Reichmann vs. Rockwell
They're both right... and both wrong.
Reichmann's point:
Who's a great racecar driver? Tony Stewart? (I don't watch car racing so bear with me.) Ok, I'll use him in this scenario. The guy is a fantastic driver. He can shift gears at the right time, eek out every RPM of power out of his engine, and he knows how a car drives. Now, stick him in an '82 VW Beetle with automatic transmission and put me a Ferrari F430. Who do you think would win that race? In some cases, the user is limited by his tools. In this aspect, being knowlegeable and very good at what you do
will be enhanced by the best equipment. In the same respect, it can't make up for lack of experience or make greatness out of mediocrity. Put Tony Stewart in another Ferrari, and he'll blow right past me.
(not my photo)
Rockwell's point:
Stevie Ray Vaughan was one of the greatest blues guitarists ever. He played a busted up Fender Stratocaster for years and years. He worked hard, practiced, and developed a signature style of playing. And, he was a creative genius. But he made some of the most amazing music, the most memorable guitar riffs on that old dated guitar. It had six strings, twenty-one frets, crackly pickups and a worn body. It surely was no $8,000 PRS guitar - arguably one of the best hand-crafted electric guitar brands on the planet. But he made it sing and became a legend. In this aspect, it wasn't the tool. It was the user making the most of his gear and developing a unique style with it. Put an $80 WalMart guitar in Stevie Ray Vaughan's hands and give me the $8,000 PRS, and Stevie will embarass me.
(not my photo)
Ansel Adams was the greatest. His gear was limited by the technology of the time. But he knew, understood, and mastered the art of photography and used his gear to the best of its potential. If you went back in time and handed Adams a Canon 1DsMkIII, a Mac, and PhotoShop CS3, I have no doubt he would learn those as well and master them. Would it make a difference in his photos? Who knows? He had
the eye for great composition and his work displays that. But the better equipment might just elevate his work to a higher level, if just slightly. Perhaps he wasn't happy with the grain in some of his images, he could fix that now. And maybe there were lost shots due to slow FPS on his old gear - lost masterpieces that never came about. He'd get those shots now.
I don't know where I'm going with all this. I do think it's interesting to discuss. But it shouldn't make enemies out of lovers for the same trade. To each his own...
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'That rug really tied the room together, Man!' - The Big Lebowski