OK, I did something a little different this time when I hit the 6000 character limit. Instead of just splitting the post in the middle, I sort of separated the technical part and off-the-wall part...
Does Nikon even sell a split prism screen for their DSLRs?
No. They never have.
The only AF bodies that they sold split screens for were the high end film SLRs F4, F5, and F6. F4 and F5 had screens you changed by removing the interchangeable pentaprism (a very cool feature). F6 uses a mechanism similar to "mid line" AF film SLRs like F100, N90, and good old 8008. There's a little latch at the top of the mirror box that drops the screen neatly down in a little "tray", where you can change it with tweezers, then raise the tray back into position. This mechanism is also used on midline manual focus SLRs, FM2, FE2, Fa2, Fm3a.
F6 was also the last of the "system" cameras, with a decent variety of screens (At least 7, including Nikon Type A, B, E, J, L, M, and U). These include matte, split image, crosshair, aerial image, matte with special Fresnel lens for long telephotos to reduce corner blackout (also great on bellows).
All F6, F5, and F4, FM2, FE2, and FA screens are incompatible with all Nikon DSLRs. Some have the wrong size, others lock tabs that won't match the slots in the screen tray.
Nikon actually only provides an interchangeable screen capability for their high end DSLRs, D1, D1X, D1H, D2X, D2H, and D3. Those DSLRs have a simple bail lock lever that can be pulled forward with a pair of tweezers, dropping the screen down in a small drawer.
I can point you to camera manual downloads on the Nikon support site. Each contains a list of the accessories such as screens that operate with each camera.
The stock screen for all Nikon DSLRs and AF film SLRs is the type B, plain matte.
D1, D1X, and D1H accept screens designed for the Nikon F100 film SLR. The only screens Nikon sells are the type B and type E (matte with grid lines, an option).
You can use the D1, D1H, and D1X with the third party Beattie Intenscreens designed for Nikon F100. These are available in 6 variations, plain matte, 45 degree split image, and horizontal split image, each with and without grid lines. The screen is more transparent than Nikon screens, requiring exposure compensation. I have used the Beattie diagonal split with grid lines for years on my Nikon F100. I tried it on a D1X, and found it most objectionable. The Beattie split image screens are molded in blanks designed for medium format cameras, and cut down to 35mm size, so their split image is large, about 8mm, as opposed to around 4mm on Nikon split image screens such as the K3 for the FM3a. When used on a 1.5x crop camera, the split image circle is half the height of the viewfinder, and the microprism circle spans the viewfinder almost from top to bottom.
The best third party screen for these cameras that I have used is Katz Eye. The prisms are sized much more conveniently.
D2X and D2H accept a screen of unusual size and aspect ratio that is unique to those two cameras. Nikon sells screens type B, E, V, and W (V and W are still plain matte, they just have special masks to help with the high speed crop mode).
D3 accepts a screen that is unique in size. Nikon currently offers types E and F.
All lower end Nikon DSLRs are not intended for field replacement of the screens. The screen lock mechanism is designed only to be operated by factory personnel for the insertion and removal of shims, to achieve focus alignment of the screen and main sensor (I can send you a service manual PDF if you like). Since there isn't a screen drawer, as soon as you release the screen holding mechanism, the screen and shims are free to drop down into the DSLR mirror, risking scratching mirror and/or screen. The original D100 used a sliding lever release and spring steel hold down. Release it wrong, it could propel parts from the camera with considerable enthusiasm. A dpReview forum member was actually the first to post DIY instructions for unlocking it. Several people reported breaking the lever and being unable to lock in the new screen.
D70 and more recent cameras use a bail wire locking system that again drops both screen and shims. I was actually the first person to discover this and post the instructions for unlocking it, cutting a Nikon K3 screen to appropriate size, and mounting it in the D70.
Now Katz Eye and Haouda (I may have spelled that wrong) make split image screens for all Nikon DSLRs. They're tricky on models that use the "factory service" method of accessing the screen, but it is possible. The complexity scares a lot of users, and many send their cameras in to Katz Eye to have the screens changed.
Restrictions on spot metering are as I pointed out earlier. All Nikon DSLRs from the original D1 on do spot metering with the main light meter array and will act up with a split image screen.
Now, this may come as a surprise, but Canon took an entirely opposite approach. Their midline DSLRs like 40D and 5D use interchangeable screens via a complex system where 6 tabs sticking out of the screen (makes it a pain for DIY folk) lock into latches in the frame. But Canon also only sells matte screens (although they have one we'd both like, a "high precision" screen that's basically an old fashioned ground screen without the"bright screen" hex grid cuts and coatings).
Canon did something cool at the high end: they kept screen compatibility across the top of the line EOS 1v film SLR, midline EOS 3, and the DSLRs 1D, 1D II, 1D III, 1Ds, 1Ds II, 1Ds III. 10 screens, matte, microprism, split, cross split, etc.
But then, you know what Nikon fans say about Canon metering
anyway, this part would make a good wizfaq
--
Rahon Klavanian 1912-2008.
Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.
Ciao! Joseph
http://www.swissarmyfork.com