H9 - Its not the sensor losing detail

_haider

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The sensor has 8.1M effective pixels. It is capable of recording 8.1M variations accross the scene. Like many believes the result of putting too many pixels is a cause of degraded details in an image.

As we have seen some H9 photos do have less details, the reason could be the sensor having too many pixels, or the processor thats doing the NR and compression, or a mix of both.

I have been trying to find out how detailed photo I can get from the H9 in various light conditions.

Overall, I agree with Alan in that the smearing NR artifacts show up in very low contrast gray, light brown and sometimes other colors.

Purposely underexposed indoor lowlight shots reveal the loss of detail along contrasted areas.

However, I did managed to get some shots that I believe is outstanding and proves H9's sensors ability. Here is a couple of photos from today showing quite good details:

Wide angle, indoor, typical dark environment of Red Lobster restaurant. Handheld at ISO 80, 1/13 shutter and F2.7:



It is slightly sharpened after resizing. You can see the barrel distortion. But look at the original and see there is very good detail for this lighting condition. The IS is great on H9. This photo was taken at 5MP, but I believe there won't be much difference at 8MP.

The next one taken early this morning, at the full 15x telephoto, where I wasn't quite sure if it was flowers or some red leaves, and where it actually focused.

It is taken at 8MP, handheld, ISO 80 and at the maximum F stop available at 15x:



It is cropped and resized. The focus seems to be on the buds in the middle, and everything before and after it is slightly out of focus.

Again, if you look at the originals, there is little artifacts indicating loss of detail.

The originals are here:

http://haiders.net/h9/detail/originals

Thanks for looking. The sensor, I believe has nothing to do with the problems that we are seeing sometimes. Although many are suggesting the new compression system, which appears to be dynamic, is not responsible for it either, I believe it is in someway contributing to it. But perhaps the main problem is the processor.

Sony has created an intelligent processor, and it is making decisions to various degree, depending on various factors in any given situation, mode, lighting and everything else that affects a photo.

In automatic/scene modes, it makes decisions on ISO, white balance as well as color balance. It doesn't even allow overriding these decisions. In other modes, these aspects are in our control, but the processing of an image is still fully automatic. It is possible that the processor is discarding minor contrast/detail before handing the image over to compression algorithm. This will result in much smaller file sizes even if the same level of compression is applied. The very minor details are sacrificed possibly because human eye can't detect that in normal sizes. Then of course there seems to be a dynamic compression algorithm further trying to act intelligent.

The problem is even an intelligent human makes mistakes. A new generation of atrificial intelligent processor is likely to make more mistakes.

Many of us would rather make the mistake ourselves rather than having the camera make a wrong choice.

Those who shoot fully automatic will probably be disappointed at the inconsistent behavior of the camera.

Sony should have given an option to put that system into sleep, if and when we want to.

The H9, although being a very powerful camera, is going to result in a very mixed response from users.

I am keeping mine. But Sony has to make some careful decisions here, and quick.

I think all the professional reviewers are being very sympathetic to the H series and Sony by not publishing what they think of H9 at this point. They are also waiting for Sony to answer their questions.
 
I think all the professional reviewers are being very sympathetic
to the H series and Sony by not publishing what they think of H9 at
this point. They are also waiting for Sony to answer their
questions.
Which is ridiculous if they are. They should be reviewing the camera and then adding updates to their reviews if necessary. They need to be unbiased and just do the reviews. There is no reason why consumers should not be made aware that the camera "may" have issues. I wonder if they would give the same type of consideration to other cameras? If not they shouldn't do so for Sony.

--

Today, 1 in 150 individuals is diagnosed with autism, making it more common than pediatric cancer, diabetes, and AIDS combined. It occurs in all racial, ethnic, and social groups and is four times more likely to strike boys than girls.

April is Autism Awareness Month http://www.autismspeaks.org [/U]
 
It seems to be the trend these days, we longer need to think! Let our software determine what's best for us, whether we agree or not.

Is this good? Sometime's when in Auto, you want to concentrate on the task at hand, which is your creativity in the shot you envision, this is good.

When your not happy with what you get, you should be able to over-ride and take control?

Try that in Computer software, what do you get, 'blue screen of death', maybe sony's version, what a shame.

Don't get me wrong, I love my H5 and after seeing some great H9 shots, I am still debating an upgrade. Some of those new feature's are just fantastic!
Keep them coming, I feel my trigger finger going for that Visa.
--
Rudy
 
Those are quite good, the 5mp@ISO80 being very good!

One thing to keep in mind though, reds usually come out heavily saturated so it's not the best example to prove/disprove the issues. Another is that the smearing etc. isn't mostly limited to just certain colors, though it's greens that seem to be affected more often from what I've seen so far.
--
Martin ( http://www.jpgmag.com/people/mschf )
Gear: reverse...
 
Just look at the S5 samples. That camera uses the exact same sensor and really shines in 100% crops. Less smearing, better transitions (less paintery).
 
Which is ridiculous if they are. They should be reviewing the
camera and then adding updates to their reviews if necessary. They
need to be unbiased and just do the reviews. There is no reason
why consumers should not be made aware that the camera "may" have
issues. I wonder if they would give the same type of consideration
to other cameras? If not they shouldn't do so for Sony.
Well... I think it depends on timing.

For example, let's speculatively say that Sony contacted reviewers last week and told them a firmware update is being worked on with an estimated release of less than 30 - 60 days after the H9's official launch date. And let's say Sony has been working with the reviewers in terms of gathering info about what needs to be addressed. In that sort of situation, I don't think it's bad for reviewers to wait a little for the firmware update to be released.

But who knows what is happening one way or the other... I certainly don't. Maybe reviewers are just struggling with their own opinions as many H9 users here have done, and want to come to terms with the camera before passing public judgment that may affect thousands of purchases. It's a big responsibility, so I don't blame them for being careful about it. Despite the (possibly fixable) shortcomings, the H9 is a very compelling piece of hardware.
 
The number of mistakes the processor makes will be the definitive factor.

If it is very less, we can live with that. But if it makes more mistakes than the we normally do, then we have a problem.

It is obvious that in certain situations the processing system goes crazy.

I have yet to do more tests, but it looks like motion blur on furry objects is one common situation. If you have a relatively low contrast furry animal moving fast, and the shutter speed is not fast enogh to freeze them, their body will appear blurry, resulting in low contrast area, which will cause the processor to further reduce that contrast as it is very little contrast to be detected. The result is not pretty.

A couple of bad shots from this morning:



and...



At 1/60" and 1/40" shutters, I was not able to stop the squirrels fast movements. But the outcome seems horrible.

I may be wrong and these are just some bad shots. Chasing the squirrel wasn't easy. But I have used H1 and I don't think I saw anything like that before.

Haider.
 
Haider,

Your tests are very subjective. The best test would be to use photographic patterns to determine camera resolution and when moire becomes visible.

You will also need a series of test in various lighting conditions at different zoom to determine "real-world" resolution and camera capabilities.
And, then compare it to other cameras.
 
I remember reading one of the reviews, where it was mentioned that they were holding it because they were awaiting confirmation of certain behavior of certain camera from Sony.

In other words, they may have a bad copy too, and if they feel something is not right, they would contact Sony to find out if the behavior is by design.

Given the type of response Sony has been showing so far, it will probably take a while if they are indeed waiting on Sony.

Haider.
 
Just look at the S5 samples. That camera uses the exact same sensor
and really shines in 100% crops. Less smearing, better transitions
(less paintery).
And probably more noise! :-)
We have to wait to see real-life pictures.
And, most likely, more detail, less smearing and less watercolor effect :-)

But, emotions aside, the cameras must be compared not based on a few best pictures selected for the site, but on real life tests. Be patient!
 
Maybe. I certainly see noise in the shadows, but no color blotches. I've seen noise in the shadows of many of the H9's ISO 80 shots too (sometimes with colored blotches).

But you're right, better wait for the production (user) samples and a decent review.

In any case, it does make me believe Sony can tweak things on the H9 (less NR at lowest ISO for example).
 
I agree, I unfortunately I am unable to carry out such a test.

But I wanted to show that it is possible to get details at 8MP from H9, and what I feel about the issue on losing details and NR artifacts.

It is not meant to be anything definitive. People from different fields are looking at it from different angles. I am a computer programmer, not photographer, and this is my take on the issue.

Thanks, Haider.
 
Back in the good 'ol days before manufacturers started cost cutting like crazy and shrinking sensors, 8Mp with a 1/1.8" sensor in a non-DSLR achieved much better quality images. Today, we see impressive specmanship with little to show for when it comes to pure image quality.

A sure sign that a camera is less than satisfactory is when owners show a reluctance to post large images or crops. Afterall, practically any camera can be made to look good with liberal downsampling.

As an example, 8Mp from a non-dSLR, circa 2004. Makes a lot of today's 8Mp's look like "Fisher Price" quality:


The sensor has 8.1M effective pixels. It is capable of recording
8.1M variations accross the scene. Like many believes the result of
putting too many pixels is a cause of degraded details in an image.

As we have seen some H9 photos do have less details, the reason
could be the sensor having too many pixels, or the processor thats
doing the NR and compression, or a mix of both.

I have been trying to find out how detailed photo I can get from
the H9 in various light conditions.

Overall, I agree with Alan in that the smearing NR artifacts show
up in very low contrast gray, light brown and sometimes other
colors.

Purposely underexposed indoor lowlight shots reveal the loss of
detail along contrasted areas.

However, I did managed to get some shots that I believe is
outstanding and proves H9's sensors ability. Here is a couple of
photos from today showing quite good details:

Wide angle, indoor, typical dark environment of Red Lobster
restaurant. Handheld at ISO 80, 1/13 shutter and F2.7:



It is slightly sharpened after resizing. You can see the barrel
distortion. But look at the original and see there is very good
detail for this lighting condition. The IS is great on H9. This
photo was taken at 5MP, but I believe there won't be much
difference at 8MP.

The next one taken early this morning, at the full 15x telephoto,
where I wasn't quite sure if it was flowers or some red leaves, and
where it actually focused.

It is taken at 8MP, handheld, ISO 80 and at the maximum F stop
available at 15x:



It is cropped and resized. The focus seems to be on the buds in the
middle, and everything before and after it is slightly out of focus.

Again, if you look at the originals, there is little artifacts
indicating loss of detail.

The originals are here:

http://haiders.net/h9/detail/originals

Thanks for looking. The sensor, I believe has nothing to do with
the problems that we are seeing sometimes. Although many are
suggesting the new compression system, which appears to be dynamic,
is not responsible for it either, I believe it is in someway
contributing to it. But perhaps the main problem is the processor.

Sony has created an intelligent processor, and it is making
decisions to various degree, depending on various factors in any
given situation, mode, lighting and everything else that affects a
photo.

In automatic/scene modes, it makes decisions on ISO, white balance
as well as color balance. It doesn't even allow overriding these
decisions. In other modes, these aspects are in our control, but
the processing of an image is still fully automatic. It is possible
that the processor is discarding minor contrast/detail before
handing the image over to compression algorithm. This will result
in much smaller file sizes even if the same level of compression is
applied. The very minor details are sacrificed possibly because
human eye can't detect that in normal sizes. Then of course there
seems to be a dynamic compression algorithm further trying to act
intelligent.

The problem is even an intelligent human makes mistakes. A new
generation of atrificial intelligent processor is likely to make
more mistakes.

Many of us would rather make the mistake ourselves rather than
having the camera make a wrong choice.

Those who shoot fully automatic will probably be disappointed at
the inconsistent behavior of the camera.

Sony should have given an option to put that system into sleep, if
and when we want to.

The H9, although being a very powerful camera, is going to result
in a very mixed response from users.

I am keeping mine. But Sony has to make some careful decisions
here, and quick.

I think all the professional reviewers are being very sympathetic
to the H series and Sony by not publishing what they think of H9 at
this point. They are also waiting for Sony to answer their
questions.
[/U]
 
Thats more like it.

I believe the sensors are still capable of producing this quality.

Thanks, Haider.
 
I partially agree: it is not the sensor AND it is not the processor either, but
the tweaking of the algorithms (or software) used to drive the processor.

The very same processor, called 'Bionz', is used on Sony's Alpha (D-SLR) and we have heard of no issue of IQ about that camera.

As a former Canon-Nikon user I am extremely disappointed with my brand new H9's image processing! It seems like smaller file size was more important when they were designning this camera. A shame considering the fine Zeiss lens!

Sony should worry less about compression (memory is cheap these days!) and care more about the final image quality.

I expect sony to deliver a new firmware version additionally allowing us to choose either RAW or Super Fine for JPEG.
 
As a T100 user, I have one thing to say to all the H9 users...

Welcome to last month! :-)

Just kidding... No hard feelings but I saw this coming a long time ago when the T100 came out. I thought people would expect this since they share the same sensor and have the same NR tendencies.
 
The number of mistakes the processor makes will be the definitive
factor.

If it is very less, we can live with that. But if it makes more
mistakes than the we normally do, then we have a problem.

It is obvious that in certain situations the processing system goes
crazy.

I have yet to do more tests, but it looks like motion blur on furry
objects is one common situation. If you have a relatively low
contrast furry animal moving fast, and the shutter speed is not
fast enogh to freeze them, their body will appear blurry, resulting
in low contrast area, which will cause the processor to further
reduce that contrast as it is very little contrast to be detected.
The result is not pretty.

A couple of bad shots from this morning:



and...



At 1/60" and 1/40" shutters, I was not able to stop the squirrels
fast movements. But the outcome seems horrible.
With those speed your could not stop an elephant.
I may be wrong and these are just some bad shots. Chasing the
squirrel wasn't easy. But I have used H1 and I don't think I saw
anything like that before.

Haider.
--
Bob,

'We don't make a photograph with a camera; we bring to the act of photography all the books we have read, the movies we have seen, the music we have heard and the people we have loved.' Ansel Adams

Sony R1
Canon Pro1
Casio Z750
Nikon 3100[/U]
 
Back in the good 'ol days before manufacturers started cost cutting
like crazy and shrinking sensors, 8Mp with a 1/1.8" sensor in a
non-DSLR achieved much better quality images. Today, we see
impressive specmanship with little to show for when it comes to
pure image quality.

A sure sign that a camera is less than satisfactory is when owners
show a reluctance to post large images or crops. Afterall,
practically any camera can be made to look good with liberal
downsampling.
This is what I think I've observed as well. Not too many people seem to be showing off their full res photos that are not macros or full tele of flowers.
 

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