What's your experience with it?
My Haoda screen is very accurate, at least for the split-image. I don't get quite as good results using the microprisms and the laser matte area, but I think that's just poor technique on my part—I don't use them enough to be good at it.
Installation was relatively easy, except that on the first attempt I didn't get the retaining clip fully latched and the whole screen assembly fell out when I took my first test shot, and on the second attempt I didn't get the screen properly positioned under all 4 "legs" of the retaining clip, so it wasn't held straight. The third time was the charm, and the entire process took me maybe 15 minutes. Having done it once, I could do it again in a minute or two.
The loss of the AF point indicators—both the markers and the red LEDs—wasn't a problem for me because I mainly shoot manual focus, and when I shoot AF it's with AI Servo so no LEDs anyway. The only AF point that I care about is the center, so the loss of the markers isn't important to me either.
I ran some tests and found no effect on metering on my XT.
The only negative—to me—of the Haoda screen is the partial blackout (split-image and microlens) at the f/5.6 end of my lens. I have to take a moment to get my eye positioned correctly at the viewfinder to prevent the partial blackout (not a problem at the f/4 end of the lens). This is the big selling point of the Katz Eye screens.
Is it much better than standard AF? or is it mostly the same,
and only used in specific situations?
I don't generally have AF troubles. My 17-85 isn't fast enough or long enough to produce razor-thin DoF, and its Ring USM seems to be quite accurate anyway.
I use manual focusing because I enjoy it. The same reason that I use manual exposure mode. I like the control, I like the results that I get, and I like the reduced shutter lag. It gives me the "manual film SLR" feel that I'm used to.
There's not much technical advantage for most people. Split-image focus screens for DSLRs remain a cottage industry—essentially two individuals are producing almost all of the screens currently being sold—even though the market consists of tens of millions of DSLRs.