I just want you to know I'm screwing with ya. Really, don't take it personally. However, manners would dictate you thank those who have gone out of their way to offer examples here.
But let's not flog that dead horse.
Yes, buying a camera is a huge deal. They cost a lot of money, even at the low prices the 510 is going for. I fully understand your concern. Everyone wants to make the best purchase possible when laying out this kind of cash; money doesn't grow on trees, as it were.
Now I haven’t read all of your posts, so I don’t know how experienced you are a photography, and also because I haven’t read all of your posts I’m not certain of your fears regarding the E-510. Based on this thread and your original post I suspect you may be concerned about noise.
All cameras will exhibit some noise at higher ISO settings. It’s the nature of the beast. Anyone who tells you that Brand X has no noise at higher ISO settings is a liar. However, cameras based on larger sensors, will indeed fare better in lower light. It’s simply physics. But the argument against 4:3 based cameras that noise is unacceptable is hogwash. Most of the trolls who pop in here wouldn’t know ISO from the horseshit on their shoes. It’s more than obvious. And I think that you’ve been scared off by posts like those.
I own two Olympus E-1 cameras, one E-500, and one E-3. I’ve never been challenged by the noise in them. Yes, some, depending on ISO and available light at the time of exposure require noise removal which is easily achieved in post processing. None of my prints exhibit noise, unless that is an effect that I want, and believe it or not, there are times where I DO want noise, especially in my black and white work.
What I’m not sure of is if you’re planning to purchase a dSLR with the intention of not post processing your exposures. This is fine, but the nature of dSLR cameras, by design, almost require you do so. Even my Canon point and shoots require some level of post processing to achieve a nicer look than what comes straight out of the camera. All cameras, from a point and shoot to a Mark III come with some form of mastering software. Whether or not you choose to use it is up to you.
But for best results, from ANY camera, you’ll want to.
I’ve been on this forum for quite a while now, and have seen posts like yours. They are quite common. You’re not the first to be wary, but those who ultimately do purchase an Olympus camera usually, and based on my time here, will say 8 times out of 10 they’re satisfied. Then there are those who come in as new Oly owners, have no clue as to what they’re doing, prove it my posting horrid photos, and will eagerly ask for help. And nearly always, with the kind help offered here by nearly everyone, they in time end up with great results once they have learned the camera, studied the resources offered to them, and spent considerable time shooting and practicing.
And the very same thing happens in each and every forum, here or elsewhere. New dSLR owners have a learning curve to get over. And even if they come with previous photographic experience, if they’ve purchased a camera from a different maker, they still go through a learning curve.
Digital is hell and gone from film, although the philosophy of exposure will always remain the same.
I can safely say that if you buy the E-510 you’ll fully enjoy it, if, with emphasis on IF, you’re willing to become an active participant here and ask for instruction and guidance. If not here, then someplace else, but seek out all you can. Most of the four-thirds forums are loaded with people who want to offer help. While this particular forum can be scary at times, in reality, it remains one of the better camera forums here on Dpreview.
You want night sweats? Go play in the 5D forum.
In closing, one thing I might suggest is, along with your 2-lens E-510, you buy an FL-36. You’ll want it for indoor shooting. While the camera offers built-in flash, an FL-36 is your answer for intimate family gatherings. If you want beefier, upgrade to an FL-50 later. I would also suggest later on down the road an 11-22 and 14-54. Or, perhaps the 12-60 instead. Keep in mind that camera bodies are built around lenses. The lenses you’ll hang onto forever, the bodies…meh…a dime a dozen.
I’ve included several photos from my Olympus cameras; all 3 are covered. While these aren’t what you asked for in this thread, the reason I’m posting them is because to me they represent why I’m firmly entrenched into Olympus. I find them to be excellent cameras with excellent Zuiko glass, and they have always, always provided me with excellent results in nearly every shooting condition imaginable.
Trust me on giving you a thumbs up on you purchasing an E-510. I wouldn’t steer you wrong. A search here or anywhere else on the Internet will yield thousands of example photos.
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Regards,
Steve