DOF

DOFThanks to crop sensors,..
....Thanks to crop sensorsm, the average digital photographer
(including you medium format shooters too)..
Except that it isn't the case, at all. Like many talking about the DOF issues with different sensor sizes (whether advocates of small sensors or large ones) you ignored diffraction.

Diffraction scales with the final magnification (from the object being photographed to the final print). A small sensor camera can deliver more apparent DOF on a smaller print, but on an equal sized print, diffraction starts softening the image at a much larger aperture. Shoot the same picture with a 100mm lens on a full frame at f22, and 50mm lens on a four thirds camera at f11, and print them the same size, and you will see exactly the same DOF in the final print, and exactly the same softening of fine details due to diffraction. Shoot it on a 6x7 with a 200mm at f45, or a 4x5 with a 400mm at f90, and you'll still get the same DOF and the same diffraction on the final print.
and used to the
"benefits" of shooting with crop cameras, mainly because they believe
they gain something from not using the full image circle that 35mm
lenses produce.
That particular assumption is purely uncorrelated. The Nikon 70-200mm f2.8 is a good example, it's sufficiently detailed in the center to outresolve current Nikon crop cameras, so it delivers pretty impressive sharpness from center to corner. But on full frame, its corner resolution is rather poor, and quite noticeable in much of my work.

The 50mm f1.8, on the other hand, is the exact opposite. It's resolution, in general, is lower, but its corners are more similar to its center, so it looks better on a full frame than it does on a crop camera, where the resolution is more obvious.
I can't stand crop cameras regardless of shooting long or wide, with
the small exception of shooting landscapes, and some product type
shots where the more DOF the better..
Well, if you research it a bit more, you'll find that format is not an issue for DOF in product work.
I'm looking forward to an all FF system where I don't have to buy a
separate body..(or more) just to capture action.
Funny, I seem to be living in the future that you are "looking forward to"...
I'm sorry, but 3 &
4fps just sucks to the max for shooting action. I miss the days when
I could shoot FF,...you know,.,.like in film..
I remember when 3 or 4 fps was pretty fast for film, and there was no autofocus. So, what days, exactly, do you "miss"?
and get the same
great shots I was able to get before I was forced into using 1.x
cr(a)p cameras!
As I said before, that day is today. I've compared D3 (and, for that matter D2X) shots to my very best scanned 35mm slides and negatives, and I'm quite satisfied that I'm not just getting "the same great shots", I'm getting better shots. Superior detail and color, on a body that shoots 9 frames/sec with an AF system that leaves even the venerable Nikon F5 and F100 in the dust.

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
I see you are still at it Joe--even after I put my E1 against your 5D a while back huh?

Actually I'm glad to see you're still trying to educate us in the pros and cons of the different formats. You do realize that some don't want to be educated? They prefer to live a lie (4/3rd users)

I honestly cannot believe how one cannot see the difference in the two formats. I left 4/3rds a few years ago because the DOF on the shallow side was very poor, and the lens selection was lacking. I used and still have the 50mm F/2 Macro, 50mm F/1.4 as well as a 50mm F/1.2 Manual Focus Legacy lens but the results left something to be desired.

I went back to shooting 35mm Film for quite a while because I enjoy using shallow DOF, which was not as easy to do with the 4/3rds 2.0 Crop Cameras.

Now that Nikon has finally released the 35mm Full Frame D3, I'm back to shooting shallow DOF, digitally. The difference between the Half Frame Olympus DSLR and The 35mm Full Frame is huge in more areas than just shallow DOF.

I have a bag full of Zuiko lenses in a closet around here somewhere, and have been playing with the idea of picking up a E3, but because of my shooting style, I would probably never use it. When I want to travel light, and DOF does not matter, I use a Canon G9 or a Leica Dlux-3.

I'm glad to see you are still dispelling the BS being passed around from the 4/3rds forum. And anytime you want a rematch against my E1 just let me know, I will drag it out of the closet, tape the rubber back on, and shoot some more landscapes with it ;-)

--

SIGNATURE: This is a picture I did not take of a tall, greying man with crooked teeth whom I've encountered three times while photographing downtown, and each time, he's approached me quickly from the front, with a long stride, and each time he's leaned toward me and said the exact same thing 'OLD ONES ARE BETTER' while palming his ancient brass Leica, opening his hand enough to show me what's there, but not enough really showing-off!' (An Unknown Leica Street Photographer)

 
a voice of reason. coupla caveats to keep us all honest...
It's really a pointless debate.
well, not exactly. it is, as you pointed out, ESSENTIALLY an aesthetic one, which sane readers of these forums should understand by now are nearly impossible, and arguably inappropriate, at dpreview. joe mama's original challenge, i think, was to "call" the fanboys, and i think in particular the 4/3's ones [disclosure: i use 4/3 equipment, as well as other gear]
DOF control exists. Neat things can
be done with it. Larger sensors are better at it than smaller
sensors, no doubt about that. I like it, on occasion - thank God for
the Leica 25. And it's an acquired taste, as the average person
doesn't seem to appreciate it.
i have never encountered the "average person" myself. i know of no statistically sound and significant studies showing definitively what the average person desires in terms of DOF. i hope to god no gov't funding goes to such a study, as my tax dollars are wasted enough already!
Like you said, it's one tool of many.
precisely
I suspect the subject keeps coming up, as the capability difference
between the large sensor systems and the smaller ones has narrowed
considerably. One didn't see this heated a discussion on DOF five
years ago, when the few 24x36 cameras on the market had a serious IQ
advantage over the smaller sensor models. Today, IQ at the lower
ISO's is very close across all dslr sensor sizes. That leaves DOF
control and high ISO. Oh, and the quality of the glass, just like it
was in the film day.

So I would say to the FF crew - you have a great system, and in many
ways, I wish I had those capabilities. However, my personal needs and
finances are such that the smaller sensor serves my desires in a more
balanced fashion.
again, precisely. i did not purchase my camera gear because i liked the company or their executives. i'm with 4/3's mostly because i got raving great deals[momma tole' me nevah buy retail, dahlin', and reinforced that with a smack to the head...so now i buy at the END of the sales cycle] on the gear i needed and best suited my needs that were not matched by any other company. if i could have purchased FF gear anywhere close to the price of my 4/3's gear, i would have---but it wasn't even remotely close.

i don't give a flip for corporations, nor should anyone else. fanboys utterly mystify me. the closest i come is lowe, which i do think makes consistently solid gear and has the backpacking chops behind them. and i know from personal experience that their cust. support is just top notch.
However, having lugged a Nikon F3 + several primes and zooms over
numerous mountains, I find the idea of matching those capabilities
with 1/3 the weight in equipment to be a luxury.
as one who has done that with LF gear, i hear 'ya!
 
I see you are still at it Joe--even after I put my E1 against your 5D
a while back huh?
Still not "afraid of joe mama", eh? : )
Actually I'm glad to see you're still trying to educate us in the
pros and cons of the different formats. You do realize that some
don't want to be educated? They prefer to live a lie (4/3rd users)
Actually, I am:

http://forums.dpreview.com/forums/read.asp?forum=1018&message=28179920

but that was not the purpose of this thread. I just wanted to get input from a broader base of users of different systems how they feel about shallow DOF.
I honestly cannot believe how one cannot see the difference in the
two formats. I left 4/3rds a few years ago because the DOF on the
shallow side was very poor, and the lens selection was lacking. I
used and still have the 50mm F/2 Macro, 50mm F/1.4 as well as a 50mm
F/1.2 Manual Focus Legacy lens but the results left something to be
desired.
I'm sure that people recognize that there is a difference between the two formats. The problem is that they do not understand how those difference manifest themselves. People compare different formats at the same f-ratio because it gives the same exposure. They do not understand that such is a silly way to compare systems. I mean, sure 35mm FF has softer corners and more vignetting at the same f-ratio as smaller sensor systems. So? Stop it down to get the same DOF. But then they say "what's the point of 35mm FF if I have to stop it down?" Well, no, you don't "have to stop it down". You stop it down if you want a deeper DOF, a sharper image, and less vignetting. I mean, is it any harder to set f/5.6 on 35mm FF than f/2.8 on 4/3? The "purpose" of those first two stops is to get a more shallow DOF. It's like 35mm FF has two lower gear than 4/3, and the 4/3 people get their panties in a bunch noting that 35mm FF has to be in 3rd gear when they're in first. "What's the point of the first two gears?!" they whine. For the times when 35mm FF is climbing a hill or towing a load that 4/3 can't handle. But don't compare your car in first gear with my car in first gear -- that's ridiculous!
I went back to shooting 35mm Film for quite a while because I enjoy
using shallow DOF, which was not as easy to do with the 4/3rds 2.0
Crop Cameras.
Whoa! Film? Does that stuff even exist anymore? : )
Now that Nikon has finally released the 35mm Full Frame D3, I'm back
to shooting shallow DOF, digitally. The difference between the Half
Frame Olympus DSLR and The 35mm Full Frame is huge in more areas than
just shallow DOF.
Not according to Lewis:

http://forums.dpreview.com/forums/read.asp?forum=1022&message=26073950
I have a bag full of Zuiko lenses in a closet around here somewhere,
and have been playing with the idea of picking up a E3, but because
of my shooting style, I would probably never use it. When I want to
travel light, and DOF does not matter, I use a Canon G9 or a Leica
Dlux-3.
Yeah, if you want a light deep DOF setup for good light, compacts do a great job. The only reason I don't get one is that I want wider. Click on my profile to see what I'm waiting for in a compact.
I'm glad to see you are still dispelling the BS being passed around
from the 4/3rds forum.
I don't go around saying "FF is better than 4/3", as so many like to claim. I just counter all those, like Lewis, going around saying "4/3 is better than FF", and there are a lot of people doing that, unfortunately.
And anytime you want a rematch against my E1 just let me know, I will
drag it out of the closet, tape the rubber back on, and shoot some more
landscapes with it ;-)
OK, here's the challenge: we have to take a pic of a brick wall wide open in the rain and see who has the sharper corners and less vignetting, 'cause that's how I usually use my camera. : )

--
--joe

http://www.josephjamesphotography.com
http://www.pbase.com/joemama/
 
I see you are still at it Joe--even after I put my E1 against your 5D
a while back huh?
Still not "afraid of joe mama", eh? : )
That Be Me!
I'm sure that people recognize that there is a difference between the
two formats. The problem is that they do not understand how those
difference manifest themselves. People compare different formats at
the same f-ratio because it gives the same exposure. They do not
understand that such is a silly way to compare systems.
Well, I thank you for pointing this out to me, because it was not clear until I read a few of your post on this topic.
35mm FF has softer corners and more vignetting at the same f-ratio as
smaller sensor systems. So? Stop it down to get the same DOF. But
then they say "what's the point of 35mm FF if I have to stop it
down?" Well, no, you don't "have to stop it down". You stop it down
if you want a deeper DOF, a sharper image, and less vignetting. I
mean, is it any harder to set f/5.6 on 35mm FF than f/2.8 on 4/3?
The "purpose" of those first two stops is to get a more shallow DOF.
It's like 35mm FF has two lower gear than 4/3, and the 4/3 people get
their panties in a bunch noting that 35mm FF has to be in 3rd gear
when they're in first. "What's the point of the first two gears?!"
they whine. For the times when 35mm FF is climbing a hill or towing
a load that 4/3 can't handle. But don't compare your car in first
gear with my car in first gear -- that's ridiculous!
I Agree!
I went back to shooting 35mm Film for quite a while because I enjoy
using shallow DOF, which was not as easy to do with the 4/3rds 2.0
Crop Cameras.
Whoa! Film? Does that stuff even exist anymore? : )
They still Sell it, I still shoot it, and develop it myself.
Now that Nikon has finally released the 35mm Full Frame D3, I'm back
to shooting shallow DOF, digitally. The difference between the Half
Frame Olympus DSLR and The 35mm Full Frame is huge in more areas than
just shallow DOF.
My photography does not revolve around him. I think he purchased a D3 just so he can appear as a 4/3rd Vs FF Authority figure on the 4/3rds forum. He tells them to shoot 4/3rds and he shoots FF, and they ralley around him. I read the post where you asked him to post similar pictures from the E3, and the D3, and he claimed that he would need to climb a mountain to take the picture and how much trouble that would be, and you asked him to point the camera across the street and take a picture and he claimed it would be a bad picture....blah, blah,blah....I have no time for postering, nor excuses.....let him be their savior over there...whatever!
I'm glad to see you are still dispelling the BS being passed around
from the 4/3rds forum.
I don't go around saying "FF is better than 4/3", as so many like to
claim. I just counter all those, like Lewis, going around saying
"4/3 is better than FF", and there are a lot of people doing that,
unfortunately.
I understand, and I never got that impression from any of your post.
And anytime you want a rematch against my E1 just let me know, I will
drag it out of the closet, tape the rubber back on, and shoot some more
landscapes with it ;-)
OK, here's the challenge: we have to take a pic of a brick wall wide
open in the rain and see who has the sharper corners and less
vignetting, 'cause that's how I usually use my camera. : )
What in the world is in the corner of an image that is so important? I can see in a landscape, but other than a landscape, why is sharp corners essential?
--

SIGNATURE: This is a picture I did not take of a tall, greying man with crooked teeth whom I've encountered three times while photographing downtown, and each time, he's approached me quickly from the front, with a long stride, and each time he's leaned toward me and said the exact same thing 'OLD ONES ARE BETTER' while palming his ancient brass Leica, opening his hand enough to show me what's there, but not enough really showing-off!' (An Unknown Leica Street Photographer)

 
OK, here's the challenge: we have to take a pic of a brick wall wide
open in the rain and see who has the sharper corners and less
vignetting, 'cause that's how I usually use my camera. : )
What in the world is in the corner of an image that is so important?
I can see in a landscape, but other than a landscape, why is sharp
corners essential?
...but it is extremely rare for me, even in deep DOF landscapes. Not only because I don't usually pay attention to the corners, but often because the corners are shadow or sky, or, even though the DOF is deep, they are still well outside the DOF.

However, let me post some examples of shallow DOF pics where the corners are important, and I still don't seem to have any problems with 35mm FF:

Canon 5D + 100 / 2 @ f / 2, 1/3200, ISO 100

http://www.pbase.com/joemama/image/91930196



Canon 5D + 50mm / 1.4 @ f / 2.8, 1/5, ISO 800

http://www.pbase.com/joemama/image/70680046



But even in those, we're not talking about the extreme corners where 4/3 will, in fact, actually show some improvement over 35mm FF. But seriously, who's looking there and cares?

For example, here's a medium DOF landscape with soft corners:

Canon 5D + 100mm / 2 @ f / 5.6, 1/1600, ISO 100

http://www.pbase.com/joemama/image/60364439



It's equivalent to 50mm f/2.8 on 4/3. Now, you can see soft corners in the bottom. I could have easily stopped down to f/16 without raising the ISO if I cared to do so. But, honestly, do you care about the corners of that image?

Now, if I want sharp corners, it's not an issue. But, honestly, even in this pic, do the extreme corners mattter?

Canon 5D + 16-35mm @ 16mm, f / 11, 1/100, ISO 100

http://www.pbase.com/joemama/image/60285949



But sometimes, even I recognize that sharp corners matter, and, again, I have no difficulties getting them with 35mm FF:

Canon 5D + 24 / 1.4L @ f / 8, 1/800, ISO 100

http://www.pbase.com/joemama/image/96946867



So many 4/3 pundits feel that shallow DOF is "overrated" -- that's their prerogative. However, they don't have the option to get it with the same perspective and framing as 35mm FF.

On the other hand, I feel corners and vignetting are "overrated". The difference is that I don't have a problem getting pics with sharp corners and negligible vignetting when I need it.

And, once again, just to be crystal clear on this point, I'm not "lording 35mm FF" over 4/3. If you don't need the advantages of 35mm FF, it's silly to get it. I'm just saying that the claims of IQ "advantages" of smaller sensor systems are bogus. Now, in terms of operational advantages, sure, they have that a'plenty -- I've never claimed otherwise.

--
--joe

http://www.josephjamesphotography.com
http://www.pbase.com/joemama/
 
the retort
i got most of the following from just one thread over at the canon forum

http://forums.dpreview.com/forums/read.asp?forum=1029&message=28134063&changemode=1
Reviews of the updated 16-35 II range all over the place from "tack
sharp," to "unusably soft," to "I found a sharp copy on my fourth
try." It is hard to say whether the variability in reviews is due to
different owners with different standards, or due to poor quality
control by Canon resulting in good copies of the lens and bad copies
(one would think with adequate quality control at Canon all copies
should be of relatively equal quality).

I have a copy of the first version of the 16-35 that is very soft
even when stopped down, I would now like to trade it in on a sharper
ultra wide angle, but I am not sure whether to risk the 16-35 version
II, or to go to the 14mm 2.8 version II. I prefer the versatility of
qualty zooms, but some of the photos will need to get blown up to
very large sizes (4-5 feet), so I need something that is at least
reasonably sharp. I shoot almost exclusively landscapes.

Any feedback on the relative merits of either of these lenses?

Thanks
If the 16-35 version II is still too soft, what would you recommend
of Canon's? I am hesitant to start adapting Nikon lenses. I only
have Canon lenses figuring they are optimized for their cameras
(rightly or wrongly).

I agree that 14-28 2.8 L seems like a good lens for Canon to develop,
but given that they just re-did the 16-35, and the 14 mm prime, it
seems like it is a few years off.

Thanks for your thoughts.

Ken
All of them - 16-35, 14 and 17-40 - are excellent in the middle but
horrible in the corners on FF. In my experience, there is no lens
shorter than 21mm in focal length that would have decent corners.
no lens shorter than 21mm that would have decent corners
So what is the best approach for full frame ultra wide angle? My
inclination is to take the 14mm 2.8 and crop out the corners if
necessary.
yes he said, crop out the corners
For what its worth, I shoot a lot in low light, so I prefer not to
stop down if I can avoid it. On the other hand the nature of the
scenes (darker forests and landscapes at sunset/dusk) do not put a
premium on corner sharpness.
So what is the best approach for full frame ultra wide angle?
Nikon D3 + 14-24/2.8...

Alternatives?

Dunno any...
is that a bit telling ?....

joe mama wrote:
snipped in:
..................................................If you need more DOF and/or sharp
corners, stop down! What's that? The shutter speed is too slow when
you stop down? Get a tripod (I'm too lazy -- I hope to change that,
eventually) or up the ISO:
even Joe says you have to stop down for "and/or sharp corners"
Joe
Yes I know I can stop down. My point is purely to prove that
perceived lack of corner sharpness that everyone complains about may
everybody ?
............Clearly the larger the aperture, the harder it is to produce
an image that has apparently 'sharp' corners because of depth of
field alone but not necessarily because the corners are soft.
Hope that makes sense to you now?
and joes response
http://forums.dpreview.com/forums/read.asp?forum=1029&message=28159223
corner. Clearly the larger the aperture, the harder it is to produce
an image that has apparently 'sharp' corners because of depth of
field alone but not necessarily because the corners are soft.
Hope that makes sense to you now?
Absolutely. Apologies for not getting the obvious point you were
trying to make.
obvious indeed, but at odds with this statement in this thread and the subject of the retort
http://forums.dpreview.com/forums/read.asp?forum=1018&message=28179433
yes, the "FF has unuseable soft corners that must be cropped out"
guys haven't replied to this post yet (riley and plutosis).
Probably got tired of the constant counter-examples to those
"claims". : )
dont count on it bub, im not a part of the fan club, i dont go around agreeing with something in one place, and criticise others for saying exactly the same thing in another. Dont ever see silence from me as remission/permission, there are many people out in dp who feel the same and have little to do with you for their own reasons

--
Riley

I'd give my right arm to be ambidextrous (just)
 
there are good reasons people with 5D go out seeking better WA performance, Canon wides under perform and we see this all time, either people are talking about the despair of their lens performance as we have seen. Or looking for mount adapters and alternate lenses, or seeking out more exotic film lenses even out right bargains, its not a bad thing, its actually kinda healthy and necessary. That is if you want things to improve.

But coming out here in the more public fora condemning the criticism of others about Canon WA, does nothing for the health of FF as a system, gives Canon more excuses NOT to improve it, lies to the unsuspecting and wrongly condemns the opponents or those that believe in change when change is necessary. If you think that Canon WA cant be improved upon, you're an idiot plain and simple.

If you think/say corners dont matter the consider this, in deeper DOF photography which is more common in any event, soft corners are admitably less of a distraction, unless like the former writer you focussed on detail in the corner only to have the rest OOF/soft. You pay good money for resolution only to lose it on the corners because of your glass/or/ you stop down beyond the 'equivalent' stop, bringing yourself closer to diffraction and having less operable aperture range. If you really believe that corners dont matter then go make yourself some round pictures and be happy.

At one time I thought the lack of performance for Canon UWA was a matter of sensor/mount geometry, but the use of Nikons nice 14-24 on 5D proved that untrue, there is nothing wrong with 5D, there is plenty wrong with its UWA lens suite sans the 24. Stopping down so close to diffraction is quite simply inefficient, and suggests to me that the apparent beauty of images produced at times with this lens has more to do with the camera and photographer than the abilities of the lens.

Hiding the truth or otherwise from the public side of the forum is to be politely dismissed, allowing one thing in the Canon forum and another out here in the public fora is to be utterly despised.

On the basis of that discussion Joe Mama, i want nothing more to do with you. Dont bother, no more taunts questions or other bs you can dream up will rope me in. I wont answer, ....ever..... the world wont need to be reminded of this anytime soon.

As to the subject DOF and an apparent inequivalence for 4/3rds

i make no apologies for 4/3rds, they have long needed to produce a fast lens somewhat above the normal lens view (50mmEFL), its just not a sphere i have indulged in. For those ends I have a Konica 57/1.2 that presently no other camera than 4/3rds can mount anyway (register), just maybe to have some fun with when i find the time.
So many 4/3 pundits feel that shallow DOF is "overrated" -- that's their prerogative. However, they don't have the option to get it with the same perspective and framing as 35mm FF............I'm just saying that the claims of IQ "advantages" of smaller sensor systems are bogus.
This then is the origin for incessant drips...



100% crop



Where or why can this be represented in equivalence? Well its a non issue, this particular FF advocate would have you believe there is something wrong with this because,...well because, or retreat to 'well its not the same fov'. Yet the smootheness of the bokeh and sharpness of this lens performance 'right across the frame' are also pretty difficult to match elsewhere. Synchronise a portrait composition to the ability of this lens and you wont go far wrong. This doesnt make it the king (who was the complete tw@t that said that?) of systems by a long way, it just makes it a more useful amount of entertainment. That closes the door on this bs, its principle proponent and the bendover gang, just see me as other wise engaged....



things wrong with this whole discussion...?

1/ like others before it from the same origin, it is meant to inflame and abuse, not matter how politely, target for today 4/3rds, in that it succeeded

2/ its erroneous dependence on what are 'slightly' erroneous crop factors for calculating dof when all along the subject should depend upon coc

3/ the lack of discussion of the highly related diffraction and stops of freedom before diffraction limitations supported by facts, and by implication the possibility that unlike animal farm, not all animals are created equal, vis-à-vis to lenses.
4/ the lack of discussion about controlling dof by camera/subject position

5/ the allowable use of language like 'almost' and 'good enough' 'extreme' in disingenuous condescending ways

6/ the dismissal of operational strengths like 4/3rds being better disposed wide open, and 'almost FF135' not so

7/ the dismissal of operational benefits like shooting a metered scene at an actual F2.8 as opposed to its 'equivalent' in light energy for 'almost FF135'

8/ the dismissal of other system properties necessarily pushed to the background to more favourably dispose the 'almost FF135' better strengths after foolishly supposing containment of the UWA/WA issue was sought in a previous thread
9/ the notion that somehow it matters...
10/ raising the ire of Riley
--
Riley

I'd give my right arm to be ambidextrous (just)
 
Apples and Oranges. You need to stop a FF lens down otherwise you're not comparing the same DoF with smaller formats. The posters you quote from the Canon forum don't seem to define what apertures they're talking about and what they define as not decent (not quite pixel sharp?).

As for using ultra-wides, wide-open in low light can you tell us (1) when it is important to get sharp corners in these circumstances and (2) when smaller format systems can manage better results (not forgetting that smaller formats are not as good at high ISO)? These guys are talking about shooting in conditions that smaller formats can't manage, or not without serious difficulty. Do Olympus have a 10.5mm f0.9 prime for example, that's what you'd need to compare with the 21 f1.8
http://forums.dpreview.com/forums/read.asp?forum=1029&message=28134063&changemode=1
Reviews of the updated 16-35 II range all over the place from "tack
sharp," to "unusably soft," to "I found a sharp copy on my fourth
try." It is hard to say whether the variability in reviews is due to
different owners with different standards, or due to poor quality
control by Canon resulting in good copies of the lens and bad copies
(one would think with adequate quality control at Canon all copies
should be of relatively equal quality).

I have a copy of the first version of the 16-35 that is very soft
even when stopped down, I would now like to trade it in on a sharper
ultra wide angle, but I am not sure whether to risk the 16-35 version
II, or to go to the 14mm 2.8 version II. I prefer the versatility of
qualty zooms, but some of the photos will need to get blown up to
very large sizes (4-5 feet), so I need something that is at least
reasonably sharp. I shoot almost exclusively landscapes.

Any feedback on the relative merits of either of these lenses?

Thanks
If the 16-35 version II is still too soft, what would you recommend
of Canon's? I am hesitant to start adapting Nikon lenses. I only
have Canon lenses figuring they are optimized for their cameras
(rightly or wrongly).

I agree that 14-28 2.8 L seems like a good lens for Canon to develop,
but given that they just re-did the 16-35, and the 14 mm prime, it
seems like it is a few years off.

Thanks for your thoughts.

Ken
All of them - 16-35, 14 and 17-40 - are excellent in the middle but
horrible in the corners on FF. In my experience, there is no lens
shorter than 21mm in focal length that would have decent corners.
no lens shorter than 21mm that would have decent corners
So what is the best approach for full frame ultra wide angle? My
inclination is to take the 14mm 2.8 and crop out the corners if
necessary.
yes he said, crop out the corners
For what its worth, I shoot a lot in low light, so I prefer not to
stop down if I can avoid it. On the other hand the nature of the
scenes (darker forests and landscapes at sunset/dusk) do not put a
premium on corner sharpness.
So what is the best approach for full frame ultra wide angle?
Nikon D3 + 14-24/2.8...

Alternatives?

Dunno any...
is that a bit telling ?....

joe mama wrote:
snipped in:
..................................................If you need more DOF and/or sharp
corners, stop down! What's that? The shutter speed is too slow when
you stop down? Get a tripod (I'm too lazy -- I hope to change that,
eventually) or up the ISO:
even Joe says you have to stop down for "and/or sharp corners"
Joe
Yes I know I can stop down. My point is purely to prove that
perceived lack of corner sharpness that everyone complains about may
everybody ?
............Clearly the larger the aperture, the harder it is to produce
an image that has apparently 'sharp' corners because of depth of
field alone but not necessarily because the corners are soft.
Hope that makes sense to you now?
and joes response
http://forums.dpreview.com/forums/read.asp?forum=1029&message=28159223
corner. Clearly the larger the aperture, the harder it is to produce
an image that has apparently 'sharp' corners because of depth of
field alone but not necessarily because the corners are soft.
Hope that makes sense to you now?
Absolutely. Apologies for not getting the obvious point you were
trying to make.
obvious indeed, but at odds with this statement in this thread and
the subject of the retort
http://forums.dpreview.com/forums/read.asp?forum=1018&message=28179433
yes, the "FF has unuseable soft corners that must be cropped out"
guys haven't replied to this post yet (riley and plutosis).
Probably got tired of the constant counter-examples to those
"claims". : )
dont count on it bub, im not a part of the fan club, i dont go around
agreeing with something in one place, and criticise others for saying
exactly the same thing in another. Dont ever see silence from me as
remission/permission, there are may people out in dp who feel the same

--
Riley

I'd give my right arm to be ambidextrous (just)
 

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