I have acces to a nikkor 105, 2.5 ai lens in like new condition. If
I buy it, I understand it will not meter on my S3 (but could if I
ever move up to an S5!) but this is not unlike the PC 35, 2.5 I
already use for careful tripod work.
I hear this is one sharp lens and would like to use it for two
things, one, indoor concerts, usually small groups, shot close to
the stage; and macro work with tubes and or a good quality close-up
lens.
Can anyone comment one suitability for use given the 1.5(6)x factor
, or own personal experience? Many Thanks, Shoester
Yes. With the 1.5x crop, she's a little long for portraiture in my studio. But in a situation like stage work, it's a killer.
What kind of concerts are you shooting? For rock, I personally think autoexposure is necessary: the lighting changes to much from second to second to guess exposure, read histogram, and reshoot. For classical, jazz, and country, the lighting is steadier, and manual exposure is a workable solution.
And for your macro work, FrankG nailed it. We optical engineers have a highly technical term to describe how the 105mm f2.5 works on extension tubes. We say it "sucks". That particular lens builds up spherical aberration so fast at extension that you can't get a really sharp macro, even wide open.
However, there is a budget-conscious alternative. Another Nikon legend, the 55mm f2.8 micro-Nikkor often goes for $100 or less on eBay (this week's batch went for $102, $97, $89, $70, and $57). It's another lens that you'd have to manually focus and guess at metering, but dang, that thing is sharp and contrasty. And it has a great mechanism for smoothly and easily focusing at macro distances.
With those two lenses in your bag, you'll get some of the best portrait and product shots you've ever seen.
--
Normally, a signature this small can't open its own jumpgate.
Ciao! Joe
http://www.swissarmyfork.com