Well, it's time again......RE: More Architectural Images

Ben Herrmann

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Hi folks:

As some of you know, periodically I am tasked with photographing new homes - mostly model homes for various builders. This past Friday I was asked to photograph a group of luxury townhomes - known as the Courtyard Homes of Wakefield Plantation, which is located North of Raleigh. These homes range from the 400's through 700's (USD - in thousands), and have square footages ranging from 3000 to 4500.

To be quite honest, I had never considered living in a townhome or condo for that matter, but after seeing and photographing these gorgeously constructed homes (images in the next post), I have done a complete turnaround opinionwise. These homes are built to last and their luxury features will just knock your socks off. I wouldn't hesitate at all to live in one of these - but of course, they are out of my price range for obvious reasons.

As usual, I only use the E330 w/11-22 zoom to capture architectural scenes. I use one FL-50 flash purely in bounce mode. All interior images were shot in manual mode (usually 1/125 and f6.3 to f8). The FL-50 (with Stofen Omnibounce cap) was used in TTL mode and flipped up for bounce capabilities. All images shot in RAW, converted with Silkypix Developer (which BTW, is superb for E330 ORF's), and resized for web using Irfanview (in batch resize mode). Frames were added using IDFramer software (in batch framing mode).

Outdoor scenes were shot at ISO 200, while indoor scenes were shot at ISO 400. White was purely in AWB. The outdoor lighting was not condusive to the type of scenario I had hoped for, but I made the best of it.

What I hadn't prepared for was that this particular shoot provided me with a major problem. When I arrived, I was taken aback that these particular luxury town-homes had an unusual amount of windows and as is the case with most builder model homes, no window dressings were employed to hide or diffuse the exceptionally bright sun coming through the windows. As a result, I had to do some serious exposure calculations - trying to keep as much detail of the outside areas, while balancing the indoor scenarios. In some instances, however, the sun was so intense (coming through the windows) that I could barely achieve that proper balance between indoor and outdoor lighting.

Again, I am so thoroughly impressed with the E330 and 11-22 combo. I used live view "A" the entire time as it allowed me to put the tripod in a corner (a place where I could not possibly look through the viewfinder) and obtain shots that would normally be unobtainable.

And again - short of going to the E-3, for those you still pondering about picking up an E-330, don't hesitate because at these give-away prices (at Cameta or a few other places), this camera's price/performance ratio is too high to ignore. I know that if you failed to pick up one of these cameras while you still can, you will be terribly disappointed for not doing so.

All images on the next post - but beware, there are quite a few of them.

My hats off to this builder (Comstock Homes) for doing a superb job showcasing these models (and no, I have nothing to do with this neighborhood or these homes).

As always - good shooting....

Ben

 
Note the architectural styles of the units. Each unit building has 4 units (all with walk-out basements). The homes are situated on a golf-course community and have a series of small lakes spread throughout.









Here are some basement views (walk-out basement):





The rest are various interior views (Master Bedrooms, Secondary Bedrooms, Family and Living Rooms, Bathrooms, etc.):









































As always - good shooting....

Ben

 
and the photos were up to your usual standard despite the outdoor lighting. You have nearly sold me several times on becoming a camera collector with your E-330 images, now I must resist the tempataion once again.... ;)
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'How one responds to failure, not success, could be the better measure of character.'
 
Wonderful images Ben, thanks for sharing them. I'm also stunned by the sharpness of the 11-22 in those settings. I've always loved Bootstraps landscapes with that lens but I have never really thought of it for use indoors. What a great piece of glass.
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Mike

 
Bill, if you will email me (see profile), I will send you a flash tutorial that I send out to virtually hundreds of folks monthly. It was given to me by a professional event and news photographer some 5 years ago and I've never looked back. I've placed the information in a set tutorial - complete with samples. It has helped countless folks. The offer is open for anyone else also, so if anyone wants it...just email me.

The tutorial basically involves using any camera in manual mode, while using the dedicated flash in TTL bounce mode. The tutorial is around 5 megs in size, so if anyone interested in it has a mailbox with a limited amount of capacity, make sure you've emptied it because it's frustrating for me to send it out, only to have it returned to me because "the recipient's mailbox is over quota."
--
As always - good shooting....

Ben

 
I have also done photography for a builder over the years. I think you have some nice work here. I especially like #10 & #11 for the dappled light you captured. I notice you also have a nice balance between the indoor lighting and the scene outside the windows -- I am not a fan of blown-out windows.

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Darrell
 
I'm not a big fan of flash photography, maybe because I've never really tried it, but these images are so crisp and clean. Thanks for sharing.
--
Wherever you go, there you are
 
Ben

If you could email a copy of the flash guide to me I would be very grateful.

Your pictures have come out superbly... you say you were just using a single on board FL50 in bounce mode? Your pics are better than multi-light setups ive seen.

Cheers

Geoff
 
I'll agree on the toilet seat LOL - but anyway, some fine work there. My interior shots always seem to have the windows blown-out. I will definitely be looking into your methods a little harder.

I can't wait to photograph our new model home - maybe next year after we get it built :-)
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Brian
 
Thanks Bill, that's great :) - will take a look now.

And of course thanks to Ben...

Cheers

Geoff
 
why didn't I think of it? Great job...
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As always - good shooting....

Ben

 
Wonderful images Ben.

I especially like the 10th one. The brick over the fireplace has amazing colour.

I skimmed your post to look at the pictures and wondered if you had done any multiple shot blending or HDR type work to avoid blown highlights in the windows. Then I read your explanation and realized it is just good exposure technique. Wow.

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BruceMcK
http://www.pbase.com/brucemck
 
Hi ben, great shots, i think you did a particular good job of balancing the light in the shots, what with the light from the windows, the incandescent lamp and the flash, well done, great job on all the pics. I am so glad I got my E330. could not afford 11-22 but the 14-54 should fill most of my requirements, i do love wide angle though but with the 14-54 I have a lot of flexibility for portraits and other stuff as well as 28 for scenics, should keep me busy for a while. you hit it spot on the head as to how useful the articulated live view is, i did the same thing a week ago when shooting a bridge that had a large concrete planter just where my vantage point was, i was able to put the 8080 right up against it and look down onto the lcd to frame and shoot. well done.....paul
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http://www.rockford-photography.co.uk
http://www.flickr.com/photos/rockford-photography/
 
if the place wasn't such a DUMP!!!

JOKING! (c:) (c:) (c:) (c:) (c:) (c:) (c:) (c:) (c:)

Great exposure as usual, you obviously know what you're doing.

Thanks for your flash guide as well and thanks to Bill Turner too for hosting.

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Stay Well,
Pete K.
 
Ben, I'd like to thank you, I bought my E-330 after reading yours (and other) positive comments.

I got it three days ago, the camera is excellent and it is going to make my e-400 redundant, I cannot afford to keep both.
I am also going to print out your flash guide. And study it.
Now I have to read all your previous posts again, I'm sure to find useful tips.

I'm still wondering how you could produce such amazing shots with only a E-330 and an FL-50
What is your workflow with silkypix?

I see from your profile that you like italian cuisine, so here is my virtual present



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http://www.flickr.com/photos/per0ni/
 
very nice photos !...I am one more candidate to that tutorial...willl send email...
JC
 

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