DSLR sensor facts with no acrimony please

TaylorHobson

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DSLR sensor mania, Just the facts. What I am posting here is everything I learned on DPreview. You can check the facts yourself by doing appropriate seaches. Only Fact 7 is made up and represents only my personal opinion and preference with no claim to being superior in any particular photo imaging aspect.

The longest threads here are those involving the defense of APS-c and 4/3 sensor sizes versus full frame. Here are some plain facts.

Fact 1 Size.

FF is 2 times larger (area wise) than APS-c. APS-c is 2 times larger than 4/3. So FF is 4 times larger than 4/3.

For PS (point and shoots) people who are confused, PS cameras are compact because FF is 22 times larger than sensor chip used in G9. FF is 36 times larger than sensors used in typical pocket Powershot PS types.

Fact 2 light sensitivity

Since all manufacturers try to keep up with the megapixel race so for same 12 mp sensor constant for each format, a 2x larger pixel in FF sensor will gather 2x the light of APS-c and 4x light of 4/3. So if 4/3 has max iso of 1600, then APS-c will be 3200 and FF will be 6400 at same noise level using same sensor technology. This is exactly what you see in today’s crop of cameras

Fact 3 viewfinder size.

FF with larger mirror will always be larger and brighter than APS-c and so forth with 4/3 always having the smallest view using same priced optics, mirror or prism arrangements.

Fact 4

The lensmount of the FF and APS-c are same size and 4/3 is probably in middle, smaller than EOS but larger than Nikon F. Ultimate camera size is determined by lens mount size so all current dslr formats will have similar size bodies. Right now FF is much larger but remember as technology improves, budget consumer FF will come down in size. Canon’s last budget film FF the rebel Ti is same size as current Oly E430 claimed to be the smallest dlsr.

Fact 5. Why APS-c was introduced

APS-c came about only due to the very high sensor prices in the infancy of dslrs. A FF sensor was priced many times higher than an APS-c or 4/3. When sensor prices fall as they inevitably will, FF cameras may cost maybe only 10% more than similar megapixel APS or 4/3. Higher pixel count regardless of sensor size will add to cost because faster chips have to be used throughout to keep fps from slowing.

Fact 6 lens ability, size and cost

People think cropped sensors allow you to use smaller lenses for same focal length equivalent. If you make pixel size same which means that larger sensors will have more pixels, the same lens will produce the same detail so no detail is gained by the smaller sensor. In any case, the lens sizes of all three sensor sizes are similar. A typical 50mm f1.4 FF prime is same size or smaller than an equivalent 35mm f1.4 APS-c prime or a 25mm f1.4 4/3 prime. The cost of lenses in any sensor size in equivalent focal length are all in same range.

Fact 7 New category of cameras will come soon as true alternative to FF dslrs.

There will be an interchangeable lens 16:9 hi-resolution (svga 800x600) evf cropped sensor (16mm x 9mm no more than 12 mp) with choice of 3:2 and 4:3 with new standard lens mount. Since these cameras have no mirror box, lens can be optimized for thinner bodies and closer position to sensor. These new cameras will be logical move up for current PS crowd desiring better quality images and more flexibility like interchangeable lenses and HD movie taking capability. No mirror box, smaller sensor than current 4/3, these cameras will live up to truly more compact and lighter tourist travel cameras. Canon can make this the G11 with availability of pancake wide angle prime. Or how about Panasonic TZ9. The current TZ5 already has a true 16:9 with choice of 3:2 and 4:3. Note the TZ5 uses a lens circle optimized for 16:9 and 3:2 .16:9 (3712x2088) is wider than 3:2 (3552x2368). Both canon and pano should switch to body based IS like sony, pentax and oly to keep lens cost down and more rugged.
 
OK, this is going to be yet another pointless discussion on semi-facts... it looks almost like a troll attempt... any how:
DSLR sensor mania, Just the facts. What I am posting here is
everything I learned on DPreview.
unfortunately this does not make the "facts" true
Fact 1 Size.
FF is 2 times larger (area wise) than APS-c. APS-c is 2 times larger
than 4/3. So FF is 4 times larger than 4/3.
Your math is off quite a bit. Check e.g. here:
http://en.wikipedia.org/wiki/Image_sensor_format
Aps-c is ~ 40% FF ( depends on manufacturer)
4/3 is ~ 26 % ( or 65% of APD-c)
Fact 2 light sensitivity
( some wrong numbers removed)
using same sensor technology.
here is the problem. No details are published, and this likely varries for chip-manufacturer and chip technology ( e.g. CCD, Cmos etc)
For noise and sensitivity is important:
  • pixel size
  • fill factor ( how much of the pixelsize is lightsensitive and not covered by the readout electronics on the chip)
  • effective ness of the microlenses on the chip
  • absorption of the Bayer color filters in front of the chip
  • quantum yield of the sensor (fraction of photons generating electrons)
  • noise of the readout electronics
  • quality of the a/d converter
I woudl be very surprised if small variations in theses parameters woudl not amount to 10 or more % total effect. However I do notnow any numbers...
Fact 3 viewfinder size.
depends on:
  • frame size ( agreed)
  • amount of light reflected and not diverted to the AF-sensor ( likely depends on manufacturer and model)
  • type of focussing screen
( read e.g.: http://www.dphotoexpert.com/2007/09/21/live-view-versus-the-cheating-dslr-viewfinder/ )
-magnification ( this can be changed with arangements of the mirror)
  • material of the prism ( glass or air surrounded by mirrors)
Fact 4
Ultimate camera
size is determined by lens mount size
Strangely enough this is not suppoted by evidence...
budget consumer FF will come down in
size.
hopefully, The Olympus OM-series was FF as well.. ( however they did not have AF and other size and energy guzzling features)
Fact 5. Why APS-c was introduced
APS-c came about only due to the very high sensor prices in the
infancy of dslrs.
source?

Already in film days there where trends ( even not sucessfull) to decrease film size. the 110 system ( there was even a pentax SLR) and later the APS system. at least the later did not failed due to bad quality, rather due to bad service and marketing.
Fact 6 lens ability, size and cost
People think cropped sensors allow you to use smaller lenses for same
focal length equivalent.
  • You have to agree that e.g. the lens of a ricoh r6 is significantely smaller than a 28-200 travel zoom for FF.
  • Compare the current Olympus Kit-lenses againts other kit lenses, they are smaller.
  • higher crop factor.. smaller focal length for same perspective... less diameter for same aperture ( aperture is focal length divided by diameter available to pass light, e.g. minium diameter of front element).. clearly such a lens does not need the same amount of glass... thus at least more lightweight.
This does not mean that such lenses are technically possible.
Fact 7 New category of cameras will come soon as true alternative to
FF dslrs.
either you have some inside knowledge, then you are surely braking a non-disclosure agreement ( or your source is), or you are bull shiting. Fact is, interchangable lend movie cameras are older than "fullframe" 35mm Film
There will be an interchangeable lens 16:9 hi-resolution (svga
800x600) evf cropped sensor (16mm x 9mm no more than 12 mp) with
choice of 3:2 and 4:3 with new standard lens mount.
have a look here:
http://en.wikipedia.org/wiki/Cs_mount
I used it + - 1996 with a ccd for both movie and pictures

what you continue with is nice, but if you look around, you will notice that quite a lot of stuff is pushed inti the market not due to better image quality, but due to higher profits possible....

cheers

ralf
 
Fact 1 Size.
FF is 2 times larger (area wise) than APS-c. APS-c is 2 times larger
than 4/3. So FF is 4 times larger than 4/3.
The area difference between APS-c and 4/3 depends on the make (Nikon 1.8, Canon 1.6, Sigma 1.4) or in stops Nikon 0.8, Canon 0.6, Sigma 0.5. In practice the sensor size difference between APS-c and 4/3 is barely significant.
 
I am simplifying things a bit. Yes 1.5 x1.5 = 2.25 so 1/2.25 is 44.4% and not 50% and for 4/3 ii is 2 x 2 = 4 and 1/4 which is 25% FF as I said.

Of course there are different sensor technologies. I am trying to compare apples to apples. A fuji sensor in 4/3 might be as good as sony APS-c in noise control.

Popular lens size APS 18-250 about same size as 28-300 in FF which is pretty amazing when you consider the much larger image circle of FF. I checked my reference to the standard (50mm FF) prime sizes. I don't really know the reason why they can't make proportionally smaller and lighter lenses for smaller image circle. Maybe its due to the miirror box depth which is similar in all DLSR formats.

Old film movie c mount is just that, old and obsolete. Where is the digital successor for consumer stills and movies with hi-def evf.

You are right Fact 7 is conjecture which you can interpret as BS.
 
The area difference between APS-c and 4/3 depends on the make (Nikon
1.8, Canon 1.6, Sigma 1.4) or in stops Nikon 0.8, Canon 0.6, Sigma 0.5
Compared to 35mm FF, Olympus is 2x (2 stops), Nikon is 1.5x (1 1/3 stops), Canon is 1.6x (1 1/3 stops), and Sigma is 1.7x (1 2/3 stops), rounded to the nearest 1/3 or 1/2 stop.

There fact that Olympus uses a 4:3 aspect ratio instead of 3:2 as all the others does not change the results significantly ("significant" means more than 1/3 of a stop) since a 4:3 inscribed rectangle is only 4% more efficient than a 3:2 inscribed rectangle.
In practice the sensor size difference between APS-c and 4/3 is
barely significant.
Depends on how you define "significant". As above, I define it as a difference of at least 1/3 of a stop. The difference between 4/3 and 1.7x is 1/3 of a stop, between 4/3 and 1.6x is 1/2 a stop, and between 4/3 and 1.5x is 2/3 of a stop, again, rounded to the nearest 1/3 or 1/2 stop.

Scroll down to the FOV/AOV section here:

http://www.josephjamesphotography.com/equivalence/#equivalence

--
--joe

http://www.josephjamesphotography.com
http://www.pbase.com/joemama/
 
You are exactly right.

Sony, pentax, nikon samsung fuji are all 1.8 as you say. Rounding 1.8 to simple integer of 2 I hope is not a gross distortion.

All Tamron APS-c lenses are designed for the 1.5 crop. Sigma SD14 is in a totally different sensor category that can't be compared by pixel count or size to the bayer pattern of the others. It is most close in size to 4/3 but really can't be compared to it.

I am just trying to be informative in the general sense because I see post where many have no size reference in their minds at all so please allow 10% errors which is better than having no idea at all.
 
I am simplifying things a bit. Yes 1.5 x1.5 = 2.25 so 1/2.25 is 44.4%
and not 50% and for 4/3 ii is 2 x 2 = 4 and 1/4 which is 25% FF as I
said.
Rather than use the FMs (focal mutlipliers), which ignore the difference in aspect ratio, it's better to simply divide the sensor areas:

35mm FF: 864mm^2
1.5x: 372mm^2
1.6x: 329mm^2
1.7x: 289mm^2
4/3: 225mm^2

That means that 1.7x has 28% more area than 4/3 (1/3 of a stop), 1.6x has 46% more area (1/2 a stop), 1.5x has 65% more area (2/3 of a stop), and FF has 284% more area (2 stops)
Of course there are different sensor technologies. I am trying to
compare apples to apples. A fuji sensor in 4/3 might be as good as
sony APS-c in noise control.
Actually, the only "significantly different" sensor technology is Sigma's Foveon design. All the other modern designs are relatively close (for DSLRs). Differences in noise have more to do with different levels of detail due to different pixel counts and involuntary in-camera NR than anything else. When comparing noise, you must compare at the same level of detail to make any meaningful comparison. It's ludicrous to say that a cleaner and less detailed image is less noisy than a more detailed image with more noise. First apply NR on the more detailed image until it matches the level of detail of the less detailed image, and then compare noise.
Popular lens size APS 18-250 about same size as 28-300 in FF which is
pretty amazing when you consider the much larger image circle of FF.
Why is that amazing? If the image circle is 1.6x larger, then the FLs for the larger sensor has to be 1.6x longer, the f-ratios have to be 1.6x higher for the same DOF and total light, and the ISO has to be 1.6^2 = 2.56 times higher for the same shutter speed.
I checked my reference to the standard (50mm FF) prime sizes. I don't
really know the reason why they can't make proportionally smaller and
lighter lenses for smaller image circle. Maybe its due to the miirror
box depth which is similar in all DLSR formats.
I think it could be made smaller if it were not compatible with compatible with the FF lenses. Not sure on this point, though.

Let's also address this point from the OP:
Fact 2 light sensitivity
Since all manufacturers try to keep up with the megapixel race so for
same 12 mp sensor constant for each format, a 2x larger pixel in FF
sensor will gather 2x the light of APS-c and 4x light of 4/3.
For the same shutter speed and f-ratio, but not for the same shutter speed and DOF. That's a critical distinction to make, since images from different formats at the same f-ratio are very different. For the same shutter speed and DOF, all formats receive the same total amount of light.
So if 4/3 has max iso of 1600, then APS-c will be 3200 and FF will be 6400
at same noise level using same sensor technology.
And at the same level of detail. A 1DsIII image at ISO 6400 will not be as clean as a 4/3 image at ISO 1600 at the pixel level. If you want to compare at the pixel level, you must first downsample the 1DsIII image to the dimensions of the 4/3 image and then apply some NR to match the detail level (often, merely the downsampling is "good enough").
This is exactly what you see in today’s crop of cameras
Yes, it is. For a lot more of the story:

http://www.josephjamesphotography.com/equivalence/

--
--joe

http://www.josephjamesphotography.com
http://www.pbase.com/joemama/
 
Who cares when you can get great prints with today's cropped cameras. It is all arbitrary anyway. I think 35mm came from the fact they used what was left over from movie film. "Full Frame" can be the new Medium format. I do not need it or want it. If you do it's readily available.
--
Check my Photo Blog
http://parisea.blogspot.com/
 
I doubt even the chip alone sensor gap will fall to 10%.. Looks like material cost will always be double and "economies of scale" will not fill the gap as much as most believe.
--
360 minutes from the prime meridian. (-5375min, 3.55sec) 1093' above sea level.

'The exposure meter is calibrated to some clearly defined standards and the user needs to adjust his working method and his subject matter to these values. It does not help to suppose all kinds of assumptions that do not exist.'
Erwin Puts
 
Who cares when you can get great prints with today's cropped cameras.
It is all arbitrary anyway. I think 35mm came from the fact they used
what was left over from movie film. "Full Frame" can be the new
Medium format. I do not need it or want it. If you do it's readily
available.
You absolutely can get great prints with today's cropped cameras. But here's one way to look at it: 4/3 is 2 stops from FF and APS-C is 1 1/3 stops. How much money will people spend for a lens that is one stop faster?

For example (from Canon lenses):

16-35 / 2.8L vs 17-40 / 4L -- $800 difference
35 / 1.4L vs 35 / 2 -- $900 difference
85 / 1.2L vs 85 / 1.8 -- $1400 difference
70-200 / 2.8L IS vs 70-200 / 4L IS -- $700 difference
300 / 2.8L IS vs 300 / 4L IS -- $2000 difference

My point is that for some people, it is significantly less expensive to get a larger sensor which effectively adds 1 1/3 stops to all their lenses and gives them more pixels to boot!

But for people who don't care about that extra stop, and are happy with deeper DOF pics in good light, then, sure, then large sensor systems are a waste of money.

Shoot, even with a 3 and 4 MP compact I was able to get great prints:

http://forums.dpreview.com/forums/read.asp?forum=1010&message=24929197

but with a larger sensor, I now do a different type of photography:

http://forums.dpreview.com/forums/read.asp?forum=1032&message=24564072

Some people have said that they like the pics from my compacts better. Great! All I'm saying is that the camera is a tool, and depending on what you are doing, the differences between the various tools can be significant. But which differences are significant, and how signficant they are, will vary wildly from person to person, depending on both their style of photography and their QT (quality threshold).

--
--joe

http://www.josephjamesphotography.com
http://www.pbase.com/joemama/
 
The Sony A100. Can't be bothered to check on the A200 or A350 'cos there ain't no mention on DPReview - without a boring search............ Yep, the A200 and A350.
 
Right now I read somewhere that FF cost 4 times APS-C and the cost is in the hundreds of dollars. Remember the raw mateial of chips is very low. Most of cost has to do with demand, development and yield all off will improve as time passes.

A few years ago a USB 256MB memory stick was almost $100. Now it is $8 and 2GB which didn't even exist them is only $30. So what I am conveying is when FF cost $30 and APS-C cost $15, The overall camera cost should not be as significant. Also current FF have all sorts of expensive pro features which currently exacerbates the cost difference. As sensor prices drop they will put them in plastic budget bodies instead of cast magnesium etc. so final cost difference of the camera will not be significant between FF and APS-C.
 
Right now I read somewhere that FF cost 4 times APS-C and the cost is
in the hundreds of dollars.
I think it's a lot more, actually, but that's besides the point, really.
A few years ago a USB 256MB memory stick was almost $100. Now it is
$8 and 2GB which didn't even exist them is only $30. So what I am
conveying is when FF cost $30 and APS-C cost $15, The overall camera
cost should not be as significant.
I would say that the "overall sensor cost" would not be as significant. However, another factor in the equation is pixel density. It may be a while before FF sensors with the same pixel densities of crop sensors reach the model that you descirbe above.
Also current FF have all sorts of expensive pro features which currently
exacerbates the cost difference. As sensor prices drop they will put them
in plastic budget bodies instead of cast magnesium etc. so final cost difference
of the camera will not be significant between FF and APS-C.
I certainly agree with that. The question, of course, is the time frame. It's all specualtion, of course, but I don't think this will come to pass within 5 years. The other glitch is what happens when there's a new sesnro technology and the whole thing starts all over again.

--
--joe

http://www.josephjamesphotography.com
http://www.pbase.com/joemama/
 
Fact 1 Size.
FF is 2 times larger (area wise) than APS-c. APS-c is 2 times larger
than 4/3. So FF is 4 times larger than 4/3.
For PS (point and shoots) people who are confused, PS cameras are
compact because FF is 22 times larger than sensor chip used in G9. FF
is 36 times larger than sensors used in typical pocket Powershot PS
types.
area squares the results, and therefore enlarges the differences, as would a logramithic expansion. Linearly the Canon APSC when corrected to a 4x3 frame on the same sqmm as its 3x2 native frame, is just 16.1% larger than a 4/3rds chip
Fact 2 light sensitivity
Since all manufacturers try to keep up with the megapixel race so for
same 12 mp sensor constant for each format, a 2x larger pixel in FF
sensor will gather 2x the light of APS-c and 4x light of 4/3. So if
4/3 has max iso of 1600, then APS-c will be 3200 and FF will be 6400
at same noise level using same sensor technology. This is exactly
what you see in today’s crop of cameras
yup
Fact 3 viewfinder size.
FF with larger mirror will always be larger and brighter than APS-c
and so forth with 4/3 always having the smallest view using same
priced optics, mirror or prism arrangements.
E3 rewrote the rules on what can be done with an OVF, hence its around the same size as 40D. Adding a 1.2x mag finder makes it bigger than 5D (where you could also do the same to 5D, should you find a suitable mag finder)
Fact 4
The lensmount of the FF and APS-c are same size and 4/3 is probably
in middle, smaller than EOS but larger than Nikon F. Ultimate camera
size is determined by lens mount size so all current dslr formats
will have similar size bodies. Right now FF is much larger but
remember as technology improves, budget consumer FF will come down in
size. Canon’s last budget film FF the rebel Ti is same size as
current Oly E430 claimed to be the smallest dlsr.
i think that should be 410
Fact 5. Why APS-c was introduced
APS-c came about only due to the very high sensor prices in the
infancy of dslrs. A FF sensor was priced many times higher than an
APS-c or 4/3. When sensor prices fall as they inevitably will, FF
cameras may cost maybe only 10% more than similar megapixel APS or
4/3. Higher pixel count regardless of sensor size will add to cost
because faster chips have to be used throughout to keep fps from
slowing.
what makes you believe sensor prices will fall to this extent? Silicon costs the same
three points of interest
1/ FF sensors cannot be made in one pass, that adds to costs
2/ FF uses by your analogy, 4x the silicon of 4/3rds, but theres more

3/ the defect rate in wafers means that not all sensors cut out of a wafer are useful. On the same sized wafer (which they are not) at the industry standard of 40 defects per wafer (which is only an average on the same technology which they are not) you get 1-2 FF chips, or 32 useful 4/3rds chips.

On a $1,300 wafer (est) thats $1,300-$650 for a FF chip, about $96 for APSC, around $41 for 4/3rds. There are no over the horizon technologies that appear to offset these figures, but they are only estimates as, more sophisticated chip iterations inevitably cost more, ditto for research costs also to be added.
Fact 7 New category of cameras will come soon as true alternative to
FF dslrs.
There will be an interchangeable lens 16:9 hi-resolution (svga
800x600) evf cropped sensor (16mm x 9mm no more than 12 mp) with
choice of 3:2 and 4:3 with new standard lens mount. Since these
cameras have no mirror box, lens can be optimized for thinner bodies
and closer position to sensor. These new cameras will be logical move
up for current PS crowd desiring better quality images and more
flexibility like interchangeable lenses and HD movie taking
capability. No mirror box, smaller sensor than current 4/3, these
cameras will live up to truly more compact and lighter tourist travel
cameras. Canon can make this the G11 with availability of pancake
wide angle prime. Or how about Panasonic TZ9. The current TZ5 already
has a true 16:9 with choice of 3:2 and 4:3. Note the TZ5 uses a lens
circle optimized for 16:9 and 3:2 .16:9 (3712x2088) is wider than 3:2
(3552x2368). Both canon and pano should switch to body based IS like
sony, pentax and oly to keep lens cost down and more rugged.
there may well be a 16x9 (its been done as a native crop in L1) but generationally it will remain 4x3 and 3x2 because some systems are baffled,

Trine is coming (using 'very loosely' a label from a chinese document proported to be of E3), Trine is EVIL, 3 sensor cameras with high transfer rates and no mirrorbox, video capability and resolution significantly raising the bar to a full 10Mp+ foveon, v/s the 4.69Mp foveon that exists.

The AA'less foveon in the guise of SD14 sensor can roughly compete with FF for 'acuity' but not for spatial resolution. Looking at output from 3 sensor (2/3") video cameras it is very impressive technology. A 4/3" 3 sensor camera has greater light gathering ability, greater DR, and less noise.

As trine requires telecentric optics, it will get the jump on the market by 5 years

the future is video
--
Riley

I'd give my right arm to be ambidextrous (just)
 
Compared to 35mm FF, Olympus is 2x (2 stops), Nikon is 1.5x (1 1/3
stops), Canon is 1.6x (1 1/3 stops), and Sigma is 1.7x (1 2/3 stops),
rounded to the nearest 1/3 or 1/2 stop.
If course that's not considering at all the actual photosite size of a sensor which is actually the important thing as that's what determines how much light can be gathered - In the case of the Sigma, even though the sensor itself is smaller because the photosites are layered they are much larger compared to bayer cameras with the same sized sensor. The SD-14 for example has 7um photosites - the same size of the Canon 5D!

While this has not yet translated into quite as good higher ISO performance, it has translated into very low noise at lower ISOs, especially so at ISO 50.

Since the main point of listing the many points was seemingly talking about light gathering ability, this is a really important point to consider.

--
---> Kendall
http://InsideAperture.com
http://www.pbase.com/kgelner
http://www.pbase.com/sigmadslr/user_home
 
The sony A200 and A3x0 all use CCD.

At one time I thought cmos definitely has superior noise performance as evidence by the excellent canon DSLRs that use them. However this new crop of sony's exhibit excellent high iso performance comparable to similar size and density cmos. See the imagaing resourse samples at
http://www.imaging-resource.com/PRODS/AA350/AA350A.HTM

I thinkl the main difference has to do with how fast you can take information off the chip. CMOS is faster so it is more suitable for contrast detect live veiw on large sensors. Sony on A3x0 implements LV using a second dedicated CCD instead of the sensor chip itself.

Both CMOS and CCD technologies are improving and will be used in new models yet to arrive. Most PS which are all live view still uses CCDs
Again I am sure someone will give me a more accurate details on this.
 
Compared to 35mm FF, Olympus is 2x (2 stops), Nikon is 1.5x (1 1/3
stops), Canon is 1.6x (1 1/3 stops), and Sigma is 1.7x (1 2/3 stops),
rounded to the nearest 1/3 or 1/2 stop.
If course that's not considering at all the actual photosite size of
a sensor which is actually the important thing as that's what
determines how much light can be gathered
And, of course, the efficiency of the microlens covering.
  • In the case of the Sigma,
even though the sensor itself is smaller because the photosites are
layered they are much larger compared to bayer cameras with the same
sized sensor. The SD-14 for example has 7um photosites - the same
size of the Canon 5D!
The Foveon design has other significant challenges, however:

http://forums.dpreview.com/forums/read.asp?forum=1032&message=27141466
Since the main point of listing the many points was seemingly talking
about light gathering ability, this is a really important point to
consider.
Indeed. Good call!

--
--joe

http://www.josephjamesphotography.com
http://www.pbase.com/joemama/
 

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