rhlpetrus
Forum Pro
Let's see.I am current on all versions. i even downloaded nx 2 last night and
had the same issue.
1) Which profile in-camera? sRGB of aRGB?
2) It may be that you chose aRGB, which is not supported by
browsers/ms viewers. In that case, the change is like that, aRGB
shows one way on PS or CNX and another on browsers/viewers. To
correct that, in CNX go to adjust> color profiles, then choose Convert
button and sRGB IEC..., with Intent Perceptual. Save, that should
work on any viewer, internet, etc, just same image as seen on your
PPing soft.
Aha, bingo, mode II is Adobe RGB - aRGB for shot.With that photo, I used color mode II on my d50.
Here is what Rockwell says about color mode II - is this the reason
for my problems??
Typical KR's BS: aRGB has a wider gamut (deeper color grading) and is the standard for printing.Mode II is secret code for Adobe RGB, which only hackers use.
True, on the other hand, sRGB (modes I and III), tend to oversaturate reds, and tests have shown that the red channel clips about 2/3 stop earlier with sRGB than with aRGB. I only use aRGB (mode II) and change to mode Ia (sRGB) in certain situations. But if exposure was well controlled (no reds close to clipping), Mode Ia will work perfectly well, just a choice of saturation, basically.Adobe
RGB gives dull colors when used by anyone other than an expert in
color management who prints his own work.
KR loves oversaturated pics of licensce plates, landscapes and the like, not everyone's piece of cake. Nikon likes that type of setting, I prefer the "dull" aRGB profile mostly (check my images in link nbelow and say if they are undersaturated). Adjustment in PP'ing like white/black point usually increase saturation, so better start lower.
Aha yes, that's it, he just discards that,ok, his chopice, perfectly true for monitor/internet vieweing, not for professional printing.Even if you're an expert,
if you send your work out for printing, 90% of the time the people
doing the printing aren't experts and screw it up for you. Ignore
desktop armchair hobbyists who bleat on about the broader color gamut
of Adobe RGB.
Principle of authority argument, I'd disconsider this type of claim.I've created and printed 100% chroma grads in Adobe RGB
and sRGB and saw no difference when printed either on Inkjets or on
the $250,000 Lightjet 5000 on Fuji Supergloss.
Oh well, a point of truth there, but if you care to control the process fully (and are not scared of challenges), go with aRGB and learn about it (or, even better PhotoRGB).Oh well! Using Adobe
RGB is asking for trouble unless you really know what you're doing
and have complete control over your process. If you have to ask,
don't use Adobe RGB.
--
Regards, Renato.
http://www.flickr.com/photos/11435304@N04