Joseph S Wisniewski
Forum Pro
Except that it isn't the case, at all. Like many talking about the DOF issues with different sensor sizes (whether advocates of small sensors or large ones) you ignored diffraction.DOFThanks to crop sensors,..
....Thanks to crop sensorsm, the average digital photographer
(including you medium format shooters too)..
Diffraction scales with the final magnification (from the object being photographed to the final print). A small sensor camera can deliver more apparent DOF on a smaller print, but on an equal sized print, diffraction starts softening the image at a much larger aperture. Shoot the same picture with a 100mm lens on a full frame at f22, and 50mm lens on a four thirds camera at f11, and print them the same size, and you will see exactly the same DOF in the final print, and exactly the same softening of fine details due to diffraction. Shoot it on a 6x7 with a 200mm at f45, or a 4x5 with a 400mm at f90, and you'll still get the same DOF and the same diffraction on the final print.
That particular assumption is purely uncorrelated. The Nikon 70-200mm f2.8 is a good example, it's sufficiently detailed in the center to outresolve current Nikon crop cameras, so it delivers pretty impressive sharpness from center to corner. But on full frame, its corner resolution is rather poor, and quite noticeable in much of my work.and used to the
"benefits" of shooting with crop cameras, mainly because they believe
they gain something from not using the full image circle that 35mm
lenses produce.
The 50mm f1.8, on the other hand, is the exact opposite. It's resolution, in general, is lower, but its corners are more similar to its center, so it looks better on a full frame than it does on a crop camera, where the resolution is more obvious.
Well, if you research it a bit more, you'll find that format is not an issue for DOF in product work.I can't stand crop cameras regardless of shooting long or wide, with
the small exception of shooting landscapes, and some product type
shots where the more DOF the better..
Funny, I seem to be living in the future that you are "looking forward to"...I'm looking forward to an all FF system where I don't have to buy a
separate body..(or more) just to capture action.
I remember when 3 or 4 fps was pretty fast for film, and there was no autofocus. So, what days, exactly, do you "miss"?I'm sorry, but 3 &
4fps just sucks to the max for shooting action. I miss the days when
I could shoot FF,...you know,.,.like in film..
As I said before, that day is today. I've compared D3 (and, for that matter D2X) shots to my very best scanned 35mm slides and negatives, and I'm quite satisfied that I'm not just getting "the same great shots", I'm getting better shots. Superior detail and color, on a body that shoots 9 frames/sec with an AF system that leaves even the venerable Nikon F5 and F100 in the dust.and get the same
great shots I was able to get before I was forced into using 1.x
cr(a)p cameras!
--
Rahon Klavanian 1912-2008.
Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.
Ciao! Joseph
http://www.swissarmyfork.com