seachicken2000
Senior Member
@vortout
This would make little sense to me too. The tests on this site seem fantastic, but it's all meaningless without knowing whether RAW or JPEG was used for the tests.
I've searched their site for information on this, but come up with nothing. Strange that they would omit this, given how comprehensive these tests seem to be.
Can you say what makes you think the tests were done on JPEGs?
I am also a little puzzled by their tonal range results. In the noise section of the Test Results section, they claim that 8-bits is the theoretical maximum. At the bottom of this page they test D40x RAW output, and it's seems true that 8-bits is the ceiling. But the D40x RAW file can represent sensor data in 12-bits / channel. Surely 12-bits is the theoretical limit for the tonal range of a channel in RAW.
--
A rose by any other name is still a chicken.
This would make little sense to me too. The tests on this site seem fantastic, but it's all meaningless without knowing whether RAW or JPEG was used for the tests.
I've searched their site for information on this, but come up with nothing. Strange that they would omit this, given how comprehensive these tests seem to be.
Can you say what makes you think the tests were done on JPEGs?
I am also a little puzzled by their tonal range results. In the noise section of the Test Results section, they claim that 8-bits is the theoretical maximum. At the bottom of this page they test D40x RAW output, and it's seems true that 8-bits is the ceiling. But the D40x RAW file can represent sensor data in 12-bits / channel. Surely 12-bits is the theoretical limit for the tonal range of a channel in RAW.
--
A rose by any other name is still a chicken.