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The noise issues that the previous Panny's had seems to have been
largely overcome with an apparently newer version of the Venus III
engine coupled with a new sensor that are both found in the FZ 18.
Progress for sure there.
We cannot judge and should not prejudge a camera by what a
manufactuer did before, but must test each camera individualy. Its
progress, and sadly, sometimes regress.
Look at Fuji that went from a wonderful S6000fd with a SuperCCD to
the newer s8000fd WITHOUT a SuperCCD. Go figure.
Can we say the the p&s cameras from Oly have shown continuous
improvement in IQ over time?
Unfortunately - and I've really played with turning the NR off in Master and Studio quite a bit now (the only software that allows you do that as the 3rd party ones don't have that), you increase the noise levels tremendously also! I was really turned off with the noise levels in SP-550 images (even at the lowest ISO's) when you turn the NR when converting RAW images. It's these teenie-weenie sensors that are to blame. The larger the pixel, the more light-gathering capabilities it has. The problem is that manufacturers seem to think they can artificially remove the noise - often at the expense of smearing, artifacts, and a loss of that 3-dimensional "you are there" quality that so often causes us to look twice at an image when it's fine.In the SP550 I chose a toy that I know (the RAW NR
= off trick) how to get detail out of.
Seeing that the FZ18 crammed more pixels into the same sensor, I
expect the noise problem to be worse or the same, not better. It's
quite ugly to my eye, their noise reduction that is.
Give me detail or give me a toy. All these cameras are toys as far
as I'm concerned. In the SP550 I chose a toy that I know (the RAW NR
= off trick) how to get detail out of.
Steve
The noise issues that the previous Panny's had seems to have been
largely overcome with an apparently newer version of the Venus III
engine coupled with a new sensor that are both found in the FZ 18.
Progress for sure there.
We cannot judge and should not prejudge a camera by what a
manufactuer did before, but must test each camera individualy. Its
progress, and sadly, sometimes regress.
Look at Fuji that went from a wonderful S6000fd with a SuperCCD to
the newer s8000fd WITHOUT a SuperCCD. Go figure.
Can we say the the p&s cameras from Oly have shown continuous
improvement in IQ over time?
Seeing that the FZ18 crammed more pixels into the same sensor, I
expect the noise problem to be worse or the same, not better. It's
quite ugly to my eye, their noise reduction that is.
Give me detail or give me a toy. All these cameras are toys as far
as I'm concerned. In the SP550 I chose a toy that I know (the RAW NR
= off trick) how to get detail out of.
Steve
The noise issues that the previous Panny's had seems to have been
largely overcome with an apparently newer version of the Venus III
engine coupled with a new sensor that are both found in the FZ 18.
Progress for sure there.
We cannot judge and should not prejudge a camera by what a
manufactuer did before, but must test each camera individualy. Its
progress, and sadly, sometimes regress.
Look at Fuji that went from a wonderful S6000fd with a SuperCCD to
the newer s8000fd WITHOUT a SuperCCD. Go figure.
Can we say the the p&s cameras from Oly have shown continuous
improvement in IQ over time?
Unfortunately - and I've really played with turning the NR off inIn the SP550 I chose a toy that I know (the RAW NR
= off trick) how to get detail out of.
Master and Studio quite a bit now (the only software that allows you
do that as the 3rd party ones don't have that), you increase the
noise levels tremendously also! I was really turned off with the
noise levels in SP-550 images (even at the lowest ISO's) when you
turn the NR when converting RAW images. It's these teenie-weenie
sensors that are to blame. The larger the pixel, the more
light-gathering capabilities it has. The problem is that
manufacturers seem to think they can artificially remove the noise -
often at the expense of smearing, artifacts, and a loss of that
3-dimensional "you are there" quality that so often causes us to look
twice at an image when it's fine.
We all know that the photographer makes all the difference in the
world, that and post processing. We also, know that what we see on
the screen means little as we are seeing a screen sized image, not an
image in print. Pixel peeping aside, I want good prints of my images
first, screen sharing second.
That said, the second image in the first link sample is horribly
underexposed. It was taken at 9:24 am and it's that underexposed?
None of the shots were taken in difficult conditions. All taken at
ISO 100 and almost all taken at the short end of the zoom. I expect
the same results with my wife's el-cheapo A530 in those shooting
conditions.
Are they decent shots? Sure, but I'm not impressed.
--
Steve
Minds are like parachutes, they only work when they are open - Unknown
Nice posting history Jim. It seems that your a Pany guy posting on
several non-Pany forums including this one here wher you point to
this thread:
http://forums.dpreview.com/forums/read.asp?forum=1010&message=25155168
Jim, You got called out by David as not being a Canon type person.
If you're not Canon and not Olympus, you must be trolling all over
the place. Can't you just stay in your Pany forum without trolling
please?
FWIW, I want competition as it's best for everyone. That's why I buy
so manay different manufacturer cameras.
--
Steve
Minds are like parachutes, they only work when they are open - Unknown
In your recent post, you just discredited the author. What makes you think she's right this time? Btw, according to some sources, the FX100 and FZ1x are two new series that 'slot' in the current lineup. This might be true, or not´.The FZ18 replaces the FZ8 according to the article.
I hope you didn't mean this seriously. How can it be the same sensor when not even the mp count match??? Yes, it's the same size and same maker, but it's a completely new design. Matsushita has been busy in the R&D department. They're onto dual layer micro lenses etc. The shot noise of the older FZ wasn't worse tha the competition, maybe Pany improved the noise from the circuits, or and the print.It has the same
sensor Matsushita 1/2.5 " and Venus III sensor and processor on both
cameras.
I don't know where you have been pointing your eyes since the FZ18 released, try here:Seeing that the FZ18 crammed more pixels into the same sensor, I
expect the noise problem to be worse or the same, not better. It's
quite ugly to my eye, their noise reduction that is.
In the FZ18 toy this trick is called NR-2 or RAW (btw 2 sec shot to shot...)Give me detail or give me a toy. All these cameras are toys as far
as I'm concerned. In the SP550 I chose a toy that I know (the RAW NR
= off trick) how to get detail out of.
I hope you didn't mean this seriously. How can it be the same sensor
when not even the mp count match??? Yes, it's the same size and same
maker, but it's a completely new design. Matsushita has been busy in
the R&D department. They're onto dual layer micro lenses etc. The
shot noise of the older FZ wasn't worse tha the competition, maybe
Pany improved the noise from the circuits, or and the print.
The Venus III might have the same name, but the output is
significantly improved, it might be a completely different engine,
but maybe Pany didn't want to draw too much attention to the 'Venus'
brand. NR now has 5 settings, and even in the default mode the
smearing of the FZ50 is much improved.
I hate to burst your bubble Greg, but you can use the same sensor and
processor yet increase the MP.