the TLR
Pentax handheld digital Spot meter
Spare batteries for what needs batteries.
Hoodman loupe for the D200
Wetzlar-Schneider 6x loupe for the TLR
Insect repellant
towel
plastic garbage bag
keffiyeh
Binoculars
Small case with stuff for collecting ants
Notebook/pens
Gaffer tape
Water
--
'Good composition is only the strongest way of seeing the subject. It cannot be taught because, like all creative effort, it is a matter of personal growth. In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technique to the minimum necessary, and keeps his approach free from all formula, art-dogma, rules, and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.'
Edward Weston, Camera Craft Magazine, 1930.
Me.
My Landscape bag", an original Domke F2:
D200 w/ 18-70mm zoom.
Yashicamat 124g (a 120 film format twin lens reflex).
Tri-x film
Tripod quick releases on each body
cable release, empty spool, Zone VI previsualization filter for the TLR
Pentax handheld digital Spot meter
Spare batteries for what needs batteries.
Hoodman loupe for the D200
Wetzlar-Schneider 6x loupe for the TLR
Insect repellant
towel
plastic garbage bag
keffiyeh
Binoculars
Small case with stuff for collecting ants
Notebook/pens
Gaffer tape
Water
--
'Good composition is only the strongest way of seeing the subject. It cannot be taught because, like all creative effort, it is a matter of personal growth. In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technique to the minimum necessary, and keeps his approach free from all formula, art-dogma, rules, and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.'
Edward Weston, Camera Craft Magazine, 1930.