drAstronomus
Member
my dream ;-)
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--I seriously doubt that! The front element on the EF-S lens could haveNope...same size (well, there would be a very tiny reduction).Well, let's imagine a EF-S 70-300/2,8 IS. Wouldn't that be smaller
than a EF 70-300/2,8 IS because of the smaller image-circle?
300/2.8 = 107mm - entrance pupil size regardless of image circle size.
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That entire front section on the left would still be the same, and
the overall length would be the same. Some of those tiny elements on
the right could get very slightly smaller. Overall, no real change
in size.
Notice that there was plenty of room for them to move the rear
element closer to the sensor, even with the EF mount, and they
didn't. That's because there's no real advantage to doing so on a
telephoto lens.
a 1,6x smaller diameter, and still collect enough light for the 1,6x
smaller image-circle!
Yes, you're right. It's the FOV or angle of view that's important. A 100x crop sensor with a 100mm lens would only collect the light from an angle 100x more shallow than the FF-sensor, and therefore the entrence pupil must have the same size.I thought the same thing, slept on it. The part of the image circle
that is outside the sensor corresponds to a field of view that is
wider than the 480 MM equiv. FOV. In short, you're throwing away the
portion that corresponds to the 300MM FF FOV.
Look at it another way - a perfect lens will have a FOV that is
inversely proportional to the sensor size. Taken to extremes, you
could have a 300 MM telephoto converted to a 3 MM wide angle with a
sensor that is 100 times larger than a FF sensor. So, an ideal lens
is always "throwing away" light outside the angle of view determined
by the sensor.
A pin hole is an example of such an ideal lens. Of course a real lens
always has some limitation of the ultimate FOV it's capable of of.
Might be due to optics, baffles, obstructions. I suspect it's
mechanical in most cases, and hence arbitrary. Better to block and
baffle the light not used that to let it through to create flair and
all.
So, every lens ever made is "throwing" away light outside it's
equivalent FOV. In most cases you don't even think about it because
this extra light is mechanically blocked before it reaches the end of
the lens. That's just good design practic.
See discussion above as to why that's impossible.I hope Canon can produce both EFS300 f2.8 and EFS500 f4 IS at the
size of EF200 f2.8 L II for my 30D.
That would be cooooool....
Well, you could get fairly close using DO technology ..... and there would be a useful side effect - no one would complain about the price of the EF-S 17-55 any more! Say, in round figures, about US $6000 for the 500/4, and US$5000 for the 300/2.8? I bet they would sell like crazy to the 400D crowd.See discussion above as to why that's impossible.I hope Canon can produce both EFS300 f2.8 and EFS500 f4 IS at the
size of EF200 f2.8 L II for my 30D.
That would be cooooool....
This is what i was getting at in earlier post:Also, the 17-55IS is too expensive to be a realistic kit lens for the
30D, so they need to upgrader the 17-85 to make it the premium kit
lens it originally was. I don't know how you do that (add fancy
elements to improve corner sharpness and reduce fringing etc.?)
But they still would not be the size of the EF 200mm f2.8 L. Possibly the weight, and maybe a bit closer to the length, but still a bit "girthy".Well, you could get fairly close using DO technology ..... and thereSee discussion above as to why that's impossible.I hope Canon can produce both EFS300 f2.8 and EFS500 f4 IS at the
size of EF200 f2.8 L II for my 30D.
That would be cooooool....
would be a useful side effect - no one would complain about the price
of the EF-S 17-55 any more! Say, in round figures, about US $6000 for
the 500/4, and US$5000 for the 300/2.8? I bet they would sell like
crazy to the 400D crowd.![]()
It's a good lens with decent build and decent optical quality at all ranges. It's not an L-prime but it's a quality consumer zoom with effective IS, fast focusing, good sharpness, and relatively little CA and distortion. It does have some corner softness, some distortion and some CA but I've shot with it in all sorts of conditions and have never had any shots that showed any optical defects on prints up to 8x12.What are the results of you 17-85 owners?
It cannot be only the zoom range: Have you noticed that the new Tamron 18-25017-85 IS is much better for general purpose use than the impression
you would get by reading these forms. 5x zoom range is very useful.
It has a well documented set of problems, most of which are the
result of the 5x zoom range:
There are at least two outstanding choices if 17mm is important: Canon17-55/2.8 and Tamron 17-50/2.8. I would consider the 10-22 only if you really want to go wider than 17mm.1. Excessive barrel distortion at 17mm. Distortion is significantly
reduced by 20mm and almost gone at 24mm. If you are going to be using
this lens in 17mm range most of the time, you should probably buy a
EF-S 10-22 instead.
It doesn't make much sense to shoot wide angle and then to zoom in later digitally in postprocessing if you want the best resolution. Sharp borders at wide angle are very important in landscape photography. The 17-85 unfortunately does not deliver, even stopped down.2. Softness at extreme borders. I am not sure how many people care
about the sharpness of extreme borders of their images for daily use.
In many cases, those areas get cropped after recomposing the image
during post processing.
True, but this bothered me actually less than border softness and vignetting.3. CA, especially at the wide end of the zoom range. This is bad. It
can be corrected to some degree in post processing, but still
annoying. This is one thing Canon should fix if they decide to make a
Mk II version of this lens.
Better than Sigma's good copies? Or just with less inter-copy variation? Isn't a good Sigma good enough?What is IMO desperately needed is a very high quality and compactWe have the 60mm macro, the 10-22, the 17-85IS, the 17-55IS. What's
next!?
EF-S 30/1.8 or 30/1.4.
Commercially, this is what they really should get pronto. They're missing numerous body sales to Nikon right now because they haven't one. Not that I would buy one. But the DSLR first-timers love such a lens. Very few of them come to the DSLR world primarily to enjoy the exhilarating joy of changing lenses. And a number of them come from dicgital superzoom cameras like Panasonic FZ50 or Canon Powershot S5 IS, and have come to expect a 10 x or 12 x zoom lens.More likely is probably a long range zoom,
e.g. EF-S 18-200 IS, because Nikon has already one.
That's one that I'd really like as a complement to my 17-55. Sigma makes one without IS, er, OS, which is said to be quite good optically, but IS really starts to be a huge improvement at those focal lengths. I don't care if it's EF or EF-S, but I want one!It wouldn't make much sense because there are plenty of long EFWill Canon go long for EF-S next time around? I think so!
lenses and the smaller EF-S image circle affects mainly the design of
wide lenses. But something starting at 50mm like an EF-S 50-150/2.8
IS may be in the pipeline.